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In order to identify the concrete processes by which the complex machinery of the legal system operates, a focus on the narratives of law in popular culture can be useful. However, studying narrative poses a number of theoretical and methodological pitfalls. The aim of this paper is a return to Vincenzo Tomeo's half-century-old work The Judge on the Screen. The book is an excellent example of a sociologically careful and methodologically insightful use of fictional narrative sources such as films. It can be considered a classic of 'law and culture' studies and a forerunner of the 'law and cinema' movement. [ABSTRACT FROM AUTHOR]

In this paper we will try to understand the "conceptual" perspective of sociology as one of the possible lines drawn within the cultural horizon of the social sciences. And this can be easily understood if we understand by "sociological culture" a knowledge that is not reducible to a scientific disciplinary sector or to an analytical technicality (an instrumental apparatus) aimed at data collection, but as a conceptual process capable of developing a cognitive orientation aimed at grasping the existential situation of man starting from his historical, concrete and social condition. The aim of this work is therefore, more than anything else, to grasp the process of conceptualisation of social experience starting from the cultural formations within which the relationship between thought and society, or rather, between mental structures and historical-social conditions, develops concretely and reflectively. [ABSTRACT FROM AUTHOR]