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Oporučno nasljeđivanje je, uz zakonsko, jedno od dva moguća načina nasljeđivanja gdje u potpunosti dolazi do izražaja ostaviteljeva sloboda raspolaganja vlastitom imovinom, što potvrđuje i suvremeni Zakon o nasljeđivanju, kao pravni propis koji uređuje materiju oporučnog nasljeđivanja. Oporuka je tako formalan, jednostran i opoziv pravni posao mortis causa, odnosno odredba posljednje volje kojim ostavitelj raspolaže svojom imovinom za slučaj svoje smrti. To se odnosi na suvremeno oporučno pravo, koje je u dobroj mjeri utemeljeno na rimskoj pravnoj tradiciji. U ovom radu analizirat će se zlarinske oporuke iz 17. st. u kontekstu rimske pravne tradicije. Analiza se odnosi na četrdeset i sedam glagoljskih oporuka koje je sakupio veliki poznavatelj šibenske prošlosti don Krsto Stošić, a izvornu su ih sastavili popovi glagoljaši i notari (don Mate Despot, don Matij Perošić, don Gustin Vidulin Černarić te don Jivan Oštarić) u periodu od 1661. do 1683. g. Sadržaj tih oporuka čine pravni elementi poput imenovanja nasljednika, legatara, svjedoka i prokuratora. Tekst se tako u bitnomu bavi oporukom kao pravnim sredstvom za raspolaganje vlastitom imovinom na određenom području i u danom vremenskom razdoblju, a u kontekstu rimske pravne tradicije. Također, rad ujedno prikazuje šarolikost društvenog života i imovinskog stanja tadašnjih ostavitelja općenito., Inheritance by testament is, in addition to intestate succession, one of the two possible ways of inheritance where the testator's freedom to dispose of his own property is fully manifested. This concept, stemming from Roman legal tradition, exists nowadays in the contemporary Croatian Act on Inheritance, which regulates matters of inheritance. Testament is thus a formal, unilateral and revocable legal act mortis causa, i.e. it represents testaror’s distribution of his property effective on the moment of his death. This refers to modern testamentary law, which is largely based on the Roman legal tradition. This text analyses testaments from the island of Zlarin (near the city of Šibenik, Croatia), from the 17th century in the context of Roman legal tradition. The analysis deals with forty-seven glagolitic wills collected by the great connoisseur of past of the city of Šibenik and its surrounding area, don Krsto Stošić, and which were originally composed by glagolitic priests and notaries (don Mate Despot, don Matij Perošić, don Gustin Vidulin Černarić and don Jivan Oštarić) in the period from 1661 to 1683. These testaments consist of various elements such as the appointment of heirs, legatees, witnesses and procurators. The text essentially deals with a testament as a means of disposing with one’s property in a particular area and time period, in the context of Roman legal tradition. Additionally, it provides a unique insight into various aspects of social life and property of testators generally.

Članak prezentira funkcioniranje Slavonske i petrinjske krajine, također poznate kao Slavonska krajina ili Varaždinski generalat, u 17. stoljeću. Rekonstruira administrativnu i teritorijalnu organizaciju tog segmenta Vojne krajine, brojnost i funkciju rodova stajaće vojske te njihove plaće i zapovjednu strukturu. Uspoređuje stanje u 17. stoljeću sa situacijom u 16. stoljeću s ciljem ocrtavanja trendova u taktičkom i strateškom razvoju habsburških snaga na Vojnoj krajini (Militärgrenze)., The paper presents the functioning of the Slavonian and Petrinian Frontier (also referred to as the Slavonian Frontier or Varaždin Generalate) in the 17th century: its administrative and territorial organization, branches of the standing army, its numbers, and the soldiers’ ranks and salaries. The 17th century development is compared with the situation in the 16th century in order to make conclusions about the tendencies in tactics and strategies deployed by the Habsburg military in the Militärgrenze (Military Frontier).

