379 results on '"Aitken, Ian"'
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2. The root of the matter
3. Cinematic Realism: Lukács, Kracauer and Theories of the Filmic Real
4. Introduction to Lukács: Essence, Phenomena and Temporality
5. Husserl, Epochē and Lebenswelt
6. ‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913)
7. The Specificity of the Aesthetic (Lukács 1963)
8. ‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968)
9. Bergson, the Image and Time
10. Representation, Perception and Cinematic Realism
11. Introduction to Kracauer: Abstraction, Redemption and Modernity1
12. ‘Introduction: Photography’ and ‘Basic Concepts’, from Theory of Film (Kracauer 1960)
13. ‘Photography’ (Kracauer 1927)
14. ‘On the Phenomenology of the Creative Process’ (Lukács 1914)
15. Lukácsian film theory and cinema: A study of Georg Lukács’ writings on film, 1913-71
16. Realist Film Theory and Cinema: The Nineteenth-century Lukacsian and Intuitionist Realist Traditions
17. Hong Kong Documentary Film
18. Authoritarianism, the struggle for current affairs public service broadcasting and Radio Television Hong Kong.
19. Lukácsian film theory and cinema : A study of Georg Lukács' writing on film 1913–1971
20. The Colonial Documentary Film in South and South-East Asia
21. The Major Realist Film Theorists : A Critical Anthology
22. Immunological studies in the domestic fowl
23. The European realist tradition
24. ‘Film, Ideology and the Cult of Personality’
25. ‘Expression of Thought in Film’1
26. Socialist humanism and Toward the Ontology of Social Being/Zur Ontologie des gesellschaftslichen Seins
27. ‘Revolution and Psychology of Everyday Life’
28. ‘Cultural Manipulation and the Tasks of Critics’
29. ‘Technique, Content, and Problems of Language’
30. The film journal interviews and other writings
31. ‘Film’
32. Narrate or describe? Lukács’ literary ‘typology’
33. ‘On Aesthetic Issues of the Cinema’
34. ‘Blue Devil or Yellow Devil?’
35. ‘Thoughts Towards an Aesthetic of the Cinema’
36. Conclusions
37. The early aesthetic and ‘Thoughts Towards an Aesthetic of the Cinema’/‘Gedanken zu einer Ästhetic des Kino’
38. Lukács’ late aesthetic and film theory: The Specificity of the Aesthetic/Die Eigenart des Ästhetischen
39. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition
40. From the ‘true style’ to the ‘art-form of the bourgeoisie’: the origins, characteristics, and theoretical foundation of the nineteenth-century French realist, and naturalist tradition
41. Introduction
42. Transcendental illusion and the scope for realism: cinematic realism, philosophical realism and film theory
43. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition
44. ‘And what about the spiritual life itself?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer
45. Conclusions
46. From the historical cinema of democratic humanism to the film Novelle: Lukácsian cinematic realism in Danton (1990) and Senso (1954)
47. Abuse and bullying
48. The Colonial Documentary Film in South and South-East Asia
49. Thatcherism today
50. European Film Theory and Cinema : A Critical Introduction
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