L’originalita di stile e contenuti della produzione di Nathaniel Lee e spesso interpretata principalmente alla luce della presunta malattia mentale dell’autore. Il presente contributo propone un nuovo approccio all’opera di Lee; dimostra come la tragedia Brutus (1680), che contiene una sorta di nosologia delle alterazioni del pensiero o del comportamento umano, sia un testo liminare, sulla soglia tra opera letteraria e trattato medico. L’autore si appropria del discorso scientifico a lui contemporaneo non solo per contestare le piu recenti concezioni di patologia mentale, ma anche come strumento per articolare una riflessione sulla condizione del potere politico. DOI : 10.17456/SIMPLE-156 Parole chiave Nathaniel Lee, follia, internamento, Commedia della Restaurazione, storia della medicina. Bibliografia Andrews, Jonathan et al . 1997. The History of Bethlem . London-New York: Routledge. Andrews, Jonathan. 1998. 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