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Elizabeth Anscombe, Mary Midgley, Iris Murdoch and Philippa Foot all studied at Oxford University during the Second World War. One of their wartime tutors was Donald MacKinnon. This paper gives a broad overview of MacKinnon's philosophical outlook as it was developing at this time. Four talks from between 1938 and 1941--'And the Son of Man That Thou Visiteth Him' (1938), 'What Is a Metaphysical Statement?' (1940), 'The Function of Philosophy in Education' (1941) and 'Revelation and Social Justice' (1941)--give a foretaste of the conception of moral philosophy that he later articulated in A Study of Ethical Theory (1957). We identify aspects of his philosophical outlook and unusual treatment of method that likely shaped his teaching. We trace his influence in the work of Midgley, Murdoch and Foot, all of whom studied with him from Trinity Term 1940 until their finals in 1942. In the case of Anscombe, though she was briefly his student--he taught her Plato--she and MacKinnon moved in shared intellectual circles, and there is reason to think that some of the forces that shaped MacKinnon's outlook also shaped hers. The sketch we offer is incomplete--in particular, we are not able to do justice to MacKinnon's explicitly theological writings--but we hope to achieve three things. First, to go some way towards indicating the importance of the teacher MacKinnon to understanding the work of his better-known pupils. Second, to introduce a philosopher for whom the teaching of philosophy, practical ethics and metaphysical theory were deeply entwined. Third, to reflect on the relationship between, on the one hand, a conception of the practice and significance of metaphysics and, on the other, a view on the role and nature of philosophical teaching and learning.

I draw on Carl Stumpf's essay "Psychologie und Erkenntnistheorie" (1891), and his precocious On the Psychological Origin of the Idea of Space (1873), to set out a charge he raises against Kant's form/matter distinction. The charge rests, I propose, on the supposition that colourless extension, or empty space, cannot be seen. I consider an objection that Stumpf raises against Kant's notorious 'subtraction' argument. Kant supposes that we can 'take away' from the representation of a body all that the understanding thinks in relation to it and extension would yet remain (Remainder), separate from all sensation (Separateness). Stumpf denies both claims but I suggest he needn't. I outline a way of defending Remainder without Separateness, extrapolating from some neglected descriptive phenomenology in Husserl's 1907 "Thing and Space" lectures: we see empty regions insofar as we see things through them. Finally, by appeal to so-called 'structural' features of visual experience, I detail a distinctive approach to making the subtraction argument intelligible. [ABSTRACT FROM AUTHOR]

A literary criticism of the book 'The Sovereignty of Good' by Iris Murdoch is presented. Topics include acquiring structure over time, their interrelations shift and ramifying but always in ways being personal; involving the continuous reassessment of past events, relationships, and individuals; and Murdoch's conception of the concrete universal being inflected more by British Idealism.

I ask whether figure-ground structure can be realized in touch, and, if so, how. Drawing on the taxonomy of touch sketched in Katz's 1925 The World of Touch, I argue that the form of touch that is relevant to such consideration is a species of immersed touch. I consider whether we can feel the space we are immersed in and, more specifically, the empty space against which the surfaces of objects, as I shall urge, 'stand out.' Harnessing M. G. F. Martin's account of bodily awareness and touch, I defend a positive thesis, pace Graham Nerlich on whose The Shape of Space (1994) I otherwise rely, both to defend the supposition that empty space can in principle be felt and to argue that touching empty space is not a mere species of absence perception. Along the way, I defuse a causal worry that might be thought to arise in the case of touching empty space. [ABSTRACT FROM AUTHOR]