Search

-.-

Desde la aparición de la llamada Web 2.0 en los años noventa, las Redes Sociales se han convertido en un elemento central de las campañas electorales a nivel mundial. Sin embargo, su uso y carácter decisivo no siempre ha sido el mismo, sino que ha ido evolucionando conforme se han ampliado los recursos técnicos disponibles. En este artículo se analiza la influencia y el uso que se ha hecho de las Redes Sociales a nivel electoral a través de las últimas ocho campañas presidenciales estadounidenses (1992-2020), así como sus retos de futuro.

The orographic and natural conditions, together with small towns’ cultural, heritage and industrial conditions, have become the landscape of relationships between spaces where silence, slowing down and acceleration define the urban and human imaginary of these transversal territories. Although very different from each other in terms of topographical location, traditions and cultural and linguistic specificities, it is possible to find constants of criticality and potential. This essay illustrates new readings and settles meanings to initiate a collaborative work in Sicily and Spain along the Trasversale Sicula and in the mining landscape of the Minas de La Reunión in the province of Seville. Here, it is possible to combine material and immaterial imaginaries that find the ideal setting in the rural and industrial small towns to start again from what remains and from the potential given by the generations in comparison.

Este estudio da a conocer una nueva imagen escultórica de San Diego de Alcalá, atribuyéndola a Juan Martínez Montañés y datándola, en base a varias evidencias, en torno a 1590-1591, por lo que podría ser una de las primeras obras conservadas del artista. La obra se localiza en Sanlúcar de Barrameda, en la antigua Iglesia del Convento de San Francisco. Asimismo, se relaciona la nueva escultura con otras obras de la misma iconografía vinculadas a dicho autor.

Abstract In this article the authors want to present some projects and researches of the international working group created to carry out a survey on the public image of the administration of justice that digital social media (social media) and social networks connected to them (face book and twitter) and to investigate how this image is perceived by citizens. The Working Group, to which the same authors take part, and which involves the universities of Milan (IT), Cordoba (AR) and San Marcos of Lima (PE) intends to analyse the media at international, national and local level, the digital ones including the cinematographic works disseminated on online platforms, starting from the premise that justice is strongly linked to politics. Key words: Administration of justice, judicial iconography, digital "social media", social networks, politics of law. Riassunto In questo articolo si intendono presentare alcuni progetti e ricerche del gruppo di lavoro internazionale creato per realizzare una indagine sopra l’immagine pubblica dell’amministrazione della giustizia che costruiscono i mezzi sociali digitali (social media) e le reti sociali connesse agli stessi (face book e twitter) e su come la stessa venga percepita dai cittadini. Il Gruppo di lavoro, di cui gli autori fanno parte, e che coinvolge le università di Milano (IT), di Cordoba (AR) e San Marcos di Lima (PE) intende analizzare i media a livello internazionale, nazionale e locale, quelli digitali comprese le opere cinematografiche diffuse sulle piattaforme on line, partendo dal presupposto che la giustizia sia fortemente vincolata alla politica. Parole chiave: amministrazione della giustizia, iconografia giudiziaria, “social media” digitali, reti sociali, politica del diritto.

Abstract: This paper discloses a painting signed by Antonio Hidalgo, an artist from the Seville School who was active between 1664 and 1689. It is a depiction of The Last Communion of Saint Ferdinand of Castile, a painting made in 1683 and preserved at the Old Cathedral of Cadiz. Key words: Antonio Hidalgo; Seville School of painting; Last Communion of Saint Ferdinand of Castile; Old Cathedral of Cadiz.

La revisión de las fuentes publicadas sobre el pintor italiano Francisco Ginete activo en Madrid en la primera mitad del siglo XVII y su confrontación a las conocidas sobre el pintor llamado Francisco Juanete, activo en la corte de los duques de Medina Sidonia en Sanlúcar de Barrameda entre 1604 y 1638 permite concluir que se trata de un solo artista. En ese artículo se establece una primera biografía y se reconstruye su contexto artístico y político para perfilar este pequeño artista cortesano cercano a pintores como Velázquez, Vicente Carducho y Angelo Nardi. PALABRAS CLAVE: Corte, retrato, España, Diego Velázquez, Lope de Vega.--The review of the published sources about the Italian painter Francisco Ginete, working in Madrid during the early 17 th century, and about the painter known as Francisco Juanete, working in the service of the Dukes of Medina Sidonia between 1604 and 1638, as well as their confronting, lets to conclude that they were the same person. Consequently, this study offers a first biography about this artists and gathers new and dispersed data that help to define more clearly the figure of a courtesan artist, a close to painters like Velázquez, Vicente Carducho and Angelo Nardi.KEYWORDS: Portrait, court, Spain, Diego Velázquez, Lope de Vega

This paper discloses a work signed in 1688 by the painter Antonio Hidalgo, an artist from the Seville school of painting who was active between 1664 and 1689. It is his first identified painting

The paper is part of a research project carried forward during the past seven years, with the participation of parts of the local community, of students and of professors and more recently with the collaboration of Corporación Sueños Films (and of the «Ojo al Sancocho» film festival promoted by this latter Association); this Association acts as intermediary for the safe access to Localidad 19, Ciudad Bolívar, Bogotá D.C., which is considered unsafe even by the police. Research on the identification of popular habitat has been performed for many years; strategies have been suggested for the implementation of these researches in the development of popular neighborhoods, complemented by the «IAP» process (in English «Research, Action and Participation»), with help from students of architecture and of industrial design and of popular communities. This proposal suggests a strategy for the integrated improvement of habitat incorporating issues of productive residence, of equipment and of public space for informal peripheral neighborhoods, based on the development of a qualitative research performed with participation of students, of experts both from the public and private sectors and of neighborhood communities. This exercise – conceives as an academic contribution to the habitational deficit – has tried to follow the inhabitants of Manitas neighborhood who are involved in the future construction of the Ciudad Bolívar cablecar, so as to give space to future projects and to real «research, action and participation» proposals, incorporating new strategies for social housing based on what is known as Vivienda en Altura Progresiva por Autoconstrucción y Productiva (VAP+A+p, «High-rise, progressive, self-built and productive housing»).

A lo largo de los últimos años, toda una serie de autores ha comenzado a dar cuenta del denominado “problema del mal en la naturaleza” o “nuevo problema del mal”, el problema del sufrimiento y los otros daños padecidos por los animales en sus ecosistemas. La existencia de desvalor sufrido por los animales en sus hábitats naturales abre diversos interrogantes de carácter axiológico y normativo. En relación con este tema, se ha publicado recientemente un número especial de la revista Ágora: papeles de filosofía que aborda esta cuestión. Palabras clave: bibliografía, consideración moral, especismo, ética ambiental.

This article reflects an overview of the current socio-political situation in Morocco, a country with great relationship and link with Spain he has played, plays and will play an important role in the current geopolitical map. It provides a generic touch on developments in this country in recent years after the death of Hassan II, until the reign of Mohammed VI, and a new way to understand and address the political situation in the country. After a brief overview of the concepts and important events in recent years, will deepen the important role of civil society in all its manifestations and the importance of human development in this context and its relationship to democracy, to really reflect on whether human development in Morocco is producing the most appropriate according to the parameters in the theoretical and practical underpinning.

Copyright of Agathon: International Journal of Architecture, Art & Design is the property of DEMETRA CE.RI.MED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Sin resumen