Višestoljetne veze dviju jadranskih obala rezultirale su razmjenom iskustava na brojnim razinama, a kulturna djelatnost u tom je smislu svakako nezanemariva. U ovom se radu kroz specifičan aspekt konzumiranja kulture u gradu Zadru, na temelju čitalačkih navika jednoga od njegovih istaknutih stanovnika, gradskoga plemića i učenjaka Šimuna Ljubavca (1608. – 1663.), prikazuju intelektualne preokupacije društvenih elita na prostoru istočnoga Jadrana. Analizom inventara Ljubavčevih dobara, koji uz ostalo otkriva i njegovu bogatu privatnu knjižnicu, čitalački afiniteti ovoga učenjaka poslužit će kao paradigma za bolje poznavanje opće kulture čitanja na istočnojadranskom prostoru i definiranje njegove pozicije na relaciji kulturnih središta i periferija onovremenoga Sredozemlja., Centuries-long connections between the two Adriatic coasts have resulted in vivid exchange of experiences, with cultural activity being one of their essential components. The aim of this paper is to use the specific aspect of culture consumption to see how cultural life in the city of Zadar, as the centre of the Venetian Province of Dalmatia and Albania, functioned in the mid-17th century, during the long Candian War (1645-1669), which proved exhausting for both warring parties – the Venetian Republic and the Ottoman Empire. Based on the reading habits of a prominent resident of Zadar, the wealthy nobleman and scholar Šimun Ljubavac (1608-1663), the paper discusses the intellectual preoccupations of the social elites in the Eastern Adriatic. As a lawyer, historian, and typical polymath of his time, Ljubavac owned a rich private library with some four hundred titles from various fields of sciences and arts, from ancient to modern authors. An inventory of his library was put together after his death and is today preserved in the State Archive in Zadar. Although such inventories are rare, which hinders a detailed comparative analysis, Ljubavac can be taken as a paradigmatic case to make conclusions about the extent to which Dalmatian scholars were able to follow the main trends in sciences and arts, which may help define the general role of the Eastern Adriatic among the cultural centres and peripheries of the Mediterranean and Europe during the given period.

U uvodnim dijelovima rada analiziran je političko-društveni i religijski kontekst područja Zadarske nadbiskupije u periodu kraja 16. i prve polovice 17. stoljeća. Odredbe Tridentskog sabora i zamiranje produktivnosti domaćih slikarskih radionica čimbenici su koji su utjecali na povećanje narudžbi slika od majstora djelatnih u središtu Mletačke Republike. Taj trend je u radu detaljnije razmotren na užem području Zadarske nadbiskupije, ali je riječ o fenomenu koji je karakterističan za čitav prostor istočne obale Jadrana. Analizirajući importno slikarstvo, uočena je veća potražnja za slikama mletačkog slikara Palme Mlađega i njegovih sljedbenika. U radu je detaljnije analiziran stilski izričaj Palme Mlađega te su pojedinačno obrađene njegove oltarne pale naslikane za zadarske naručitelje. Razmatrane su i narudžbe slika od njegovih sljedbenika na području Zadarske nadbiskupije pa rad donosi pregled svih sa sigurnošću pripisanih oltarnih pala pojedinom slikaru iz Palmina kruga, njihovu katalogizaciju, stilsku analizu i kontekst narudžbe. Također, obrađen je slikarski profil pojedinog sljedbenika i međusobne sličnosti i razlike u likovnom izričaju. U konačnici, temeljem dostupnih podataka, nastojali su se utvrditi naručitelji i okolnosti pojedinih narudžbi slika. In introductory parts of the work is analyzed the political, social and religious context of the Zadar archdiocese area in the period of the end of 16th and the first half of 17th century. Decrees of the Council of Trent and decline in the productivity of domestic painting workshops are factors that influenced the increase in orders for paintings from masters working in the center of the Republic of Venice. This trend is discussed in more detail in the paper in the narrower area of the Zadar archdiocese, but it is a phenomenon that is characteristic of the entire eastern coast of the Adriatic. Analyzing imported paintings, it was observed a greater demand for paintings by the Venetian painter Palma the Younger and his followers. In the paper, the stylistic expression of Palma the Younger is analyzed in more detail, and his altarpieces painted for clients of Zadar are individually processed. Commissions of paintings from his followers in the area of the Zadar archdiocese were also considered, so the paper provides an overview of all the altarpieces attributed with certainty to an individual painter in Palma circle, their cataloguing, stylistic analysis and the context of the order. Also, the profiles of each follower and mutual similarities and differences in artistic expression are discussed. Ultimately, based on the available data, efforts were made to determine the orders and the circumstances of individual order of paintings.

