Search

Copyright of Public Art is the property of Shanghai Fine Arts Publisher Ltd. co. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Public Art is the property of Shanghai Fine Arts Publisher Ltd. co. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper focuses on the role and transitions of urban waterfronts in Shanghai during the last decade when their mainly industrial functions made place for leisure and real estate. An analysis is made how promises and ambitions behind this massive urban regeneration project are translated into realities on the ground, while focusing on the new relationship to the water. The paper explains how in the context of extreme urban pressure well-manicured new urban watersides offer attraction but also sometimes clash with their usability and ambitions. The paper concludes with some recommendations to create more sustainable attractive watersides. [ABSTRACT FROM AUTHOR]

Copyright of Public Art is the property of Shanghai Fine Arts Publisher Ltd. co. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Public Art is the property of Shanghai Fine Arts Publisher Ltd. co. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Rural field is the carrier and container to map the human social and cultural value, which is not only the concrete physical field, but also the "generator" of rural feelings. This paper follows a series of activities, such as "Modern Field" 2022 New Shanghai Village Aesthetic Education Exhibition and Forum, to explore the "rural readability" from the perspective of artistic intervention. And starting from the four themes of "returning to the field", "returning home", "returning to art" and "returning to the heart", it attempts to hold the new Shanghai banner to intervene in rural construction, restore nostalgia memory, coordinate aesthetic education matrix, promote industrial incubation, and reshape the core of the villagers-to-build. Through the artistic intervention into agricultural and tourism production, environmental construction, cultural inheritance and rural governance, it also responds to the reconstruction and expansion of the new Shanghai-style rural aesthetic education and revitalization. [ABSTRACT FROM AUTHOR]

Taking the waterfront public space connection project of Jing'an section of Suzhou River in Shanghai as an example, this paper summarizes the practical problems and construction needs of the urban waterfront space renewal, providing reference for the regeneration of the waterfront space in other urban centers. [ABSTRACT FROM AUTHOR]

"Community Art Museum" is a new theory and attempt in China. With the initial development of the innovative system of public cultural services and the community art museum, it is very necessary to look into the relevant practices of the community art museum and social aesthetic education, which not only involves the professional requirements of art museums, but also involves the interdisciplinary practices in the fields of museology and sociology. This paper analyzes the community practices of "Su Shanghai Community Art Museum" and "Community Interchange Station", and theoretically discusses the issues of community art museum, social aesthetic education and public cultural innovation. [ABSTRACT FROM AUTHOR]

Since the urban planning transformed from the scale expansion to an emphasis on stock renewal, improving spatial environment quality and promoting the development of urban connotation, the design mode concerning local conditions, times and residential needs can excavate and reshape more the charm of the residual space between the functional blocks in the city. This paper analyzes the design strategy and essential elements of the activation and utilization of such space with three cases of the renewal design and practice in Shanghai. [ABSTRACT FROM AUTHOR]

Focusing on the topic of urban organic renewal of Shanghai and the successful cases there in recent years, this paper analyzes the basic needs, quality needs and spiritual needs in the renewal process, as well as the strategies and methods to improve people's life experience and shape the cultural spirit of the city. It summarizes the characteristics of Shanghai urban renewal at the present stage, and puts forward innovative propositions. [ABSTRACT FROM AUTHOR]

Guoluo is a typical Tibetan plateau grassland pastoral culture, with the intangible cultural heritage item of distinctive ethnic characteristics. This paper introduces the practical ways of helping Guoluo's poverty alleviation by Shanghai from four aspects: teaching, fostering and researching the local intangible cultural heritage; revitalizing traditional handicraft; providing market platform and multi-party cooperation in order to create an "external support" for Guoluo's cultural development. Guoluo inheritors came to Shanghai University to participate in training, and opened a new chapter for colleges and universities to participate in poverty alleviation. [ABSTRACT FROM AUTHOR]

Copyright of Public Art is the property of Shanghai Fine Arts Publisher Ltd. co. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Public Art is the property of Shanghai Fine Arts Publisher Ltd. co. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)