1. Orientalismus ve filmovém snímku 47 róninů (2013).
- Author
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Hadamová, Kristýna
- Subjects
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AMERICAN filmmakers , *MARTIAL arts , *SAMURAI , *JAPANESE art , *REALITY television programs ,JAPANESE history - Abstract
In the introduction part of this paper, one will find definitions of terms Orient and Orientalism. Two conflicting views exist in Orientalism’s description – Edward Wadie Said (1935–2003) and George Paul Landow’s (1940) perspectives. An American movie intorduced to the public in 2013 47 Ronin is supposed to be an excellent example of Orientalism. It presents one of the most famous stories in Japanese history. In this film, we will find several orientalising elements, which are marked and subsequently analysed. One type of features offers a glimpse into the lives of samurai. An integral part of the movie are the Japanese martial arts and the fate of the ronin. It also points to the religious background of Japan. Despite all American filmmakers’ efforts to bring Japanese culture and historical events closer to the Westerners, there are moments in the movie that do not correspond to reality. The content and design are adapted to the eyes of the Occidental audience. This article therefore discusses the inspiration of Japanese culture and customs that used to be commonplace in the past. [ABSTRACT FROM AUTHOR]
- Published
- 2020