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'Bradshaw was a famously charming man, and his lounge-lizard urbanity fully suffuses his prose. This new anthology is a necessary book for all men and women of letters.'—Martin Amis A collection of magazine writer Jon Bradshaw's essential writings, The Ocean is Closed rediscovers a memorable talent, and offers us a shadow reality to the established literary cannon of the mid-century. With droll wit and keen intelligence, Bradshaw's cinematic prose brings the'70s to vibrant life—from the lurid pick-up scenes at hotspots like Maxwell's Plum in New York, and the Beverly Hills Hotel in L.A., to full-bodied portraits of literary figures such as W.H. Auden and Tom Stoppard; affectionate profiles of hustlers and con men like Bobby Riggs and Minnesota Fats, to chilling reportage about street gangs in the Bronx, terrorism in Germany, and mercenary freedom fighters in India. Jon Bradshaw, a man of tremendous personal charm, good humor and rugged beauty, was a literary concoction of his own devising: the magazine writer as world-weary traveler and man about town. Adored by British royalty, magazine editors, movie executives, and professional mercenaries, alike, Bradshaw first made a splash in London during the Swinging Sixties. Pals with the likes of Anna Wintour, Timothy Leary, Gore Vidal, and Martin Amis, his career flourished at a time when magazines were at the center of the cultural conversation, delivering stories that were talked about for weeks. For twenty years, he cut a distinct figure in this world, before his untimely death. A forgotten master of longform magazine writing, Bradshaw is ripe for rediscovery as one of the sharpest chroniclers of his age.

'Easily the best introduction to being a reporter'- Press Association This is the only'how to'book on journalism written by writers and editors who have operated at the top level in national news. It has long been the go-to book of advice for young reporters. This edition includes a chapter on social media and is extensively updated throughout, with new content from Jemma Crew, an award-winning national news journalist. The book emphasises that good journalism must involve the acquisition of a range of skills that will empower trainees to operate in an industry where ownership, technology and information are constantly changing. This handbook includes tips and tricks learned from working at the very top of the business, and is an invaluable guide to the'universals'of good journalistic practice for professional and trainee journalists worldwide.

The Global Journalist in the 21st Century systematically assesses the demographics, education, socialization, professional attitudes and working conditions of journalists in various countries around the world. This book updates the original Global Journalist (1998) volume with new data, adding more than a dozen countries, and provides material on comparative research about journalists that will be useful to those interested in doing their own studies. The editors put together this collection working under the assumption that journalists'backgrounds, working conditions and ideas are related to what is reported (and how it is covered) in the various news media round the world, in spite of societal and organizational constraints, and that this news coverage matters in terms of world public opinion and policies. Outstanding features include: Coverage of 33 nations located around the globe, based on recent surveys conducted among representative samples of local journalists Comprehensive analyses by well-known media scholars from each country A section on comparative studies of journalists An appendix with a collection of survey questions used in various nations to question journalists As the most comprehensive and reliable source on journalists around the world, The Global Journalist will serve as the primary source for evaluating the state of journalism. As such, it promises to become a standard reference among journalism, media, and communication students and researchers around the world.

A wide-ranging, rule-bending collection of nonfiction from the Pulitzer Prize–winning author of The Netanyahus “Attention reveals a fresh, vital literary voice as it covers seemingly every imaginable topic relating to modern life.”—Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY WIRED One of Granta's Best of Young American Novelists, Joshua Cohen arrives with his first collection of nonfiction, the culmination of two decades of writing and thought about life in the digital age. In essays, memoir, criticism, diary entries, and letters—many appearing here for the first time—Cohen covers the full depth and breadth of modern life: politics, literature, art, music, travel, the media, and psychology, and subjects as diverse as Google, Donald Trump, Bernie Sanders, fictional animals, Gustav Mahler, Aretha Franklin, John Zorn, landscape photography, fake Caravaggios, Wikipedia, Gertrude Stein, Edward Snowden, Jonathan Franzen, Olympic women's fencing, Atlantic City casinos, the closing of the Ringling Bros. circus, and Azerbaijan. Throughout ATTENTION, Cohen directs his sharp gaze at home and abroad, calling upon his extraordinary erudition and unrivaled ability to draw connections between seemingly unlike things to show us how to live without fear in a world overflowing with information. In each piece, he projects a quality of thought that is uniquely his, and a voice as witty, profound, and distinct as any in American letters. At this crucial juncture in history, ATTENTION is a guide for the perplexed—a handbook for anyone hoping to bring the wisdom of the past into the culture of the future.

