Search

Copyright of Varia História is the property of Varia Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Trans/Form/Ação is the property of Trans/Form/Acao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pós: Revista do Programa de POS-Graduacao Em Artes - EBA/UFMG is the property of Pos - Programa de Pos-graduacao em Artes (PPG-Artes) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cadernos PAGU is the property of Universidade Estadual de Campinas - Portal de Periodicos Eletronicos Cientificos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CPC is the property of Revista CPC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Esboços: Historias em Contextos Globias is the property of Esbocos: historias em contextos globais and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Esboços: Historias em Contextos Globias is the property of Esbocos: historias em contextos globais and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CPC is the property of Revista CPC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Expectativa is the property of Revista Expectativa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Discursos Fotográficos is the property of Discursos Fotograficos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Confluenze. Rivista di Studi Iberoamericani is the property of Universita di Bologna, Dipartimento di Lingue, Letterature e Culture Moderne and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Brazilian Journal of Information Science is the property of Brazilian Journal of Information Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Prometeus: Filosofia em Revista is the property of Prometeus: Filosofia em Revista and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mana (01049313) is the property of Contra Capa Livraria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Varia História is the property of Varia Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This study, starting from the representations of a number of projects kept in Palermo in public and private archives, seeks to highlight their role not only in the knowledge of little-known architecture, but above all their value as custodians of memory and bearers of knowledge. “The architecture in the drawer”, that which remains on paper and not debased by compromises, not only takes on a “material” value but above all an ethical value because making visible the thought and operative practice of an architectural scholar is a moral act.Analytical and critical redesign, in this sense, contributes with its natural slowness, which is synonymous with reflection, to nourishing knowledge of the project, of making architecture, of compositional and figurative processes and, last but not least, of the constituent principles of an architectural thought.Through the analysis of a number of drawings preserved in two archives containing projects by Salvatore Caronia Roberti and Salvatore Cardella, the aim is to show part of the points of a timeline, in this case coinciding, describing themes and modes of architecture making in Palermo, with the awareness that many significant passages are left out.Thus a drawing of a timeline, open and welcoming, which however identifies two substantial points in its development; two graphical stages that may constitute further reflections that assist architectural historiography and above all the knowledge of what has often been relegated to an unknown fate.DOI: https://doi.org/10.20365/disegnarecon.31.2023.9

Copyright of Discursos Fotográficos is the property of Discursos Fotograficos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Sebastião Coelho (1931-2002) was a radio announcer, independent broadcaster and disc producer, born to colonial settler parents in Nova Lisboa (currently Huambo, Angola) who contributed to the construction of a new sonorous Angolanness. In this paper, Sebastião Coelho's role in this process is discussed. Coelho's new sonorous Angolanness derives from the literary expression of the Angolan anti-colonial movement that emerged in the 1940s. We pro vide an account of how he used sound, radio and the respective corporative structures to oppose the colonial regime at the end of the Portuguese colonial empire hence contributing to build up a new sonorous Angolanness. Methodologically, research included examination of the Portuguese Political Police (PIDE) archives deposited at the Arquivo Nacional da Torre do Tombo, with oral history, provided through in-depth interviews with Sebastião Coelho's relatives, as well as with documents written and published by the radio professional after Angolan's independence. [ABSTRACT FROM AUTHOR]

Copyright of Vínculos de Historia is the property of Vinculos de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista FAMECOS - Mídia, Cultura e Tecnologia is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Comunicação, Mídia e Consumo is the property of Escola Superior de Propaganda e Marketing and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Ibero-Americana de Ciência da Informação is the property of Revista Ibero-Americana de Ciencia da Informacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista FSA is the property of Revista FSA (Faculdade Santo Agostinho) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Lua Nova is the property of CEDEC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Política & Sociedade: Revista de Sociologia Política is the property of Revista Politica & Sociedade and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pitágoras 500 is the property of Universidade Estadual de Campinas - Portal de Periodicos Eletronicos Cientificos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Brasileira de Historia is the property of Associacao Nacional dos Professores Universitarios de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper we present the Myriam Noemí Tarragó Archive that has been preserved in the Archivo de Investigadores of the Instituto de las Culturas since 2019. Myriam Tarragó is a prominent archaeologist from Argentina with a prolific career that began towards the end of the 1950s and covered mainly the study of the past in the southern Andes, fundamentally the Argentine Northwest, North of Chile and she has also left her mark on Ecuadorian archaeology. We point out some necessary aspects to address when dealing with archival documentation and, in combination with the reconstruction of the producer's biography, we provide a general description of the archive. In addition, we offer a series of elements to be considered at the time of consultation in order to maximize the available data in the archive, with the ultimate goal of disseminating and making this valuable and extensive archive available to researchers and other interested parties. We also intend to discuss the relationship between the instruments offered by archival science and the users who use Archives as a source for their research, reflecting on the need for interdisciplinarity to improve the access to the documents.

