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In this contribution, we investigate the translation into Italian of some orality markers that characterize the plays of two contemporary French playwrights: Xavier Durringer and Joël Pommerat. Our study focuses in particular on the strategies used in the translation of some phonetic, morphosyntactic and interactional procedures typical of oral language, as well as on the difficulties encountered in the translation of some mimetic markers of spoken French, taking into account the specificity of the Italian linguistic system and the non-coincidence of the resources and uses related to the variational dimensions.