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Copyright of Italica Wratislaviensia is the property of Wydawnictwo Adam Marszalek and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cittadinanza Europea is the property of FrancoAngeli srl and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ricerche di Pedagogia e Didattica is the property of Universita di Bologna, Dipartimento di Scienze dell'Educazione and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of QU3: iQuaderni di U3 is the property of Quodlibet S.r.l. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Archeologia dell'Architettura is the property of Edizioni all'Insegna del Giglio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kwartalnik Neofilologiczny is the property of Polish Academy of Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The paper details the critical analysis of the emerging English colonialism in Ireland in the 17th century as elaborated by Karl Marx in a series of minor writings, i.e. the ethnological notes written between 1881 and 1882. The purpose is to highlight how in these notes Marx continues the study of Irish society as set out in Book I of Capital (1867), enriching it with a new historical-legal dimension: the study of the Act of Uniformity of 4 July 1605, whereby the British expropriated Irish people from their lands. A measure that marked both the birth of intra-European colonialism and the alliance between social sciences (legal ethnography, political economy) and domination systems. [ABSTRACT FROM AUTHOR]

Copyright of Il Cesalpino is the property of Ordine Provinciale dei Medici Chirurghi e degli Odontoiatri di Arezzo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper offers a critical analysis of the current debate in vice theory. Its main aim is to provide the reader with the conceptual and methodological tools to navigate the discussion among reliabilist, responsibilist, and obstructivist approaches to moral and epistemic vices. After a brief exploration of the reasons underlying the recent flourishing of vice theories (§2), the responsibilist account is introduced (§3) and several critical remarks are offered to ensure that this view can accommodate the cases of malevolent and indifferent individuals (§4). The two following sections are devoted to a critical discussion of vice-reliabilism (§5) and Quassim Cassam's obstructivism (§6). The conclusive section (§7) provides reasons to favor viceresponsibilism over vice-reliabilism and Heather Battaly's pluralist approach, and sheds light on the innovative features of an obstructivist reading. [ABSTRACT FROM AUTHOR]

The paper addresses the theme of photomodelling techniques supporting archaeological survey and of the role played by the contemporary archaeologist dealing with computing and information technology. In particular, photomodelling, being a simple and economical technique, for years has gained ground in the archaeological survey as an efficient instrument to respond to the needs for documentation, study, and communication, which are inherent to digitization. Likewise, in the enhancement of perceptive aspects and in computation automatisms, which are at the basis of the models' genesis, some pitfalls can be hidden that may lead to underestimate the centrality of interpretation. The critical analysis proposed aims at underlying the contribution of digital techniques, by analysing their reliability and their possible application to the traditional design. The paper compares some examples of archaeological data survey conducted in the Umbria region, in the last fifty years, from the point of view of experts involved in representation studies, and tries to capture the peculiarities that are still valid in the current transformation of graphic representation tools. [ABSTRACT FROM AUTHOR]

Copyright of Materiali e Strutture is the property of Edizioni Quasar di Severino Tognon s.r.l. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The paper presents the first results of the Cecilia Metella Project, at the 'Parco dell'Appia Antica'. The prominent monument is dedicated to the noble Roman woman, whose life can only be deduced from what can be read from the epigraph carved in marble. Although the monument is probably the most famous and characteristic one of the regina viarum near the city, even today the knowledge of the mausoleum - at least from the point of view of digital acquisition and analysis of the graphic documentation - appears incomplete and therefore deserves to be deepening. The new technological frontiers and their integrated use in the field of cultural heritage allow scholars to have more accurate and complete tools at their disposal. These multidisciplinary applications make it possible to acquire, in a rapid and quick way, the physical and spatial dimension of very complex and stratified archaeological contexts such as the mausoleum of Cecilia Metella. In this context, the richness of the graphic evidence of the mausoleum allowed for in-depth comparative analyses regarding the iconographical documentation and its relationship with the physical monument acquired with modern survey techniques. This study therefore aims to update the state of the art of the tomb and to define a methodological protocol for the acquisition and critical analysis of the monument. [ABSTRACT FROM AUTHOR]

Copyright of Italian Journal of Nursing (IJN) / Giornale Italiano di Infermieristica is the property of Collegio IPASVI MI-LO-MB - Ordine Professioni Infermieristiche MI-LO-MB and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This introductory essay examines the development and nuances of public social research in Italy, focusing on the influence and reception of Michael Burawoy's ideas and the institutionalization of public sociology in the Italian context. Through a historical and critical analysis, important phases in the development of public sociology in Italy up to the present were identified. Finally, a systematic literature review was presented to quantify and analyze the scientific contributions in the field of public sociology and to show how the discipline has resonated in the debate within the Italian academic community. This work not only provides a historical and theoretical overview, but also contextualizes the current challenges and the role of sociology in the Italian public arena. [ABSTRACT FROM AUTHOR]

Copyright of TECHNE: Journal of Technology for Architecture & Environment is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Reti Medievali is the property of Firenze University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)