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The article reviews the art exhibition "In the Making" held at the Luxembourg & Dayan art gallery in New York City as of June 1, 2016 featuring artworks by artists including Andy Warhol, George Condo, and Ryan Sullivan.

The article reviews the exhibition “Paintings and Works on Paper” at Skarstedt Gallery in New York City, New York from November11 to December 21, 2019.

A biography is presented of U.S. painter George Condo. It discusses his family origins in Massachusetts, meeting artist Andy Warhol, and developing his career in Paris, France. Emphasis is given to his study and use of Old Master techniques in painting subjects such as the Crucifixion of Jesus. Other topics include his penchant for gambling, the commercial value of his art, and his reputation in the art world.

Interviews George Condo, a prolific artist who has been making paintings and sculptures. Personal background; Reasons for going to a law school in Chelmsford, Massachusetts; Influence of New York artists on his works.

Presents an article on v isits to art exhibitions of painters in New York City. Description of the paintings of Cecily Brown at Whitney Biennial; Information on the painting concept of Glenn Brown at the Gagosian Gallery; Observation on the art works of George Condo at the Armory Show.

The article describes the works of a group of contemporary painters, sculptors and video artists who was commissioned by Dodie Kazanjian for a still-life project. Still life is a work of art depicting inanimate objects which did not emerge as an independent art form until the sixteenth century. The artists include Dan Walsh, Elizabeth Peyton, John Baldessari and George Condo.

The article offers information related to portrait paintings. It says that American artist George Condo has made actress Jessica Chastain as human canvas for his abstract. It mentions that Dutch artist Rineke Dijkstra uses a nondescript backdrop for her videos and color portraits. It adds that Chantal Joffe has painted female form directly from life or from photographs.

In this article, the author discusses abstract paintings of several artists. The author mentions the work of artist Philip Guston who was considered as predominant abstract expressionist and his paintings express such personal expectation of power that Guston reduced the difference between abstraction and figuration. Photographs of several paintings are presented including "Late Afternoon" by Philip Guston, "Miles Davis," by George Condo, and "Paintant #2," by Fabian Marcaccio.