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Copyright of Stratégies is the property of S2C and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Stratégies is the property of S2C and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Stratégies is the property of S2C and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Stratégies is the property of S2C and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article focuses on how radio stations are using digital content and tools to innovate and maintain their audience in the face of competition from streaming platforms and podcast studios. Topics discussed include the decline in traditional radio listenership, the use of digital channels for innovation, and the opportunities presented by personalization and digital apps for smartphones.

Copyright of Stratégies is the property of S2C and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article focuses on significant changes in radio programming and talent shifts across major French stations for the upcoming season. It states that notable adjustments include Thomas Sotto and Amandine Bégot taking over Radio Télé Luxembourg's morning show, Cyril Hanouna moving to Europe 1 for the 4-6 PM slot, and Patrick Cohen joining France Inter for political commentary.

The article focuses on French radio station Europe 1 receiving a formal notice from L'Arcom regarding irregularities in its coverage of the electoral campaign within the program "On marche sur la tête," hosted by Cyril Hanouna during the rapid legislative election campaign.

The article focuses on the "Livre blanc de la radio" presented by Arcom, outlining plans for a complete transition to digital radio broadcasting by 2033, replacing traditional FM with DAB+. It mentions that this shift aims to enhance audio quality, broaden content offerings, and reduce operational costs, impacting France's radio stations and daily listeners.

The article focuses on RMC's extensive coverage plans as the official radio station of the 2024 Paris Olympics in France. It highlights its digital platforms, on-air programming, and expert contributors, including sports figures like David Douillet, aiming to engage and unite French audiences through comprehensive live coverage, podcasts, and behind-the-scenes insights.

The article focuses on the DAB+ technology's progression in France, while exploring topics such as the potential impact on car radio listening, the emergence of new radio stations, and the coexistence of FM and DAB+ technologies. It mentions radio stations, are cautious about DAB+ and prioritize integration into connected cars as the real challenge, aiming to make radio part of the car interface, similar to developments in global auto manufacturers' partnerships with content providers.

The article focuses on the remarkable success of Nostalgie, a radio station dedicated to 1980s music. It is reported that the station's intergenerational appeal, modernization efforts, and strategic positioning contribute to its surge in popularity, making it the second-largest music radio in France, surpassing Skyrock and trailing behind NRJ. It offers such as vinyl-only shows, aligning with the nostalgia and cultural resurgence of 80s music even among younger audiences.

The article focuses on Yann Chouquet, the current number 2 at France Inter, leaving the top station to bring his expertise to France Bleu, which comprises 44 struggling local stations. Topics include Chouquet's dedication to public service, his career progression from a modest background to prominent radio roles, and his new role at France Bleu, aiming to revitalize the network and enhance its editorial project.

The article focuses on the positive trends in radio listenership, with significant year-over-year growth in the evening hours (18 h-20 h, 20 h-22 h, 22 h-23 h) and the early morning hours (5 h-7 h), suggesting increased interest in radio during these time slots.

The article focuses on the successes and failures of radio stations in the November-December 2023 audience ratings, examining trends compared to the previous year. It mentions notable performances include Europe 1's rebound, Pascal Praud's impressive results on Europe 1, and RMC's strong showing driven by the Rugby World Cup, while challenges are observed for RTL and specific time slots on France Inter.

The article focuses on the continued success of France Inter, the leading radio station in France, with increased listenership, innovative programming changes, and a significant presence in digital platforms and podcasts. It also mentions Adèle Van Reeth, the director, outlines the station's commitment to providing diverse content for a broad audience, despite facing controversies and criticisms throughout the year.

The article reports on France struck by the fever of the podcast, with a booming offer and listeners ever more faithful. It is said that if the brands are interested in this format, the test remains to transform in terms of advertising. The radio podcast market has long been the preserve of radio stations for listening to their broadcasts. It has exploded in France for eighteen months, with the exponential growth of programs offered by actors.

The article offers information on the recent radio audience trends in France, particularly the decline in listenership over the past two years. Topics include the impact of telecommuting on prime time radio, shifts in listening habits, and changes in audience patterns across various radio stations.

