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What are the respective roles of the mother and the father in generation and reproduction? Why the children sometimes look like their mother, sometimes their father and sometimes their both parents and even grandparents? This paper explores how the Ancient Greek tried to develop several theories to answer these fascinating questions, from the Greek atomist philosophers to the Hippocratic and Galenic physicians, through the Aristotelian. [ABSTRACT FROM AUTHOR]

The aim of this paper is to examine the interactions between the cities of the western and northern shores of the Black Sea (from Apollonia to the Bosporan Kingdom) and the sanctuaries and oracles of the Aegean world. Through the networks between these peripheral cities and the religious centers like Delphi, Delos, Samothrace or Claros, over the centuries, the purpose is to question the way that the gifts, the theoriai and the consultation of oracles involved assuming and asserting a common Greek identity. [ABSTRACT FROM AUTHOR]

The nurse already appears in the Odyssey as a key character in Greek family life, showing all the characteristics that will remain hers throughout Greek Antiquity: she is a slave and has been working in her master's house before the child's birth; she has been chosen specially for the task of nursing and rearing the newborn, as she attends the delivery and is the first one to take the baby in her arms; later on, she takes care of the general education of the child and follows her 'protege' in his/her adult life; sometimes, she carries out the same tasks for her protege's children. While recent research has often focused on her servile status, basing its arguments mostly on literature, this paper is based on iconography. The Greek nurse has the peculiarity of being very often represented as an old woman, even in the company of small children. The analysis of the context of representations of the trophos and of their chronological evolution allows us to reach a conclusion about this peculiar feature that goes beyond a realistic interpretation or a simple 'caricature'. The old age shown by the Greek trophos, and the Greek paidagogos also, is a means to express the ideal of personal renunciation that is expected of them: it seems that the Greek trophos was not so much attached to her functions of nursing and educating as to the child itself, acting as a kind of protective daimon for it. [ABSTRACT FROM AUTHOR]