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This article discusses two albums of chamber music and three recordings of classical music. The first album features clarinet quartet music composed by Jack Stamp and performed by the Barcelona Clarinet Players. The second album showcases song cycles by Charles Villiers Stanford, known for incorporating Irish folk themes into his works. The three classical music recordings include compositions by Philip Stopford performed by the Choir of St. Luke's, Chelsea and the Chelsea Camerata, Richard Strauss's "Ein Heldenleben" conducted by Rafael Payare, and Richard Strauss's Piano Quartet performed by the Trio Arnold and pianist Nathanaël Gouin. The article provides a balanced review of each recording, highlighting both positive and negative aspects. [Extracted from the article]

This document is a collection of reviews for various musical compositions. The first review praises composer Steven Holochwost's disc, which features short yet emotionally engaging works. The second review focuses on sacred music by Marc'Antonio Ingegneri, known as Claudio Monteverdi's teacher. The third review highlights a piano composition by Marie Jaëll, inspired by Dante's Divine Comedy. The fourth review examines Lydia Kakabadse's disc, which showcases her unique blend of Greek and Russian Orthodox influences. The article also discusses the melodic and appealing compositions of a composer influenced by Eastern modes. The specific piece mentioned, Nomadic Dances, is described as lively and virtuosic, with impressive bouzouki playing. The main work, Thirty Steps, commissioned by the Hellenic Institute, portrays a musical journey of spiritual growth based on Byzantine spirituality. The music is described as spiritual, imaginative, and focused on color and instrument combinations. [Extracted from the article]

This article is a review of a CD titled "Chansons pour les oiseaux" by Cyrille Dubois and Tristan Raës. The CD features song cycles by French composer Louis Beydts, who is not well-known to the reviewer. The reviewer praises Dubois' elegant artistry and the thoughtful and sophisticated interpretations of the song cycles. The CD also includes other works by Richard Blackford and Giovanni Battista Bononcini. The reviewer finds Blackford's "La Sagrada Familia Symphony" to be a vivid and colorful work, while Bononcini's choral compositions are described as very fine but not on the same level as Handel and Bach. The reviewer criticizes the tempo and balance issues in the performances and recording of Bononcini's music. Overall, the reviewer recommends Dubois' CD and finds it to be a hit. The article also discusses a classical record album featuring the later solo piano works of Brahms, performed by Italian-born concert pianist Paradiso. The album cover is criticized for being in poor taste, featuring a provocative image. Paradiso is described as a young pianist who has recently gained recognition outside of Italy. The article questions the choice of Brahms' late piano pieces for Paradiso's recorded debut, suggesting that the emotional depth of the music requires life experience. [Extracted from the article]

This article discusses a recording of Stephen Dodgson's music, including his work "Canticle of the Sun" and four poems by Mary Coleridge. The author describes Dodgson as a relatively unknown composer who was underappreciated in the mid-20th century due to his tonal style. The recording features the choral ensemble SONORO, which is noted for its unique sound and lack of vibrato. The author criticizes the lack of choral blend and excessive vibrato in the performance, suggesting that the music would be better suited for a different choir. Overall, the author suggests that this recording may only be of interest to those specifically interested in Dodgson's music. [Extracted from the article]

The given text is a collection of reviews and reflections on various music recordings. It includes reviews of recordings by Eugene Ormandy and the Philadelphia Orchestra, Anshel Brusilow conducting the Chamber Symphony of Philadelphia, the Philadelphia Woodwind Quintet, and pianist Geniušas. The text also mentions a recording entitled "Anthems" by Layton/Trinity College Cambridge Choir, as well as albums by Nada, Mia Brentano, Jerry Gerber, Kevin Sherwin, and Marc Harris and Jo Reeves. The author reflects on the personal and professional experiences associated with these recordings and expresses admiration for the artists' talents and dedication. [Extracted from the article]

The article presents an interview with Michael emery, artistic director of the Danish national Vocal ensemble talks about his work with the Danish National Vocal Ensemble (DNVE), his background in choral music and broadcast recording. It explores the inspiration behind the DNVE's new recording dedicated to the contrasting works of two giants of 20th-century Hungarian music.

This article discusses various recordings of Beethoven's cello and violin sonatas performed on period instruments. The Danish Quartet's performance of Beethoven's op. 132 is described as having a beautiful blended sound and sensitive phrasing, although it may lack deep probing. The article also reviews recordings of Beethoven's cello sonatas performed by Bruno Cocset and Maude Gratton, as well as Roel Dieltiens and Andreas Staier. The performances on period instruments are praised for their individuality and flair, although some weaknesses of the fortepiano are noted. Finally, a recording of Beethoven's violin sonatas by Miroslav Hristov and Chih-Long Hu is commended for its technical execution and musicality. [Extracted from the article]