This paper intends to debate the historian's problems regarding private archives and exiles. It deals with the difficulties of reconstructing the political roots of the exiles in their host countries and analyses the ways the historian must work in order to reconstruct the networks among the exiles. The article is based on research about the Portuguese Republican exiles in Spain and Brazil. [ABSTRACT FROM AUTHOR]

Copyright of Patrimônio e Memória is the property of Centro de Documentacao e Apoio a Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Objetivos: ofrecer una panorámica histórica y actual de los centros europeos y españoles de información (bibliotecas, archivos y centros de documentación) especializados en mujeres, que surgen en paralelo al movimiento político de las mujeres. Se incide en sus misiones y evolución, para reflexionar y conformar lo que después de más de un siglo de existencia podemos llamar memoria de los feminismos. El artículo quiere también dar a conocer una bibliografía en este ámbito, especialmente entorno a algunos centros más activos, que creemos que puede mostrar un marco de referencia en este análisis. -- Metodología: revisión bibliográfica de la literatura destacada en la temática, sin llegar a hacer un análisis exhaustivo de todas las asociaciones y centros de documentación europeos y españoles. La búsqueda bibliográfica se ha realizado a partir de la base de datos Mapping the World of Women's Information Services y el directorio de la Red de Centros de Documentación y Bibliotecas de Mujeres. -- Resultados: se observan una serie de líneas y reflexiones que permiten situar algunos de los retos de estos centros en la actualidad. Se constata la consolidación de centros de referencia, como es el caso italiano, que aprovechan los recursos y estructuras públicas en el ámbito de las bibliotecas y archivos; la evolución y adaptación de los centros a través de un recorrido histórico dentro del país; la importancia en la configuración de redes que integran fondos y colecciones sobre la temática pero que no tienen suficiente visibilidad; los fondos personales como documentación representativa de esta memoria; proyectos de digitalización para la conservación de estos materiales; necesidad de delimitar políticas de captación de fondos y promover la investigación. Para acabar se plantea un proyecto futuro que creemos significativo y necesario para el contexto español. Objective: This paper presents a historical overview about European and Spanish information centres (libraries, archives and documentation centres) specialised in women and gender that rose parallel to the feminist political movement. Their mission and evolution are highlighted in order to build up what, after more than a century, can be called feminisms memory. This paper also aims to present some literature on this field, with a special emphasis on some of the more active centres, which can provide a frame of reference in this analysis. -- Methodology: Literature review on the subject, without making an in-depth analysis of all European and Spanish associations and documentation centres. The literature research starting point was the database Mapping the World of Women's Information Services and the Spanish Red de Centros de Documentación y Bibliotecas de Mujeres (Information Centres and Women's Libraries Web). -- Results: A sequence of lines and reflections was observed, which enable us to put forward some of the challenges of these centres at present time: consolidation of reference centres, such as in the Italian case, where resources and public structures in libraries and archives are used; the time evolution and adaptation of the centres with a historical background in their countries of origin; the importance of setting up networks integrating collections about the subject, which unfortunately are not visible enough at the moment; personal collections as representative documentation in the present report; digitalization projects to preserve these materials; the need to define collection acquisition policies and promote research. Finally, a future project deemed relevant and related to the Spanish context is proposed.