U članku se na temelju rezultata historiografije i odabranih izvora predstavljaju izabrani aspekti života i rada Nikole VII . Zrinskog (Čakovec, 3. svibnja 1620. – šuma Otok kraj Kuršanca, 18. studenoga 1664.), pri čemu su o njegovu književnom stvaralaštvu i posjedima dane samo najosnovnije obavijesti. Članak predstavlja informacije o rođenju, djetinjstvu, školovanju, obiteljskoj situaciji te vojnoj i političkoj karijeri, koja uključuje poslove ugarskoga kraljevskog konjušara (1628. – 1664.), nasljednog kapetana Legrada i čitavog Međimurja (1640. – 1664.), carskog komornika (1637. – 1664.), hrvatsko-slavonsko-dalmatinskog bana (1647. – 1664.), zaladskog i šimeškog (šomođskog) župana (1646. – 1664.) i tajnog savjetnika (1659. –1664.), ali i pozicioniranje kao vođe otpora bečkom apsolutizmu. Tekst se bavi i izabranim prinosima kulturi, vezama s crkvom i smrti Nikole VII . Zrinskog te pitanjima identiteta. U prilogu se objavljuje 20 izabranih pisama Nikole VII . Zrinskog pisanih između 1642. i 1664. godine. Jedno od tih pisama pisano je hrvatskim jezikom, a 19 pisama prvi je put prevedeno na hrvatski jezik. U prijevodu na hrvatski donosi se i spis o sklapanju saveza između Wesselényija, Nádasdyja i Nikole VII . Zrinskog iz rane jeseni 1663. za koji se ranije smatralo da predstavlja spis o savezu Petra Zrinskog, Wesselényija i Nádasdyja, dio argumentacije Nikole Zrinskog u vezi s prepirkom sa zapovjednikom carske vojske Montecuccolijem oko Novog Zrina iz 1664. i memorandum Nikole Zrinskog caru i kralju Leopoldu iz 1664. godine., Based on historiographic results and sources, the paper presents selected aspects of life and work of Nikola VII Zrinski (Čakovec, 3rd May 1620 – the Otok forest near Kuršanec, 18 November 1664). Included are however only the most essential information regarding his literary achievements and estates. The paper offers information relating to Zrinski’s birth, childhood, education, family situation, as well as military and political career. During his career, he held the positions of: Hungarian royal groom (1628–1664); hereditary captain of Legrad and the entire region of Međimurje (1640–1664); imperial chamberlain (1637–1664); Croatian-Slavonian-Dalmatian ban (1647–1664); district prefect of Szalad and Somogy (1646–1664); and privy councillor (1659–1664); as well as leader of resistance against the Viennese absolutism. The text further tackles selected tributes to culture; links with the church; and the death of Nikola VII Zrinski; as well as identity issues. Enclosed are 20 selected letters by Nikola VII Zrinski, written between 1642 and 1664. Zrinski wrote one of these letters in the Croatian language, whilst 19 were for the first time translated into Croatian. The record of the conclusion of alliance of Wesselényi, Nádasdy and Nikola VII Zrinski, dated early autumn of 1663, which had earlier been considered the record of the alliance of Petar Zrinski, Wesselényi and Nádasdy; a part of Nikola Zrinski’s argumentation relating to his quarrel with Montecuccoli, commander of the imperial army, with regard to Novi Zrin of 1664; and Nikola Zrinski’s memorandum to the Emperor and King Leopold of 1664 were translated into Croatian as well.

