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Aim of the paper is studying which generativity could characterize the relationship between senior and junior workers during the organizational socialization of the newcomers. The theoretical framework of the study refers to the concept of generativity, as defined by Bradley and Marcia (1998) and Cigoli and Scabini (2006). A qualitative research conducted through narrative interviews to 24 senior and 24 junior workers is presented. Narratives show different typologies of relationship, characterized by different degrees and forms of generativity. Results allow to discuss how a more or less generative relation could be related to organizational socialization, and which contribution can be provided by senior workers to the organizational socialization of the newcomers. [ABSTRACT FROM AUTHOR]

After using Bourdieu to clarify why and with what consequence flexploitation has become a widespread work mode, we articulate a specific hypothesis: in critical times of instable and temporary work, a number of initiatives emerge, some of which configure themselves as active responses to the state of precariousness brought about by flexplotiation policies. Practices of physical culture such as argentine tango represent one example of such initiatives aiming at recreating those threatened or impoverished conditions of bodily, temporal and relational life we do not seem willing to give up. Our paper takes into account the outcome of a qualitative research on tango dancers. [ABSTRACT FROM AUTHOR]

Nowadays consumption dynamics analysis is carving out a growing important role within the reflection on youth condition. Consumption choices play a basic role within the identity building process, as well within the mechanisms of social interaction, and gain credit as a further medium for relationships and sharing. The paper aims to analyze the meaning of a specific consumption experience, that one of tattoos, more and more widespread among the new generations. In the article, we’ll analyze, in particular, the results of a qualitative research project carried out on a Millennials sample, young people born between 1981 and 1996, in order to pick out the reasons which in most cases drive them to tattooing. The elements we collected by means of some focus groups and semi-structured interviews have stressed a double reading: for one part of the sample, the meaning of tattoo has to be spotted just in the right drawing chosen by the individual, while for another it’s tattooing itself, the experience lived in real terms, to take the prevailing meaning, sometimes even regardless of the figure inked onto the skin. When tattoo reflects the will to expressly convey something, its meaning seems to be traced back to three different purposes: the one bound to one’ identity, the one peculiar to a rite of initiation and the one that points out an emotional bond. In conclusion, for the Millennials choosing tattooing seems to be a way of claiming their own individuality tangibly, changing their body into one of the means thanks to which they can tell the others their own story. [ABSTRACT FROM AUTHOR]