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Copyright of European Review of History is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Paedagogica Historica is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Paedagogica Historica is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of European Review of History is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Modern & Contemporary France is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Modern & Contemporary France is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Society & Leisure / Loisir & Société is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Sport & Tourism is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Society & Leisure / Loisir & Société is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Society & Leisure / Loisir & Société is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Society & Leisure / Loisir & Société is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper contains an edition of the manuscript Paris, Bibliothèque nationale, n. a. lat. 1523-II. The edition is preceded by an introduction in which the author claims that the manuscript is a unique copy of a lost abbreviation and paraphrase of Landolfus Sagax. [ABSTRACT FROM AUTHOR]

This article will attempt to recount the history of the emergence of this theme of ‘la souffrance au travail’, highlighting its role in laying bare transformations and fault lines in French society today. The article will explain this role by providing a detailed description of the ‘managerialist turn’ and the new methods of management that characterise it. It will show how such methods transform relationships between employees, eroding links of cooperation, solidarity, and collaborative life. These corrosive effects seem to confirm the hypothesis of the ‘centrality of work’ in the formation of the polity and of citizens. The article will examine the controversies sparked by this hypothesis of ‘the centrality of work’, detailing the hostilities it has provoked, as much amongst the trades unions as amongst academics, before emphasising the role played by artists, filmmakers, writers, legal experts, and journalists who have managed to put work at the centre of public debates in France. By way of conclusion, the article will try to explain why this has proved to be the case in France more than elsewhere. [ABSTRACT FROM AUTHOR]

The essay examines The Allegorical Portrait of Minister Colbert, engraved by Van Schuppen after Le Brun's design, in 1664, the year of Colbert's appointment as the Chief Administrator of Buildings, Arts, and Manufactures in France. It locates the print's programme within the context of the new administrative system for the arts in France implemented by the Minister and interprets it as an inventive conjuncture of pictorial genres. Either as a frontispiece or as an impresa, Le Brun's design for the print linked Colbert's political virtues with the new, collective forms of artistic enterprises. The theme of the collaborative relationship among the arts exemplified by Colbert's institutional reforms calls attention to the emerging variance between the individual and the institutional in the creation of the national style urged by Colbert's administration. The print demonstrates how the distillation of collective authorship can be achieved through the remediation of the specific arts -- painting and tapestry in this case -- based on the unifying role of disegno and the efficiency of print in translating ad vivum the generic characteristics of different media. [ABSTRACT FROM AUTHOR]

Copyright of Modern & Contemporary France is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En France, les femmes sont aussi nombreuses que les hommes a adherer a des associations, alors qu'elles sont sous-representees dans les partis et syndicats. A partir d'une enquete sur trois associations militantes, cet article propose des elements d'explication de ce « tropisme associatif ». L'analyse des trajectoires de 51 adherents met en evidence des processus sexues au moment de l'entree en militantisme: les femmes commencent majoritairement a militer au sein d'associations, quand les hommes s'engagent en premier lieu dans des partis ou des syndicats. On constate par ailleurs, dans l'evolution des trajectoires, que les femmes se tiennent relativement a distance des partis. Les entretiens menes avec les militantes montrent que cette tenue a distance ne s'explique pas par un rejet des partis, mais par un sentiment d'incompetence personnelle. En outre, la socialisation associative ne permet qu'imparfaitement de contrarier ce phenomene, du fait notamment de la division sexuelle du travail dans les organisations. [ABSTRACT FROM AUTHOR]

En continuite avec les travaux portant sur la genese et l'evaluation des lois dites sur la parite, nous questionnerons les enjeux du glissement de la parite a la diversite dans l'espace public francais. Nous nous inscrirons ainsi en complementarite avec les travaux sur l'emergence du terme de diversite, ses usages sociaux et les polemiques concernant sa mesure. Notre hypothese est que ce glissement participe a l'institutionnalisation d'une egalite sous condition de performance de la difference. Afin de la tester, nous avons croise l'analyse de rapports, travaux et declarations sur la diversite avec une enquete qualitative aupres de plus de 150 actrices et acteurs concernes par l'emergence de la diversite comme probleme social et politique dans l'espace public: des responsables politiques, institutionnels, religieux, associatifs, syndicalistes, du monde de l'entreprise et des universitaires. [ABSTRACT FROM AUTHOR]

Copyright of Studies in French Cinema is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The author discusses World War II in France, in particular the conflict between Resistance fighters and members of the French "Milice," a military organization set up by the Vichy regime in 1943. The ensuing civil war is represented in the works of such authors as Jean Genet, Jacques Perret, and Jean-Paul Sartre. Published from 1945-51, these texts have generated controversy because they portray the miliciens as dedicated French soldiers who happened to be on the "wrong" side of the war. [ABSTRACT FROM AUTHOR]

L'image renouvellera un jour l'enseignement historique. —Ernest Lavisse [ABSTRACT FROM AUTHOR]