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Unearthing Forman's forgotten "Thin White Line" and giving it a close reading allows Monteith to make a real contribution to the relationship between coming-of-age stories and what it was actually like to come of age in the civil rights movement. Monteith shows that SNCC poets like Charlie Cobb were mining Black Power themes before the heyday of the Black Arts Movement. Though this book is teaming with activist writers and genres, Monteith seems drawn to Forman and the novel. [Extracted from the article]

The Grapevine of the Black South: The Scott Newspaper Syndicate in the Generation before the Civil Rights Movement: Aiello, Thomas. In I The Grapevine of the Black South i , Thomas Aiello examines the twenty-four-year existence (from 1931 to 1955) of the Scott Newspaper Syndicate (SNS) to analyze how race-oriented news emanating from the South was written and distributed. Aiello departs from most prior histories of the southern black press, which tend to emphasize a particular newspaper or publisher, by focusing primarily on the syndicate - instead of the I Daily World i - to tell a more fulsome regional story. [Extracted from the article]

The article reviews the exhibition "The Epic and the Intimate: French Drawings From the John D. Reilly Collection at the Snite Museum of Art" at the Georgia Museum of Art in Athens, Georgia through November 3, 2012.

The article reviews the exhibition "Post War Modernism" at the Georgia Museum of Art at the University of Georgia in Athens from December 10, 1982-January 5, 1983.

The article reviews the painting exhibition "Nancy Hardman Revnes: Reaction" at the Institute of Ecology of the University of Georgia in Athens, Georgia in November 1990.

The article reviews the exhibition "Adrienne Anderson: Consciousness of the Rock" at the University of Georgia Art Gallery in Athens, Georgia from February 20 to March 6, 1989.

The article reviews the exhibition "Mr. Paul's Neighborhood" at the Art Gallery of University of Georgia's Art Department in Athens, Georgia from May 23-29, 1987.

The article reviews an art exhibition of the works of Carrie Gilliam at the Visual Arts Building of the University of Georgia in Athens, Georgia from May 10 to 17, 1987.

The article reviews the sculpture exhibit "Neo-lead," featuring the works of Greely Myatt at the Visual Art Gallery in the University of Georgia from March 5 to 30, 1984 and at the Mario Villa Gallery in New Orleans, Louisiana from May 19 to June 19, 1984.

The article reviews the exhibition "M, the World, Shit, Phalluses, Hair, Jesus: Concerns," by Joni Mabe at the Visual Arts Center at the University of Georgia in Athens, Georgia from May 30 to June 12, 1983.