Objectius: oferir una panoràmica històrica i actual dels centres europeus i espanyols d'informació (biblioteques, arxius i centres de documentació) especialitzats en dones i gènere, que sorgeixen en paral·lel al moviment polític de les dones. S'incideix en les seves missions i evolució, per reflexionar i conformar el que, després de més d'un segle d'existència, podem anomenar memòria dels feminismes. L'article vol també donar a conèixer una bibliografia en aquest àmbit, especialment a l'entorn d'alguns dels centres més actius, que creiem que pot mostrar un marc de referència en aquesta anàlisi. -- Metodologia: revisió bibliogràfica de la literatura destacada en la temàtica, sense que l'anàlisi sigui exhaustiva de totes les associacions i centres de documentació europeus i espanyols. Per a la recerca bibliogràfica s'ha pres com a referència la base de dades Mapping the World of Women's Information Services i el directori de la Red de Centros de Documentación y Bibliotecas de Mujeres. -- Resultats: s'observen un seguit de línies i reflexions que permeten situar alguns dels reptes d'aquests centres en l'actualitat. Es constata la consolidació de centres de referència, com és el cas italià, que aprofiten els recursos i estructures públiques en l'àmbit de les biblioteques i arxius; l'evolució en el temps i adaptació dels centres amb un recorregut històric dins el país d'origen; la importància en la configuració de xarxes que integren fons i col·leccions sobre la temàtica, però que malauradament encara no tenen prou visibilitat; els fons personals com a documentació representativa d'aquesta memòria; els projectes de digitalització per conservar aquests materials; necessitat de delimitar polítiques de captació de fons, així com promoure la recerca. Finalment, s'esbossa un projecte futur que creiem significatiu i necessari per al context espanyol. Objective: This paper presents a historical overview about European and Spanish information centres (libraries, archives and documentation centres) specialised in women and gender that rose parallel to the feminist political movement. Their mission and evolution are highlighted in order to build up what, after more than a century, can be called feminisms memory. This paper also aims to present some literature on this field, with a special emphasis on some of the more active centres, which can provide a frame of reference in this analysis. -- Methodology: Literature review on the subject, without making an in-depth analysis of all European and Spanish associations and documentation centres. The literature research starting point was the database Mapping the World of Women's Information Services and the Spanish Red de Centros de Documentación y Bibliotecas de Mujeres (Information Centres and Women's Libraries Web). -- Results: A sequence of lines and reflections was observed, which enable us to put forward some of the challenges of these centres at present time: consolidation of reference centres, such as in the Italian case, where resources and public structures in libraries and archives are used; the time evolution and adaptation of the centres with a historical background in their countries of origin; the importance of setting up networks integrating collections about the subject, which unfortunately are not visible enough at the moment; personal collections as representative documentation in the present report; digitalization projects to preserve these materials; the need to define collection acquisition policies and promote research. Finally, a future project deemed relevant and related to the Spanish context is proposed.

Copyright of Perspectivas em Ciência da Informaçao is the property of Nova Economia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Established in 1970, the International Association of Labour History Institutions (IALHI) is an international network of libraries, archives, museums, and research centres from five continents. The foundation of the IALHI as a coordination space between institutions from different (European) countries expressed historiographical concerns and, more specifically, ‘technical’ issues linked to the need to exchange bibliographic and archival information. Its initial scope was reduced, both in geographical and ideological terms, being limited to certain Western European countries and institutions related to the social democratic movement. This demarcation became more blurred over the years, as institutions from different geographical, institutional and ideological backgrounds joined the association. The aim of this paper is to characterise the IALHI and its activities against the background of the history of institutions, archives and libraries dedicated to the history of the labour and its international relations.

Nesse artigo, os arquivos etnográficos e seu duplo, os arquivos pessoais, são concebidos como construções culturais cuja compreensão é fundamental para entendermos como certas narrativas profissionais foram produzidas e como sua invenção resulta de um intenso diálogo envolvendo imaginação e autoridade intelectual. Tendo a coleção Ruth Landes Papers mantida pelo National Anthropological Archives (Smithsonian Institutian) como objeto de análise, o texto propõe uma reflexão acerca das lógicas que orientam a instituição dos limites temáticos dos arquivos, seus critérios de legitimidade e inclusão, a transformação de instrumentos de trabalho de seus titulares em "artefatos", "documentos" e "fontes"; suas concepções de "valor documental", sua economia interna e seus usos na contínua (ainda que diversa) reificação da autoridade de seus "titulares" como personagens de diferentes histórias da antropologia.In this article, ethnographic archives and their doubles, personal archives, are analyzed as cultural constructions whose comprehension is essential to understanding the ways in which professional narratives are produced and how their invention results from an intense dialogue involving imagination and intellectual authority. Taking the Ruth Landes Papers kept by the National Anthropological Archives (Smithsonian Institution) as its object of analysis, the text examines the various logics informing the institution of thematic limits to the archives, their criteria for legitimacy and inclusion, the transformation of their author's work instruments into 'artefacts,' 'documents' and 'sources;' their conceptions of 'documentary value,' their internal economy and their uses in the continual (if shifting) reification of the authority of their 'authors' as key figures within anthropology's different histories.

