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The Punjab has been deeply connected to the history of the Sub-continent. The people of Punjab belong to different religions i.e Islam, Hinduism and Sikhism, and possess various beliefs; thus have been playing a significant role in the continuity of its social and cultural development. The history of Sikhism originates from their spiritual leader "Bābā Gurū Nānak". Their famous holy books 'Gurū Granth has been written in Punjabi language. During the Sikh rule, the Punjab consisted of twelve (12) Misals in other words, twelve people ruled there. The reign of Maha Raja Ranjīt Singh witnessed an organized rule; thus it is called the golden period of the Punjab history. This manuscript „Tārīkh-e-Punjāb', is a unique and unmatched manuscript in Persian language, about the history of the Punjab during the reign of Maha Raja Ranjīt Singh. This manuscript reflects the political, geographical, military, economical, religious and social aspects of the Punjab in the 19th century. The images of various customs, dresses and ornaments have also been provided. Although, it was written in Persian language, in 19th century; yet it is a bit different from the modern Persian language of Iran. Since, it includes the words from other languages of the Punjab, including Sanskrit, Punjabi, Hindi and Urdu; its text is difficult and complicated. Inspite of the use of a number of allegories and idioms, there are many textual mistakes. These have been corrected and editing. Its detail comes in the Preface. [ABSTRACT FROM AUTHOR]

Paradox, bringing two apparently contradictory statements in a verse containing any truth, reality and satire has been counted as an important artistic characteristic in poetry since long and poets have always used it to enhance the beauty and depth of their poetry. Indian style of Persian poetry has been known as a style of novelty and artistic display. Poets of these styles apart from other techniques have rewmendoxy used paradox and presented beautiful examples of imagery. This article presents an analysis of exhibition of use of paradox in the poetry of prominent Persian poets of Indian style along with its examples. [ABSTRACT FROM AUTHOR]