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Copyright of Etudes Romanes de Brno is the property of Masaryk University, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista EntreLínguas is the property of Revista EntreLinguas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista EntreLínguas is the property of Revista EntreLinguas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista EntreLínguas is the property of Revista EntreLinguas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The purpose of this article is to present the design features of the DIACOM corpus, a tool for the study of the field-specific lexis related to trade and commerce in the Spanish and French language. This study, carried out by the Department of Foreign Languages and Literatures of the University of Verona (Italy) within the framework of a government-funded project, aims at developing the field of Digital Humanities and specifically its application in linguistic and philological research. The paper addresses the issues related to designing the Spanish subcorpus, particularly the ones which have proved especially problematic in the building of a diachronic corpus within the area taken into account. [ABSTRACT FROM AUTHOR]

When configuring transmedia universes, it is necessary to design a map of contents that complies with a design of platforms and channels with its potential incidence on audience. In order to do this, we need to operate in a parallel manner between narrative displays and production design, which include the aesthetic line, technological devices and the design of potential audiences. In this paper these two broad perspectives converge, the production designer's and the storyteller's, delving into the joint processes that operate when it comes to building an architecture of transmedia contents, an operation that must be hand in hand with the corresponding technological solutions. All this is summarized in the case of Plot 28, a transmedia universe pioneer in Spanish language launched in January 2013 associated to a transmedia format (Total fiction). The creation experience interacts with the analytical and theoretical approach to offer a rather uncommon enriching perspective of the case of study. This way we will analyze, from a creator praxis, already corroborated but justified by the latest theoretical and hermeneutical approaches, narrative, interaction and gamification strategies, contents management and their scalability, the design of browsing maps, seeking the audience's empathy with the designed diegetic world. All this accompanied by data obtained from direct sources in this production and dissemination experience that may enlighten future projects. [ABSTRACT FROM AUTHOR]

Copyright of Intangible Capital is the property of Omnia Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)