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2. The role and purpose of film narration

Author

Carmona, Carlos Ruiz and Veritati - Repositório Institucional da Universidade Católica Portuguesa

Subjects
Literature, Visual Arts and Performing Arts, lcsh:Fine Arts, business.industry, lcsh:NX1-820, Philosophy, Film narration, Communication, Conservation, lcsh:Arts in general, Narrative comprehension, Human experience, Computer Science Applications, Aesthetics, Narrative network, Narratology, Structuralism, Film director, Process information, Narrative, Meaning (existential), lcsh:N, business, Music
Abstract

Throughout history we can identify a great number of authors discussing the nature of narrative. From Plato's and Aristotle's original mimetic and diegetic influential theories to Gérard Genette's or Roland Barthes' essential contribution to structuralism, narrative has been studied and discussed as a fundamental process for the human mind in terms of producing and communicating meaning and expressing experience. Over the past few decades major scholars such as Bordwell, Metz, Genette, Carroll, Chatman, Eisenstein, Bal, Abbot, Tan, Smith or Branigan have produced some of the most significant contributions to the study of film narratology. Some scholars envisage narration as a means to process information. Others argue that narration can be better understood as a strategy to cue narrative comprehension. Others envisage narration as a means for emotion. This paper intends to establish that film narrative can be better understood as an act of communication through and from experience from filmmaker to an audience and vice-versa., Journal of Science and Technology of the Arts, v. 9 n. 2 (2017): Narrative and Audiovisual Creation

Published
2017
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3. The Ethical Tension Between Artistic Expression and Historical Representation in Documentary Making: The Filmmaker’s Mediation with Reality

Author

Carmona, Carlos Ruiz and Veritati - Repositório Institucional da Universidade Católica Portuguesa

Subjects
Visual Arts and Performing Arts, lcsh:Fine Arts, Process (engineering), Subject (philosophy), representing reality, Conservation, Representation (arts), artistic expression, ethics in representing reality, Set (psychology), Control (linguistics), filmmakers’ mediation, lcsh:NX1-820, informed consent, lcsh:Arts in general, Narrative comprehension, narrative comprehension, Computer Science Applications, Epistemology, Expression (architecture), Mediation, Film director, Documentary, lcsh:N, Psychology, Social psychology, Music
Abstract

This article emerges from the assumption that representing reality in documentary raises specific complex ethical issues. This is due to the fact that documenting an event partly results from the filmmaker’s mediation with the historical world. The choices involved in this process are subjective, biased and creative. In fact, representing reality results from a particular tension established between that which I represent and how I represent it. From this tension several ethical issues with regard to the filmmaker’s mediation with reality may emerge. This paper aims to revise and confront key literature on this subject to discuss and deconstruct the process of mediation and the ethical issues involved in this process. The key questions to answer are: What role does mediation plays in representing reality? What ethical issues may emerge from this process? Do filmmakers explore “others” to satisfy their own personal needs as artists? Is it possible to control or regulate filmmakers’ mediation with reality? Can we develop a set of parameters or strategies that can be considered ethically more appropriate for representing the world?, Journal of Science and Technology of the Arts, v. 8 n. 2 (2016)

Published
2016
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6. The Fiction in Non-Fiction Film.

Author

Carmona, Carlos Ruiz

Subjects
*FILMMAKERS, *FILM theory, *NONFICTION, *MOTION picture studios, *FICTION
Abstract

Over the past few decades of film theory, significant scholars and acclaimed filmmakers have established that documentary, just like fiction, must resort to ambiguous and subjective rhetorical figures to represent the world. This claim has led some scholars to conclude that documentary as a term referring to itself as being non-fictional might be disregarding its inevitable fictional elements. This argument may suggest that documentary, just like fiction, when representing the historical world fictionalizes reality. If we accept this claim as true, we need to ask whether terms such as fiction and non-fiction or documentary make sense when discussing the process of representing reality. Does this claim mean that cinema can only fictionalize reality and therefore we should eradicate from this discussion terms such as non-fiction or documentary?. The questions that this paper intends to answer are: Can the term fiction exist without referring to the term non-fiction or documentary? What roles do documentary and fiction play in representing the historical world? Are these terms necessary to communicate and understand the process of representing reality?. This paper has established that fiction and documentary are necessary terms that emerge in cinema narration as a means to mirror human experience's needs to organize, communicate and understand reality. [ABSTRACT FROM AUTHOR]

Published
2019
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7. O processo de omissão na construção da narrativa no filme documentário : análise de um caso de estudo

Author

Carmona, Carlos Ruiz, Espiña, Yolanda, and Campos, Jorge

Subjects
Narrativa cinematográfica, Omissão, Film analysis, Documentário, Film narrative, Documentary, Análise cinematográfica, Omission, Cinema
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2012-08-07T13:08:54Z No. of bitstreams: 1 TESE_THESIS CARLOS RUIZ 2011.pdf: 8395460 bytes, checksum: e94bc86b57169e9ea29afc4378b35345 (MD5) Approved for entry into archive by Isabel Gomes (itg@lisboa.ucp.pt) on 2012-08-07T13:09:08Z (GMT) No. of bitstreams: 1 TESE_THESIS CARLOS RUIZ 2011.pdf: 8395460 bytes, checksum: e94bc86b57169e9ea29afc4378b35345 (MD5) Made available in DSpace on 2012-08-07T13:09:08Z (GMT). No. of bitstreams: 1 TESE_THESIS CARLOS RUIZ 2011.pdf: 8395460 bytes, checksum: e94bc86b57169e9ea29afc4378b35345 (MD5) Previous issue date: 2012-02-22

Published
2011

8. Womens´s role in action films : a study of female stereotype and representation

Author

Espírito Santo, Manuela Leong do and Carmona, Carlos Ruiz

Subjects
Female representation, Contemporary, Humanidades::Artes [Domínio/Área Científica], Hollywood, Gender and identity, Female stereotypes, Female hero characters, Action films
Abstract

Submitted by Isabel Gomes (itg@lisboa.ucp.pt) on 2019-01-14T10:46:52Z No. of bitstreams: 1 [PDF]Manuela - A Case Study of Female Stereotype and Representation.pdf: 4110800 bytes, checksum: f7da118e7535046413109b75e184448d (MD5) Approved for entry into archive by Isabel Gomes (itg@lisboa.ucp.pt) on 2019-01-14T10:47:04Z (GMT) No. of bitstreams: 1 [PDF]Manuela - A Case Study of Female Stereotype and Representation.pdf: 4110800 bytes, checksum: f7da118e7535046413109b75e184448d (MD5) Made available in DSpace on 2019-01-14T10:47:04Z (GMT). No. of bitstreams: 1 [PDF]Manuela - A Case Study of Female Stereotype and Representation.pdf: 4110800 bytes, checksum: f7da118e7535046413109b75e184448d (MD5) Previous issue date: 2017-12-18

Published
2017

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