Search

With the emergence of an early psychiatry around 1800, a number of questions arose on dealing with a group of persons whose "alien", irritating and disruptive behavior was considered to be a phenomenon of being sick. In the context of the growing importance of human rights, the term humanitarianism attained a high relevance as the reference for early psychiatrists. Based on historical sources it is shown that despite a multitude of psychiatric beliefs on humanitarianism the established psychiatric practice was dominated by patriarchal order regimes up to the first decade of the twentieth century, later superimposed by the challenges of somatophysiological and experimental research as well as perceptions of biological racism. The associated new ethical questions were partially addressed within psychiatry but did not prevent an increase in the assessment of the mentally ill as "inferior". [ABSTRACT FROM AUTHOR]

Copyright of Lexicographica is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The science-fiction writer H.P. Lovecraft is famed for his apocalyptic oeuvre. His work is deeply marked by racialist science and colonial history, linking them as structural constants that produce the outbreaks of horror in his stories. The horror is repeatedly represented as a dysgenic devolution with exterminatory implications. Yet similar treatments of racialized fear are commonly expressed in many non-fiction texts and biopolitical agendas, particularly in colonial contexts, and this conjunction also occurs in real events, including the historical apocalypse of the Holocaust. This paper will discuss Lovecraft’s apocalyptic fiction as a structural elaboration of the consequences of colonialism, racism, and scientific rationalism that reveals, despite its fantastic irrationality, a fundamental truth about extermination and modernity.