U završnom radu objašnjava se društveno politička situacija u Splitu prve polovice sedamnaestog stoljeća i kontekst dolaska nadbiskupa Sforze Ponzonea. Analizirana su slikarska djela koja je nadbiskup naručio od svojeg brata, slikara Mattea Ponzonea za opremu splitske katedrale, tridesetih godina sedamnaestog stoljeća. Rad razmatra u kojoj mjeri su odredbe Tridentskog sabora i specifične društveno političke okolnosti u Splitu 17. stoljeća utjecale na ikonografiju naručenih slika. Osim toga, slike su analizirane i u kontekstu cjelokupnog opusa Mattea Ponzonea i njegovih stilskih mijena. This undergraduate thesis explains the socio-political situation in the city of Split in the first half of the 17th century and the context of the arrival of archbishop Sforza Ponzone in Split. The paintings that have been analyzed in the work were required for Cathedral of Split by Sforza Ponzone from his brother, painter Matteo Ponzone. The work explains in which measure have the decisions of the Council of Trent as well as socio-political circumstances in the city of Split in the 17th century impacted the iconography of the ordered paintings. Moreover, the paintings have been analyzed in the context of the whole oeuvre of Matteo Ponzone and his stylistic shifts.

U radu je obrađena zadarska matica umrlih od 1617. do 1651. Matica nije uredno vođena, pa mnoge činjenice ostaju i dalje nepoznate. Ipak, i na temelju ovakvih podataka u radu se napravila analiza strukture zadarskog društva preko analize pojedinih staleških grupacija (patricijat, crkvene osobe, pripadnici mletačke vojne i civilne uprave, građani, pučani) te preko analize profesionalnih grupacija (obrtnici, trgovci, vojnici, ribari, mornari, težaci i ostali). Naglasak je stavljen na mjesta pokopa u 29 zadarskih crkava, po lazaretima i crkvama izvan Zadra. U ovom razdoblju javlja se nekoliko epidemija kuge, a matica obuhvaća dijelom i Kandijski rat (1645. – 1669.)., The paper examines the Zadar register of deaths from 1617 to 1651. An analysis of the structure of Zadar society was made based on data from the register through research on individual class groups (patricians, church members, members of the Venetian military and civil administration, citizens, commoners) and professional groups (craftsmen, merchants, soldiers, fishermen, sailors, farmers and others). This period was marked by several plague epidemics, and the Register also includes part of the Kandyan War (1645-1669). A total of 4,865 persons are registered, of which 1,065 persons and their family members from various crafts, maritime and service professions, with 593 members of the military or their family members, 72 members of civil authorities, public servants and their family members, and 255 priests, nuns, clerics and members of their families. It is not known to which professional group 2,880 or 59.2% of the deceased belong. Burials were performed in the majority of churches in Zadar (29) and in the Lazaret (its name is not specified). Military personnel were mostly buried in the church of St. Francis, while the nobility was buried mostly in the churches of St. Francis, St. Mary and St. Dominic. Commoners and clergy were buried in all churches equally, depending on the neighbourhood in which they lived (e.g. townspeople mostly in St. Sylvester or St. Michael), while members of the clergy were buried in the churches where they worked. It was concluded that the largest number of inhabitants of Zadar at the time of writing this registry book consisted of people from Zadar or those whose origin was not registered. The fewest people came from the Croatian hinterland (only one person), while the rest of the population consisted of people from other Venetian areas, as well as the population from Zadar hinterland and the islands. Members of the military crews mostly came from those other Venetian areas, while the population from Zadar area came to live and work in Zadar, most of them settling there permanently, and in times of Ottoman danger also taking refuge in the city. It is evident from the lists of surnames that some of them have been preserved in Zadar to this day. Most people from the area of Venice and the Apennine peninsula came to hold positions with civil and military authorities and as members of the clergy, except for members of military crews. There is a significant number of people (44) from more distant areas such as France, Germany, Tyrol, who were either members of military crews or some artisans.

