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Migration has never before occupied such a prominent place in African cultural production as it does today. Yet, notwithstanding an increasing focus on intra-African migration in the social sciences, literary migration scholarship has largely focused on African migration to the West, as the growing body of studies on outward-oriented Afropolitan migration novels indicates. In this paper, I examine how the Afropolitan consciousness that structures South-North migration novels is reframed in literature of continental migration and mobility in post-Marikana South Africa. While the themes of xenophobia and migration have emerged as central preoccupations in South African literature from the early 2000s onward, there has been a shift in literary production more recently with the publication of a range of works by African diasporic writers in South Africa. Drawing on Ekow Duker's Yellowbone (2019), Rémy Ngamije's The Eternal Audience of One (2019), and Sue Nyathi's The Gold Diggers (2018), I argue that these texts interrogate South Africa's complex relationship to "Africanness" and forge new pathways for continental dialogue that allow us to resituate South African-based writing within larger debates in contemporary African literary studies. This category of intra-African diasporic fiction calls into question simplifying binaries of outward, Western-oriented African writing and locally produced popular, yet internationally disregarded, texts (Harris). Rather, it scrutinizes the idea of "Africa" in global literary circuits from the position of intra-African diasporic subjectivities. Drawing attention to the long history of intra-African mobilities, the cross-continental thrust in many of these works also productively speaks to recent scholarly efforts to reframe migration studies in ways that insist on the de-exceptionalization of migration and the breakdown of binary formulations of migrant and non-migrant identities. [ABSTRACT FROM AUTHOR]