7 results
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2. Appropriating the Classical Underworld: The Otherworld and its Spectacle in Sir Orfeo.
- Author
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Tsai, Blythe Hsing-wen
- Subjects
MIDDLE English poetry ,AFTERLIFE in literature ,SPECTACULAR, The, in literature ,ORPHEUS (Greek mythological character) in literature ,CLASSICAL mythology in literature ,LAYS ,LITERARY criticism ,POETRY (Literary form) - Abstract
In the Middle English Breton lay, Sir Orfeo (c. 1340), the Underworld transforms from its classical prototype of an ominous realm of shadows into the marvellous Otherworld. In this paper, I examine the Orfeo poet's rewriting of Greco-Roman Orpheus tradition with a focus on the poet's reception of the classical Underworld so as to explicate how frequently the poet makes use of romance elements to relocate the Underworld / Otherworld in a context blended with Celtic folklore and chivalric conventions. I argue that the Orfeo poet refashions the classical Underworld and formulates a world full of natural and artistic spectacle. More importantly, far from being a world of mournful shadows and the symbol of forever loss, the Otherworld in Sir Orfeo is a domain of light and hope where mortals encounter adventures, undergo trials, and return to the corporeal world in bliss and good faith. [ABSTRACT FROM AUTHOR]
- Published
- 2013
3. "Matters of love as of discourse": The English Sonnet, 1560-1580.
- Author
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Shrank, Cathy
- Subjects
POETRY (Literary form) ,LITERARY criticism ,SONNET ,MIDDLE English poetry ,DISCOURSE analysis ,TUDOR Period, Great Britain, 1485-1603 ,LOVE poetry - Abstract
The article presents an analysis of the English sonnet between 1560 and 1580. An in-depth exploration into the form and content of the mid-Tudor era literary form is given, highlighting structural variances from the typical styles and the prominence of love as the central theme. Further discourse analysis is given regarding the use of love to point to deeper social constructions rather than dwell on the emotion itself.
- Published
- 2008
- Full Text
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4. Toward a Comparative New Historicism: Land Tenures and Some Fifteenth-Century Poems.
- Author
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Coldiron, A.E.B.
- Subjects
NEW Historicism ,LITERARY criticism ,MIDDLE English poetry ,OLD French poetry ,LATIN poetry ,POETRY (Literary form) - Abstract
An essay is presented in which the author critiques the anachronistic literary trend of applying monolingual, New Historicist assumptions to older literature, and offers examples of 15th century poems in French, English and Latin. Poets such as Charles d'Orléans and Philippe le Bon, Duke of Burgundy are mentioned, as well as poems from personal letters and love poems.
- Published
- 2001
- Full Text
- View/download PDF
5. Coming to terms with a pagan past: The story of 'St Erkenwald'
- Author
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Stefan Schustereder
- Subjects
Linguistics and Language ,Christianization ,Literature and Literary Theory ,middle english poetry ,PE1-3729 ,history of the English ,Collective memory ,Language and Linguistics ,14th and 15th century literature ,pagan ancestry ,History of literature ,Middle Ages ,Sociology ,st erkenwald ,The Venerable ,St Erkenwald ,Literature ,business.industry ,history of the english ,Historiography ,language.human_language ,Middle English poetry ,English language ,Middle English ,language ,Literary criticism ,business - Abstract
The poem of St Erkenwald and his encounter with the body of a pagan judge preserved in a tomb underneath St Paul's Cathedral has never provoked an intense scholarly discussion. During the past two decades, however, the poem has altogether lost the scarce attention it used to receive. This is surprising in regards to its outstanding quality but also because of a number of peculiar characteristics the text has in comparison with other works written during the Middle Ages. Arguing for the importance of the historical details provided by the poem, my article takes a number of these peculiarities into account and suggests a new reading of the poem. In this approach, I do not dismiss the major topics of the earlier scholarly discussions, mostly focused on the poem's theological and stylistic topics or its presumed sources. My article rather presents an additional reading from the perspective of a literary history, thus arguing that the poem of St Erkenwald can be placed within a discourse tradition to which a number of earlier authors contributed, the most famous among them being the Venerable Bede. While the poem addresses a variety of theological and stylistic topics and is of course influenced by its contemporary religious and social developments, it also contributes to one of the fundamental problems of English identity in the Middle Ages: coming to terms with a pagan origin. Keywords: St Erkenwald, History of the English, Pagan Ancestry, Middle English Poetry, 14th and 15th century literature 1. Introduction The poem of Saint Erkenwald and the story of his encounter with the body of a pagan judge preserved in a tomb underneath St Paul's Cathedral in London has never really provoked an intense scholarly discussion. During the past two decades the poem has altogether lost the scarce scholarly attention it used to receive. This is surprising, not only in regard to its outstanding quality but also because of a number of peculiar, possibly even singular characteristics the text has in comparison with other works written during the Middle Ages. The following paper will take a number of these peculiarities into account and suggest a reading of the poem which goes beyond earlier scholarly discussions which have mostly focused on the poem's theological and stylistic topics or its presumed sources. This contribution presents a postcolonial reading of a Middle English poem that deals, among other aspects, with a very fundamental problem of the English throughout their insular history, i.e. their pagan past. The arrival of the Germanic gentes and the conquest of the Christian Britons by these pagan people from the Continent as well as the Christianization of the Anglo-Saxons a few centuries later had a significant influence on historiography, literature and the development of a collective memory during the English Middle Ages. The dilemma of authors in Christian medieval England explaining the conquest of Christian Britain by their pagan Anglo-Saxon ancestors was nourished by continuous changes in the ethnic composition of the Island resulting from invasions and migrations. The struggle for religious dominance during the Viking raids and for political survival during the Norman Conquest influenced the shaping of English history and the collective memory of the people. I will demonstrate in the course of this contribution that the poem of St Erkenwald can be placed within a discourse tradition which is strongly influenced by the necessity of a shared history and memory. It had been productive for many centuries before the poem was written and a number of earlier authors had contributed to it, the most famous among them being the Venerable Bede. While the poem addresses a variety of theological and stylistic topics and is, of course, influenced by its contemporary religious and social developments, it also contributes to one of the central issues of English identity in the Middle Ages: coming to terms with a pagan origin. …
- Published
- 2013
6. Engendering Genre in Middle English Romance: Performing the Feminine in Sire Beves of Hamtoun.
- Author
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Seaman, Myra
- Subjects
GENDER in literature ,MIDDLE English poetry ,THEMES in poetry ,LITERARY criticism ,POETRY (Literary form) ,NARRATIVE poetry - Abstract
The article critiques the representation of gender in the Middle English romantic poem "The Romance of Sir Beves of Hamtoun." It addresses the historical popularity of the poem, the modern critical reception of the poem as having weak aesthetics, and the poem's relation to the understanding of the themes motivating Middle English literature.
- Published
- 2001
7. Forging an Oral Style? Havelok and The Fiction of Orality.
- Author
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Kabir, Ananya J.
- Subjects
ORAL communication in literature ,HAVELOK the Dane (Legendary character) in literature ,LITERARY realism ,MIDDLE English poetry ,POETRY (Literary form) ,LITERARY criticism - Abstract
The article critiques the Middle English romantic poem "Havelok," offers an alternative reading by arguing that its orality is as much a deliberate literary construct as its so-called realism. It addresses the basis of arguments for "Havelok's" oral traditional origins, the ways by which the anonymous "Havelok" poet streamlines his narrative into two parallel stories, and analysis of the poem.
- Published
- 2001
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