Brojni ratovi i epidemije kuge obilježili su grad Šibenik kroz 17. stoljeće, što je prouzročilo lošu sliku grada koja je utjecala na domenu likovnosti kao i na nabavu slika i slikarsku produkciju. Slikarska baština 17. stoljeća bila je raznovrsna, a najviše primjera sakralne tematike pripada importnom slikarstvu. Veliku ulogu u narudžbama slikarskih djela imali su biskupi, crkveni redovi, bratovštine i ugledni predstavnici dalmatinskog društva. Početak 17. stoljeća obilježen je i podizanjem pozlaćenih i drvenih oltara, od kojih su i danas brojni sačuvani. Iako je sačuvano nekoliko djela lokalnih majstora, najviše se ističu djela kasnorenesansnog slikarstva i nastavak tradicije tzv. zlatnog stoljeća mletačkog slikarstva. Posebno se ističu slike Palme Mlađega kao i sljedbenika njegove maniere. Od velike važnosti su i slike Mattea Ponzonea, vještog venecijanskog baroknog slikara, koje se danas čuvaju u crkvi sv. Frane. U gradu se ističu i tri slike koje se temeljem stilskih karakteristika povezuju s radionicom Bassano koja pripada venecijanskom slikarskom krugu. Detaljnijom analizom vidljivo je da je kroz 17. stoljeće bio dominantan utjecaj mletačkih predložaka. O lokalnim majstorima poput Mihovila Parkića i Antuna Moneghina nema puno podataka, ali izrazito su značajni u kontekstu sagledavanja načina funkcioniranja bratovštinskih udruženja u manjim dalmatinskim gradovima u razdoblju poslijetridentske obnove., Numerous wars and plague epidemics have marked the city of Šibenik through the 17th century, which caused a bad image of the city, which affected the field of art as well as the acquisition of paintings and painting production. The painting heritage of the 17th century was diverse, and most examples of sacral themes belong to imported painting. Bishops, church orders, fraternities and prominent representatives of Dalmatian society played a major role in the orders of paintings. The beginning of the 17th century was also marked by lifting of gilded and wooden altars, many of which are still preserved today. Although several works by local masters have been preserved, the works of late Renaissance painting and the continuation of the tradition of the so-called the golden age of Venetian painting stand out the most. The paintings of Palma Junior as well as the followers of his manner stand out in particular. Of great importance are also the paintings of Matteo Ponzone, a skilfully Venetian Baroque painter, which are kept today in the church of St. Francis. Three paintings stand out in the city, which are based on stylistic characteristics and are connected with the Bassano workshop, which belongs to the Venetian painting circle. A more detailed analysis shows that throughout the 17th century the influence of Venetian templates was dominant. There is not much information about local masters such as Mihovil Parkić and Antun Moneghin, but they are extremely important in the context of understanding the functioning of fraternal associations in smaller Dalmatian towns in the period of post-Tridentine reconstruction.

Ovaj diplomski rad bavit će se pitanjima senjske ekonomske povijesti tijekom 17. stoljeća, točnije vremenom između Madridskog i Karlovačkog mira (1617.-1699.). Unutar ekonomske sfere proučavanja senjske povijesti kao uže područje rada bit će analiziran specifičan oblik trgovine koji se razvio zbog potreba lokalnog stanovništva da se u razdobljima političkih i ratnih nesigurnosti nastavi baviti svojim najvažnijom privrednom granom, a to je posrednička trgovina. Nadalje, predmet istraživanja ekonomskih specifičnosti obuhvatit će ranonovovjekovni grad na dvije razine: Senj kao slobodni kraljevski grad i Senj kao vojnokrajiško kapetanijsko uporište. Drugim riječima, rad će s jedne strane obuhvatiti istraživanja ekonomskih mogućnosti civilnog stanovništva, u kojem sudjeluju senjski trgovci, brodovlasnici, pomorci, odnosno svi koji posjeduju status građana prema Senjskom statutu. S druge strane, razmatrat će se vojnokrajiški aspekt uprave i pokušaji državnog interveniranja u privredu grada, prvo putem senjskog kapetana kao predstavnika državne vlasti, a potom i izravno od strane same habsburške vlasti. Također, rad će biti podijeljen na nekoliko ključnih poglavlja i potpoglavlja, počevši od političkih i društvenih prilika važnih za razumijevanje i upoznavanje senjske problematike, s naglaskom na