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In 1957, Giuseppe Tomasi, the last Prince of the Sicilian Lampedusa family, died impoverished and unknown, leaving behind the manuscript of a book he had recently finished. The following year the book, The Leopard, was published in Italy and has since been widely translated and recognized as one of the great novels of the twentieth century. For over a quarter of a century, the reclusive man's papers were hidden from the public, until David Gilmour was befriended by Lampedusa's adopted son. From letters, diaries and notebooks, Gilmour has brought to life the unlikely character of this enigmatic genius, and his milieu in Sicily and Europe. The Last Leopard is a fascinating meditation on what makes a writer and a masterpiece.

One of The Economist's Books of the YearA provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and presentDid Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance—and weakness—of Italy today.David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past—from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era.Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation.

Everyone would agree that Darius Halloway was the most civilized of men, a professor of French literature; a connoisseur of ideas, beautiful women, and fine wine; a perfect guest at life's dinner party. Darius himself would have especially agreed until Emma, waifish and insatiable Emma, leaves her empty clothes hangers rattling in his closet and walks out the door.For a little while, it's not so bad. He's in shock. He thinks she will come back. Other women find his melancholy quite compelling, and there are compensations to be had. But then the sparrows of insomnia start picking at the inside of his skull. Life's little aggravating moments suddenly seem to require him to seek direct retaliation. Soon, all his smoothness and cleverness are directed toward wreaking the most elaborate revenge—until there he is, in the most damning of situations, with his nerves on fire and his heart in his throat.

From the 2005 winner of the Governor-General's Award for Fiction and the former national film critic for CBC television comes a delightful and absorbing book about the agonies and joys of home-schooling a beloved son. Written in the spare elegant style he is known for, The Film Club is the true story about David Gilmour's decision to let his 15-year-old son drop out of high school on the condition that the boy agrees to watch three films a week with him. The book examines how those pivotal years changed both their lives. From French New Wave, Kurosawa, and New German cinema, to De Palma, film noir, Cronenberg and Billy Wilder, among many others from world cinema, we read about key moments in each film, as the author teaches his son about life and the vagaries of growing up through the power of the movies. Replete with page-turning descriptions of scenes and actors and directors, the narrative is framed with the tender story of his son's first bittersweet first loves. This is a charming and poignant story about a very special time in a father and son's relationship. David Gilmour is a novelist who has earned critical praise from literary figures as diverse as William Burroughs and Northrop Frye, and from publications as different as the New York Times to People magazine. The author of six novels, he also hosted the award-winning Gilmour on the Arts. He lives in Toronto with his wife Tina Gladstone.

A warmly witty account of the three years a man spent teaching life lessons to his high school dropout son by showing him the world's best (and occasionally worst) films. At the start of this brilliantly unconventional family memoir, David Gilmour is an unemployed movie critic trying to convince his fifteen-year-old son Jesse to do his homework. When he realizes Jesse is beginning to view learning as a loathsome chore, he offers his son an unconventional deal: Jesse could drop out of school, not work, not pay rent - but he must watch three movies a week of his father's choosing. Week by week, side by side, father and son watched everything from True Romance to Rosemary's Baby to Showgirls, and films by Akira Kurosawa, Martin Scorsese, Brian DePalma, Billy Wilder, among others. The movies got them talking about Jesse's life and his own romantic dramas, with mercurial girlfriends, heart-wrenching breakups, and the kind of obsessive yearning usually seen only in movies. Through their film club, father and son discussed girls, music, work, drugs, money, love, and friendship - and their own lives changed in surprising ways.

A sparkling, provocative history of the English in South Asia during Queen Victoria's reignBetween 1837 and 1901, less than 100,000 Britons at any one time managed an empire of 300 million people spread over the vast area that now includes India, Pakistan, Bangladesh, and Burma. How was this possible, and what were these people like? The British administration in India took pride in its efficiency and broad-mindedness, its devotion to duty and its sense of imperial grandeur, but it has become fashionable to deprecate it for its arrogance and ignorance. In this balanced, witty, and multi-faceted history, David Gilmour goes far to explain the paradoxes of the'Anglo-Indians,'showing us what they hoped to achieve and what sort of society they thought they were helping to build. The Ruling Caste principally concerns the officers of the legendary India Civil Service--each of whom to perform as magistrate, settlement officer, sanitation inspector, public-health officer, and more for the million or so people in his charge. Gilmour extends his study to every level of the administration and to the officers'women and children, so often ignored in previous works. The Ruling Caste is the best book yet on the real trials and triumphs of an imperial ruling class; on the dangerous temptations that an empire's power encourages; on relations between governor and governed, between European and Asian. No one interested in politics and social history can afford to miss this book.

'A Superb New Biography... A Tragic Story, Brilliantly Told.'—Andrew Roberts, Literary ReviewGeorge Nathaniel Curzon's controversial life in public service stretched from the high noon of his country's empire to the traumatized years following World War I. As viceroy of India under Queen Victoria and foreign secretary under King George V, the obsessive Lord Curzon left his unmistakable mark on the era. David Gilmour's award-winning book—with a new foreword by the author—is a brilliant assessment of Curzon's character and achievements, offering a richly dramatic account of the infamous long vendettas, the turbulent friendships, and the passionate, risky love affairs that complicated and enriched his life.Born into the ruling class of what was then the world's greatest power, Curzon was a fervent believer in British imperialism who spent his life proving he was fit for the task. Often seen as arrogant and tempestuous, he was loathed as much as he was adored, his work disparaged as much as it was admired. In Gilmour's well-rounded appraisal, Curzon emerges as a complex, tragic figure, a gifted leader who saw his imperial world overshadowed at the dawn of democracy.

A major new biography of Rudyard KiplingRudyard Kipling (1865-1936) was a unique figure in British history, a great writer as well as an imperial icon whose life trajectory matched that of the British Empire from its zenith to its final decades. Kipling was in his early twenties when his first stories about Anglo-Indian life vaulted him into celebrity. He went on to be awarded the Nobel Prize, and to add more phrases to the language than any man since Shakespeare, but his conservative views and advocacy of imperialism damaged his critical reputation -- while at the same time making him all the more popular with a general readership. By the time he died, the man who incarnated an era for millions was almost forgotten, and new generations must come to terms in their own way with his enduring but mysterious powers.Previous works on Kipling have focused exclusively on his writing and on his domestic life. Here, the distinguished biographer David Gilmour not only explains how and why Kipling wrote, but also explores the themes of his complicated life, his ideas, his relationships, and his views on the Empire and the future. Gilmour is the first writer to explore Kipling's public role, his influence on the way Britons saw themselves and their Empire. His fascinating new book, based on extensive research (especially in the underexplored archives of the United States), is a groundbreaking study of a great and misunderstood writer.