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The paper, starting from the draft of 73 Rules Museum proposed by Panizzi to the Trustees in March 1839, aims at bringing out Panizzi's underlying design for the new alphabetical catalog of the British Museum. Two temporal perspectives are crossed in contextualizing the process of drafting the rules: one of shorter duration, with a focus on items and actors of a confrontation that became intense between 1834 and 1839; and another, of a wider time span, aimed at reconstructing the conflicts of bibliographic cultures, the lines of tradition and the originality of Panizzi's approach. At the bottom of the draft, there is an intellectual wager: although in the context constraints, to go beyond the boundaries of the English bibliographic traditions of the time by opening up to other bibliographic cultures. The most stimulating perspective comes from Audiffredi's lesson mediated by a principle of exactitude which, if in the most immediate references has roots in the highest peaks of the contemporary French bibliographic culture (Barbier and Querard), draws its sap from the erudite tradition of the Italian eighteenth century (Tiraboschi). The paper discusses whether and what changes were made to this design in the passage from 73 to 91. [ABSTRACT FROM AUTHOR]

The use of digital technologies is an open and very rapidly evolving field of investigation and experimentation. This paper addresses their role in Cultural Heritage (CH) safeguarding activities, drawing on the research results of the H2020 project "4CH-Competence Centre for the Conservation of Cultural Heritage" (CC) [GA 101004468]. 4CH moves from the human-centric vision of digital transformation, advocated by the EU, and envisages an interdisciplinary approach, combining theoretical and practical knowledge, all in support of a reflection on the role of enabling technologies, the new skills associated with them, the CH preservation and enhancement related approaches, and their integration into the established technical culture. [ABSTRACT FROM AUTHOR]