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Crozier-De Rosa does this by adopting a transnational focus on Australia, Britain, and Ireland. Sharon Crozier-De Rosa's I Shame and the Anti-Feminist Backlash i , part of Routledge's Research in Gender and History series, occupies a unique place in the existing historiography, bridging numerous, often competing, historical genres. Sharon Crozier-De Rosa, Shame and the Anti-Feminist Backlash: Britain, Ireland and Australia, 1890-1920. [Extracted from the article]

This article presents information on art. There is an exhibition in Paris, France, just now open and to remain open until October, that no one who has the chance of seeing it should miss. This is the exhibition of the Decorative Arts of Great Britain and Ireland, organized by the Board of Trade for the British Government, representing chiefly the Arts and Crafts Exhibition Society, and held in the Pavilion de Marsan at the Louvre. The interest is partly in finding so essentially British a show in its new French surroundings, partly in the fact that, as it is in a measure retrospective, it gives a better idea of what is being done in relation to what has been done in Great Britain and Ireland by the Arts and Crafts Society than is given by their show held every three years in London.