1. 日本江户时期和制南蛮胴的范式转变 -以美国大都会艺术博物馆藏品为例.
- Author
-
武文茜 and 王新厚
- Abstract
In terms of society and culture the Edo era in Japanese history was a vibrant and rich time. The evolution of Japanese traditional armor technology and armor culture achieved its pinnacle with the entry of Western technology into the contemporary age and the absorption of Chinese culture giving rise to the distinctive Japanese system of Nanban Dō. The Metropolitan Museum of Art in New York the USA has a sizable collection of ancient weapons and armor that spans geographies and covers various historical eras of Asian and European armor including a considerable portion of Japanese armor. This creates objective conditions for the comparison study of Japanese armor structure and form. We summarized and compared the Nanban Dō and the Asian and European armor collections of the Metropolitan Museum of Art in the United States in this article using historical analysis documentary analysis and case study techniques. It is found that the paradigm shift at different stages of the development of Nanban Dō was based on the different ways of acquiring and transforming foreign cultures in the changing contexts of the times and the timely innovation in the later critical acceptance. The following conclusions were obtained from the study. First the paradigm development of Japanese Nanban Dō was related to the level of productivity national military power and aesthetic trends of the times and was also inseparably related to the history of political and cultural exchanges. The paradigm transformation path of design imitation and re-creation of Japanese made Nanban Dō was a process of restatement-transformation-breaking and in this process a vigilance for civilizational assimilation was always maintained. Second East armor and West armor were not separate systems that developed independently of each other. The evolution of the paradigm of the Edo period's Japanese made Nanban Dō was an attempt by craftsmen from various regions to find a scientific balance between the aesthetics of Edo armor at a time when Eastern and Western cultures were colliding fiercely and at the will of the ruling class and in the environment where Western technology and Eastern culture intermingled the Japanese made Nanban Dō exhibited characteristics of an experimental artwork. Third the traditional armor culture of East Asia is a genealogical structure built around China and the in-depth study and development of the Japanese Nanban Dō has positive significance for the study of armor in China and even East Asia. We treat the Metropolitan Museum of Art as a historical environment of multicultural interactions search for internal links in the subtleties summarize and analyze the different formal changes of the Edo period and the Japanese made Nanban Dō paradigm in different historical stages and analyze the progressive development of this form in depth and in all aspects so as to find new possibilities for the study of East Asian armor art. [ABSTRACT FROM AUTHOR]
- Published
- 2023
- Full Text
- View/download PDF