The article focuses on strategic and regulatory developments concerning the future of Europe 1, a French radio station. It discusses the negotiations and agreements, particularly the convention signed with the regulatory authority (Arcom) on October 25, outlining the station's future until December 31, 2027. It focuses on Arnaud Lagardère's efforts to maintain control over his radio stations, ensuring autonomy in operations, editorial content, and finance for Europe 1.

The article offers news briefs on topics related to the media and the digital space. It begins by mentioning the majority of private radio stations jointly publishing their general sales conditions to provide visibility to advertising agencies and streamline the integration of audio into client strategies. It also touches upon the passing of Jean-Pierre Elkabbach, a prominent figure in European media, and his contribution to the industry.

The article presents the discussion on distinguishing the morning shows on the local radio stations, including Vibration, Voltage, Wit FM, and Forum. Topics include reassuring for the listener, hearing jingles, segments, and advertisements always in the same order and at the same time can become repetitive; and maintaining the audience's engagement by introducing an element of surprise and variety into the daily listening experience.

The article focuses on the potential for sound immersion technologies, such as multichannel sound and binaural sound, to enhance the radio listening experience, especially in the context of luxury car audio systems and the future development of the metaverse. It discusses public broadcasters like Radio France, private radio stations have been slow to adopt these technologies, with binaural sound considered a luxury product rather than a mainstream audience builder.

The article focuses on the launch of seven new digital radio stations by the RTL Group, a prominent European broadcasting group. It highlights the increase in digital traffic and visits to the group's website and application, with growth in May 2023 compared to May 2022. It states that the stations are personalized and programmed by human curators, offering a customized listening experience.

The article reports on radio listeners opening up to podcasts and, to a lesser extent, to voice assistants. The Mediametrie's Global Audio study, results of which were published in March 2019, found that radio represents 65% of the volume of listening devoted to audio content on average. Serge Schick , Director of Public Relations and Brand Development at Radio France, says that radio remains the first audio medium, by far.

The article reports that challenged by digital innovations, radio stations are playing the card of continuity, while feminizing and strengthening their antennas. It mentions the move allows us to offer more dynamic information, based on complementarity and exchange. It also mentions the comments of Frank Moulin, editorial director of RTL on highlighting the female talents of its editorial team of 120 journalists.

The article reports that Independent commercial radio stations, local outlets and public service rely on proximity with a program mixing music and local information. Topics include public service and the major national networks with the closure of local Virgin Radio and Fun Radio; and private employer with journalists and presenters is deployed through information and local broadcasts of regional events with relocation of flagship programs.

The article explores how generalist radio stations are planning to consolidate their digital strategy and develop synergies with television instead of social media, with the approach of the Football and Rugby World Cups. Topics include programming of a daily sports program on France Culture give to the public station; and in charge of strategy and editorial marketing with political program by creating a digital radio broadcast.

The article focuses on Le Figaro's expansion into the audiovisual market with the launch of a free TNT channel and DAB+ radio, which will focus on analysis and culture, with a daily program dedicated to the region. It mentions that the radio station will feature audio versions of Figaro programs and offer soft rock music with programming available on Radioplayer, which will be funded by advertising and are part of Le Figaro's omnichannel strategy to achieve profitability by 2026-2027.

The article reports on rebranding of Virgin Radio, to Europe 2 again, which offers a structural change in the antenna in the best of the airwaves. Topics include antenna is intelligent on a musical radio with young artists like Marie-Flore, Angèle or Clara Luciani; and radio station intends to support emerging artists by offering them an antenna with people with local and national artists.

The article informs about SoundCast, the French Tech audio is increasing its advertising investments in digital audio market for the business development and support. Topics include business management functionalities, superior targeting capacities and a reinforced analytics section; and proprietary solutions allowing radio stations, web radios, and thousands of podcasts to find a business model through advertising.

An interview with Zyad Limam director and editor-in-chief of the monthly "Afrique Magazine" is presented. Topics include talks about the military coup in Khartoum (Sudan) where the RFI transmitter was suspended as is a sad usual practice that the media, especially international TV and radio stations, are cut off at the time of a coup and aim is to cut off the flow of information to the outside, much more than to influence internal opinion.