aspekt socijalne strukture u odnosu na trgovačke aktivnosti, zatim slijedi analiza potencijalnih grana privređivanja, uključujući lokalnu (sajmovi), pomorsku te posredničku trgovinu. Na kraju rada, ukratko ću ispitati i obrazložiti privredne promjene na kraju stoljeća te početke prvih vanjskih utjecaja državne vlasti u okvirima nadolazećih merkantilističkih gospodarskih ideja. This master thesis will deal with issues of Senj's economic history during the 17th century, more precisely the time between the Peace of Madrid and the Peace in Srijemski Karlovci (1617-1699). Within studying Senj’s economic history as its narrow field of work I will analyze specific type of trade which was developed due to the needs of the local population to continue dealing with their most important branch of industry, namely intermediary trade. Furthermore, the subject of research on economic specifics will cover the early modern city on two levels: Senj as a free royal city and Senj as a military border captaincy. In other words, the work will include research into the economic possibilities of the civilian population, in which Senj merchants, ship owners, seafarers, and all those who have the status of citizens according to the Senj Statute can participate. On the other hand, the military aspect of the administration will be considered, as well as attempts of state intervention in the city's economy, first through the captain of the Senj as a representative of the royal government, and then directly by the Habsburg government itself. Also, the paper will be divided into several key chapters and subchapters, starting with political and social opportunities important for understanding the main issue, with emphasis on the aspect of social structure in relation to trade activities, followed by analysis of local trade (town fairs), maritime and intermediary trade. At the very end of the paper, I will briefly examine the economic changes at the end of the century, as well as beginnings of the first external influences of the state government within the framework of the new economic ideas of Habsburg mercantilism.

Iako se bilježnički spisi kao vrlo pogodan arhivski materijal naveliko koriste u povijesnim istraživanjima, sami su njihovi tvorci u tom smislu uvelike zanemareni. Ovaj rad fokusira se upravo na rad javnih bilježnika kao zasebne profesionalne skupine u gradu Zadru. Kroz analizu specifčnosti njihove službe i analizu samog procesa nastanka te značenja bilježničkih spisa, članak rekonstruira određene aspekte ranonovovjekovnog urbanog društva, ali i pridonosi boljem razumijevanju ove vrijedne vrste arhivskog gradiva., Notarial documents have long been recognised as suitable archival materialamong historians and are widely used in research on various topics. In this sense,however, their authors themselves have been largely neglected in foreign andespecially in Croatian historiography. With a brief overview of the research ofthe early modern age done in domestic historiography, this paper focuses onthe activities of notaries as a separate professional group in the city of Zadar inthe mid-17th century and the final product of their work - notarial documents.First, by analysing the specifics of the service of Zadar notaries, from acquiringtheir qualifications, duration and scope of their work and the circle of peoplewho needed notary services as clients, the article reconstructs certain aspectsof early modern, primarily urban, society. Ten, by focusing on the creationprocess and the format, content and meaning of notarial records, we pointout the importance of these documents. Parallel with that, we indicate theimportance of this service for the functioning of a whole urban community.At the same time, through the work of notaries, we take a hard look at theirposition in the social environment in which they operated in order to assess thecredibility of their documents for historical research. Finally, by reconstructingthis professional group’s work in the societal context and notary practice inthe entire Venetian Republic and presenting typical documents produced inZadar during the Venetian administration, we wanted to contribute to a betterunderstanding of this valuable type of archival material. We also attempted toencourage and facilitate possible future research and the work on publishing thistype of archival material.

