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Scholars of late antique art commonly and uncritically accept that the Revelation provided the source for late antique church decoration. They rarely discuss the extent to which this text served as a basis for the vivid iconographies typical of late antique ecclesiastical décor. This paper explores how the imagery of Revelation impacted on late antique mosaic programs, considering as a crucial case study the triumphal arch of the basilica of Santa Maria Maggiore at Rome and, particularly, the motif of precious stones and jewels so frequent on several elements of the decoration. The latter also appears on a cornice, a jeweled band which later spread in the art of the whole empire, both in church and -- what is less known -- secular contexts. This motif will be explored first in a visual perspective and then defining its value in the culture of Late Antiquity and the early Middle Ages. [ABSTRACT FROM AUTHOR]