The article informs that according to a EAR wave report from Médiamétrie, France Inter continues to lead the way as the most listened to radio station in France in September-October. It mentions that RTL preferred to count on a return to continuity on the program side by continuing to lengthen certain sections and by offering duets in the news sections, followed by NRJ.

The article reports that the majority of private radio stations have jointly published their general conditions of sale at the beginning of November 2022. Topics include views of Marie Renoir-Couteau, President of the Bureau de la Radio, Lagardère Publicité News and the Strategy, on the media within the framework the development of 2023 strategies; the challenges of transformation; and the radio budget to be transferred to digital audio.

The article reports that Advertisers take advantage to accompany their consumers to vacation spot via audio campaigns or special operations of motorway radio stations. Topics include radio frequency to the frequency dedicated to highway radios for traffic information; and service radio, with a traffic news and audience data provided by the advertising agencies.

The article discusses several national radio stations and the Paris-Lyon-Marseille road axis will be open to DAB + technology from July 2022. It mentions that the this technology of digital sound, developed in the 2010s under the name of radio digital terrestrial (RNT). It mentions that VVF has delayed the launch of the first tourist site from France, due to the Covid-19 pandemic; and has worked with Mediapost, one of the marketing subsidiaries of the post office.

The article reports that Radioplayer application has recorded downloads and signed partnerships with Amazon and Renault. Topics include French radio stations associates or partners within an application; and Radioplayer France radio stations that to broadcast and control streams within the Alexa environment with advertising campaign.

The article informs that Lagardère, which is the subject of a takeover bid by the Vivendi group, is studying "a project aimed at confirming the autonomy" of its radio division, and the stations could be "grouped under a partnership limited by shares" controlled by Arnaud Lagardère.

The article reports on the increase in radio audiences in France in November-December 2021. Topics include the data published by Médiamétrie showing the growth of the radio medium; impact of the Covid-19 pandemic confinements and curfews on the radio sector; and the popularity of the radio station France Inter in France with almost of 7 million listeners and a stable cumulative audience.

The article reports that actual or relative impact of reach and audience calculations, or metrics in the media landscape. Topics include calculate the digital and print readership of the media with Numeris data is analyzed by journalists Richard Therrien and Hugo Dumas; unpaid subscribers of digital media or the reach of newspapers in social media and radio station.

The article offers television, press and radio news briefs from France including increase the share of non-permanent jobs in FRANCE 24 due to pressure from a strike movement; acquisition of PRISMA MEDIA by Vivendi; and "THE RADIO AUDIENCE STUDY" OF MEDIAMETRY which shows popularity of France Inter.

The article focuses on dream of listening to favorite station from Paris to Marseille by car without horrible crackles and without having to constantly readjust car radio to find the right frequency. Topics include examines that the CSA and the radio groups have heard that since October 12, 2021 the deployment of DAB + (for digital audio broadcasting) on this axis cover several percentage of the metropolitan population in a few weeks.

The article presents news briefs related to France market. Topics discussed include leadership position of France Inter as the number one summer radio station in France; strong growth in e-commerce amid COVID-19 pandemic; and fund of LinkedIn for influencers and new monetization tools for its most influential members.

The article presents views of Laurent Frisch, director of digital and production of Radio France, on advertising revenues of Radio France. The advertising revenues of Radio France is set at 42 million per year today and which accounted for 47.6 million in 2018, including messages of general interest. Frisch says that the important thing is to find the conditions for sustainable financing for public broadcasting.

The article discusses radio advertising seeks to reinvent itself and also examines how radio stations innovate several changes. It mentions that NRJ Global has launched a pre-roll on live streams of its radios; and Audion, specialist ad tech in digital advertising, announced an association with Nielsen to enrich the targeting of digital advertising audio through data on listeners as criteria socio-demographic or their hobbies.

The article discusses Canal +, M6, France Info and Here have the characteristics common to have been launched during François Mitterrand, Former President of France's first term. It mentions that the channel was financed neither by license fees nor by advertising; and Luxembourg Company of telediffusion (CLT) joined forces with Lyonnaise des eaux, of which Nicolas de Tavernost was then the director of audiovisual activities.