U članku se analizira opise vojnih ofenziva Osmanskoga Carstva na području Međimurja tijekom 17. stoljeća u osmanskim narativnim izvorima, odnosno u šest kronika, u jednoj zbirci korespondencije i u jednom putopisu iz istog stoljeća. U njima se opisuju osmanski napadi na Međimurje na prijelazu iz 1602. u 1603., 1663. i 1664. godine, kao i nekoliko planiranih, ali neostvarenih napada 1601., 1605., 1606., 1664. i 1683. godine. U analiziranim izvorima se pri gotovo svakom spomenu Međimurja spominju i Zrinski, ali kao kolektivni fenomen, budući da se ne navode imena pojedinih poglavara te obitelji. Međimurje je za osmanske autore bilo toliko vezano za Zrinske da pojedini autori navode da je ono bilo »pokrajina Zrinskih«, a međimurski vojnici »ljudi Zrinskoga«. Opisi osmanskih autora daju sliku Međimurja kao bogate, razvijene i mnogoljudne pokrajine koju vrijedi napasti radi stjecanja plijena, ali koju osmanske snage nisu često napadale – dapače, dva izvora navode da osmanske vojske do trenutka opisanih pohoda nisu napadale Međimurje. Izvori upućuju na zaključak da je u mnogo navrata Međimurje imalo sreću i izbjeglo planirane osmanske napade koji su se izjalovili iz različitih razloga.

Članak prati epidemijski val kuge koji je krenuo 1679. iz austrijske prema slovenskoj Štajerskoj te preko Ptuja i Varaždina dalje pravcima prema Podravini i Hrvatskome zagorju stigao do Markuševca i drugih sela na zagrebačkome području. Opis bolesti i njeno razorno djelovanje u ptujskom kraju donosi se preko jedinstvenoga sačuvanog izvora, pjesme o kugi hajdinskog župnika Jurija Hauptmaniča. Fokusirajući se zatim na zagrebačku situaciju u ljeto i jesen 1682. te početak 1683, članak analizira isusovačke i franjevačke izvore, banska pisma, odluke gradečkog magistrata kao i gospodarske pokazatelje te zaključuje da je pravilnim kriznim upravljanjem izbjegnut prodor epidemije u grad. Članak pritom ispravlja neka dosadašnja mišljenja u historiografiji, prema kojima bi bolest bila prisutna i u Gradecu. Izvori, međutim, pokazuju da je ona ostala ograničena na franjevački samostan na Kaptolu te su jedine žrtve četvorica tamošnjih fratara u kolovozu i rujnu 1682. The paper follows the epidemic wave which spread in 1679 from Austrian towards Slovenian Styria, and then, continuing through Ptuj and Varaždin, moved in the directions of Podravina and Croatian Zagorje, reaching Markuševac and other villages in the Zagreb region. A description of the disease and its devastating impact on the Ptuj region is taken from a unique and preserved source, the Latin poem about the plague by the Hajdina parish pastor, Jurij Hauptmanič. The paper then focuses on the situation in Zagreb in the summer and autumn of 1682 and the beginning of 1683, analysing Jesuit and Franciscan sources, the Croatian Viceroy’s letters, decisions by the Gradec City Council, as well as economic indicators. The paper concludes that the epidemic’s penetration of the city was avoided by proper crisis management. In doing so, the paper rectifies certain hitherto expressed views in historiography, according to which the plague was also present in Gradec. Sources, however, show that it remained restricted to the Franciscan monastery at Kaptol, and that the only victims were four friars in that very monastery, in August and September 1682. They were Franciscan students, sent to Varaždin, where they were infected by the plague (or possibly during mendication in the villages), and they died shortly after returning to the monastery at Kaptol. Some of the Franciscans scattered whilst some stayed in the Kaptol monastery, but two escaped to the Poor Clares’ convent at Gradec. On 4 September 1682, the Croatian Viceroy ordered that both the Monastery and the Convent be placed under heavy guard. The doors of the Kaptol monastery were to be bricked up, and the Gradec convent was to be locked, while ensuring the delivery of food and water. The Gradec City Council implemented the Viceroy’s orders, but did not introduce additional measures apart from ordering citizens to keep guard at the city gates while they were open during the day, and that all vagrants and vagabonds be immediately put to employment in the city or banished. The Viceroy left open the city’s ports on the border river of Sava, with strict adherence to the precautionary measures. The measures taken were adequate, because, apart from the Franciscan victims, nobody got infected in either Gradec or Kaptol. The disease remained restricted to a few surrounding villages. At the behest of the Jesuits, the Viceroy ordered that schools could again be opened on 12 January 1683, which essentially announced the end of the epidemic in the Zagreb region.

