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Music is a means of perceiving the world and an instrument of knowledge. Music contributes to the social construction of reality and sociology has always shown a special interest in its study. The current sociological studies of music analyze the process of interaction between music and society, taking in account particularly the various forms of attitude arising in this connection. This paper research analyzes the sociological theories of G. Simmel, M. Weber, and Th. W. Adorno as starting point to build the theoretical sociology of music.

El texto se basa en un análisis comparativo entre La Mandrágora (1911) de H. H. Ewers, uno de los relatos fantásticos más destacados, y la adaptación fílmica de Henrik Galeen en 1927. Punto de partida para el estudio de la figura de la mujer vegetal desde la mitología hasta el cómic.