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Attempts to document the connection between aspects of George Herbert Mead's social psychology and Adam Smith's `Theory of Moral Sentiments'. How the legitimacy of the connection is established; Parallel drawn between Mead and Smith on the universal facts of human nature and the moral community.

Opinion. Presents the author's view of Alfred Schutz account of musical interaction and temporality which appears to capture a component of everyday expression. How Schutz uses the musical performance as a way of illustrating mutual tuning-in relationship; How the mechanics of making music takes place by means of tangible objects that have a measurable essence; Comments of Wittgenstein on genuine duration.