Rad se bavi religioznim spjevom Dubrovčanina Junija Palmotića (1607-1667) Sveta Katarina od Sijene, dosad marginaliziranim u hrvatskoj književnoj historiografiji. U radu se pokazuje da se Sveta Katarina, klasificirana kao barokna religiozna poema, oslanja na tradiciju mistične književnosti, čime se razlikuje od reprezentativnih baroknih plačeva Ivana Gundulića, Ivana Bunića Vučića i Ignjata Đurđevića. Tematizirajući, poput mnogih književnih tekstova nastalih u doba katoličke obnove, iskustvo uzvišene, božanske ljubavi, spjev se analizira i iz emocionološke perspektive: kako u pogledu osobite reprezentacije takve ljubavi tako i u pogledu recepcije, odnosno očekivanih osjećaja koje je djelo trebalo potaknuti kod publike. Sukladno s tim, u radu se otvara i pitanje religijskog emocionalnog režima i emocionalnog stila karakterističnog za doba katoličke obnove, koji se njegovao i u dubrovačkim ženskim samostanima., Written by the Ragusan poet and playwright Junije Palmotić (1607–1667), religious poem Sveta Katarina od Sijene has until now been neglected by Croatian literary historiography. This article aims to show that Sveta Katarina, classified as a Baroque religious poem, leans on the tradition of mystical literature, which distinguishes it from the representative tear poems written by Ivan Gundulić, Ivan Bunić Vučić and Ignjat Đurđević. Thematising the experience of the higher, divine love, the poem is analysed from the emotionological perspective in terms of both particular representation of this type of love and of the reception, i.e., the emotions that the poem was ‘expected’ to arouse in the audience. The analysis shows that the representation of divine love on the one side points to late-medieval female mysticism, and on the other, to postTridentine religious poetry. Yet these insights also open questions on the pragmatic function of the work intended for nuns with an aim to incite particular ‘religious’ emotions, along with the question of the religious emotional regime and emotional style which in the period of Catholic Renewal was also pursued in the female convents of Dubrovnik.

Tema ovog diplomskog rada je varaždinska trgovina u 17. stoljeću. Istraživanje se temelji na objavljenim gradskim zapisnicima te gradskim računima koji se čuvaju u Državnom arhivu u Varaždinu. Trgovina se promatra u kontekstu trgovinske mreže Srednjoistočne Europe. Predstavljaju se regionalni trgovački trendovi i promatra se njihov utjecaj na varaždinski slučaj. Određuju se preduvjeti trgovačkog razvoja Varaždina s obzirom na njegov geografski smještaj, prometni položaj, demografsku sliku i trgovačke privilegije. Prikazuje se više vrsta trgovina koje se određuju prema robi koja cirkulira na gradskim sajmovima i tržnici. Položaj i značajnost trgovine u regionalnom kontekstu određuje se prema pravcima uvoza i izvoza robe, porijeklu robe te poslovima stranih i domaćih trgovaca. Iznose se podaci o porijeklu, poslovnim aktivnostima te društvenom i političkom položaju trgovca. Na kraju se preispituje utjecaj vlastelinske trgovine na gradsku trgovinu i trgovačko poslovanje u regiji. The topic of this thesis is Varaždin trade in the 17th century. The research is based on published towns registers and accounts kept in the State Archives in Varaždin. Trade is viewed in the context of the Central Eastern European trade network. Regional trade trends are presented and their impact on the Varaždin case is observed. The preconditions for the trade development of Varaždin are determined with regard to its geographical location, traffic position, demographic picture and trade privileges. Several types of commerce are shown, which are determined according to the goods circulating at the town fairs and the market. The position and significance of trade in the regional context is determined by the directions of import and export of goods, the origin of goods and the business of foreign and domestic traders. Data on the origin, business activities and social and political position of the trader are presented. Finally, the impact of aristocratic trade on city trade and trade operations in the region is examined.