The vulnerability of journalists to kidnappings was starkly illustrated by the killing of James Foley and Steven Sotloff by Islamic militants in 2014. Their murder underscored the risks taken by journalists and news organisations trying to cover developments in dangerous regions of the world and has forced news enterprises to more clearly prepare for and confront issues of safety. This book explores the complex organisational issues surrounding the capture or kidnapping of journalists in areas of conflict and risk. It explores how journalists'becoming news'is covered and the implications of that coverage, how news organisations prepare for and respond to such events, and how kidnapping and ransom insurers, victim recovery firms, journalists'families, and governments influence the actions of news enterprises. It considers how and why journalists are kidnapped, how employers and journalists'organisations respond to kidnappings and why freelancers are particularly at risk as well as suggesting best practices for preventing and responding to kidnappings.

Before Americans got their news from television, they got it from LIFE, the weekly magazine that set the standard for photojournalism. In LIFE Story Gerald Moore—a writer and editor who worked at the magazine in the last glory years before TV made it obsolete—recalls the dizzying excitement and glamour of LIFE's fast-moving, powerful approach to spreading the news. Moore covered the major stories of the late 1960s and early 1970s: LSD, assassinations, the 1968 Democratic convention in Chicago, the McCarthy campaign, urban riots, the My Lai massacre, and the beginnings of feminism. Before joining LIFE at the age of twenty-seven, he worked as a police officer in Albuquerque and then a reporter at the Albuquerque Tribune—both jobs teaching him the tools of his trade. His story offers a wonderful look back at the good and the bad old days of journalism.

In her Op-Ed column and as an inspirational speaker, Caryn Sullivan shares parts of her own struggles and the struggles of others who have been forced to navigate some of life's most unexpected, unwelcome, and bitter twists and turns. Her writing offers hope and insight into how the human spirit inexplicably allows us to persevere against all odds.In Bitter or Better, she shares the stories behind the stories - everything from raising a child with autism, managing life-threatening medical crises within her family, fighting breast cancer, to becoming a widow. For anyone touched by a life-changing loss, illness, or disability, or who may be a friend to someone who has known tragedy, Bitter or Better illustrates how one person can make a difference. With compassion and humor, Sullivan reminds us that, in the face of any challenge to the human spirit, we each have a choice as we navigate life's tempests.

Ever wonder what really goes on behind the scenes of the Oscars? Want to know which actors are funny and which ones are just plain boring? What is it like to interview Madonna, Robin Williams, and Pierce Brosnan?All of these questions (and many more) are answered by veteran entertainment journalist Francine Brokaw. With a delightful mixture of wit and honesty, Francine gives readers an uncensored view of life as an entertainment journalist. In addition to her own perspective, Francine's colleagues across the country weigh in on questions like...• What is the best swag you've ever received?• What is the most memorable interview you've ever conducted?• Have you ever had to interview someone rude?Perfect for a weekend read or as a companion text to an introductory course in mass media, Beyond the Red Carpet is an informative and entertaining book that covers every aspect of the business of entertainment journalism.Francine Brokaw has been a professional writer for over twenty years, focusing on entertainment and political journalism. Her work has appeared in numerous national and international magazines. She frequently interviews A-list celebrities such as Tom Hanks, Blake Lively, Julie Andrews, and Johnny Depp, but her favorite time period to write about is the studio days of Old Hollywood.

Dean Starkman takes on what has become a dominant perspective on the future of news in the digital age as personified by three well known media thinkers Jay Rosen, Clay Shirky, and Jeff Jarvis who have dominated the'future of news'debate. Starkman makes a powerful case that the perspective that these three represent, despite their many useful insights, is in the end corrosive to public-service journalism.

Set in a sunlit clearing between two World Wars, this personal narrative describes the author's earliest memories of life at home and on the farm in the Pennines, of family, relatives and friends, school and chapel, and the excitement of travelling fairs and Christmas dos.

NATIONAL BESTSELLER • Anna Quindlen, hailed by the New York Times as “America's resident sane person,” offers a collection of “engaging, fresh, [and] funny” (Chicago Tribune) essays about growing up, becoming a parent, spirituality, and more. “The lightning bugs are back. They are small right now, babies really, flying low to the ground as the lawn dissolves from green to black in the dusk. There are constellations of them outside the window; on, off, on, off. At first the little boy cannot see them; then, suddenly, he does. ‘Mommy, it's magic,'he say. “This is why I had children; because of the lightning bugs.” The voice is Anna Quindlen's. But we know the hopes, dreams, fears, and wonder expressed in all her nonfiction, for most of us share them. Quindlen first vaulted to national attention with her “Life in the 30s” columns for The New York Times, and this wonderful collection of her early work shows why this Pulitzer Prize–winning author remains in the spotlight.

The work of Jeremy Tunstall, one of the founding fathers of British media studies, is the inspiration behind Media Power, Professionals and Policies. In this collection of new work, leading international contributors address the central themes of Tunstall's work; the history, structures and practices of the international media industry, the relationship between media and government, and the sociology of labour in the media industry.