This article analyzes a 1905 theoretical paper on the photoelectric effect, by Albert Einstein, to prove that science and stories are not only compatible, but also inseparable. The photoelectric paper is modestly entitled, On a Heuristic Point of View Concerning the Production and Transformation of Light. Einstein begins by stating the problem posed by the quantum hypothesis: He defines the resonators as bound electrons and takes us, with characteristic clarity, made possible by five years of experience with quanta, through Planck's derivation. He develops the characters in his tale--the radiation, Planck, his resonators, classical electromagnetic theory. Then Einstein does something new. He sets out to derive Planck's radiation law without any assumptions about how light is generated. By assigning an entropy to the light and relating that entropy to the density of the radiation. Einstein proves that the entropy of the light in the black body varies with volume just the way that entropy varies with volume for that standby of freshman chemistry, the ideal gas. All theories tell a story. They have a beginning, in which people and ideas, models, molecules and governing equations take the stage. Their roles are defined; there is a puzzle to solve. Einstein sets his characters into motion to ingeniously, using entropy to tease out the parallels between moving molecules and the energy of light. The story develops; there are consequences of Einstein's approach. And at the end, his view of light as quantized and particular confronts the reality of the heretofore unexplained photoelectric effect, The postscripted future, of all else that can be understood and all new things that can be made, is implicit.