Objectiu. Indagar sobre la relació entre memòria i arxiu que estableixen els investigadors del conflicte armat colombià. -- Metodologia. Des de la perspectiva dels estats de l'art, analitzem la informació secundària produïda i divulgada a Colòmbia, en l'última dècada, sobre memòria col·lectiva del conflicte. L'estudi de la producció documental ens permet revelar les característiques presents en la descripció, l'anàlisi i la interpretació que fan els investigadors. És a dir, passem de la mera recopilació i l'ordenament dels estudis a formular hipòtesis i traçar camins per continuar estudiant el tema. -- Resultats. Aquest article deriva d'un balanç de les investigacions produïdes en l'última dècada a Colòmbia que prenen les expressions de la memòria col·lectiva com a nucli per a l'anàlisi del conflicte armat. En el cas concret dels arxius, els treballs analitzats permeten fer un diagnòstic de la seva situació en relació amb la protecció dels drets humans al país, del qual es desprenen tres grans temes. En primer lloc, la necessitat de dur a terme un inventari dels arxius de drets humans, patrimonis dispersos molt amplis, entre els quals hi ha: arxius governamentals, d'organismes de víctimes i familiars i de defensa dels drets fonamentals, comissions investigadores i tribunals judicials, col·leccions particulars entorn de persones o temes que actuen o s'aborden durant el conflicte. En segon lloc, es manifesta la urgència de recopilar els materials i organitzar els patrimonis, entre els quals hi ha els que recullen els testimonis efímers de les víctimes, que han servit de suport als investigadors. En tercer i últim lloc, es fa referència a la importància de pensar, des de la disciplina arxivística, en el paper fonamental que compleixen els arxius en la mesura que són memòria i testimoni de la societat, especialment en un país tan colpejat per la violència, on les víctimes no disposen, moltes vegades, dels documents per fer valer els seus drets.Objectives. To investigate the relationship between memory and archive records established by researchers of the Colombian armed conflict. -- Methodology. Taking a state-of-the-art perspective, this paper analyses the secondary information produced and disseminated in Colombia in the last decade related to the collective memory of the conflict. This study of the production of documents allows us to identify the characteristics present in the description, analysis and interpretation that researchers make. In other words, rather than a simple compilation and organisation of the respective studies, we formulate hypotheses and suggest future paths for studying the records. -- Results. This article is based on an assessment of the research undertaken in the last decade in Colombia that take expressions of collective memory as their focus in analysing the armed conflict. In the specific case of the archives, the studies analysed allow us to make a diagnosis of the current situation regarding the protection of human rights in the country. Three main themes emerge: first, the need to build an inventory of human rights records, which represent a very broad and disperse heritage, among which are included: the records of the government, those of organizations of victims and relatives and of human rights defence groups, of investigative commissions and law courts, as well as those held in private collections focused on individuals involved in the conflict or which address topics related to the conflict. Second, there is an obvious urgency to compile the materials and organize the heritage, among which are to be found the documents that report the ephemeral testimonies of the victims, which have served to support the researchers in their work. Third and finally, the importance of thinking from within the perspective provided by the archival sciences is more than apparent, given the fundamental role played by the records as the memory and testimony of society, especially in a country that has suffered such violence and where the victims more often than not have no documents that help them assert their rights.

This paper is about the representations of violence in the archives from European colonialism. By analysing a series of texts by French writer Éric Vuillard and by Portuguese author Paulo Faria, the author comments the ways in which literature sets up a critical re-appropriation of these colonial archives from the perspective of post-memory. These two works of art propose a new relationship between archive and fiction.

This article follows up on the book The French Anarchists in London, 1880-1914 (2013), by exploring some primary material uncovered since this publication, and considering the ways in which research into the history of anarchism as a transnational movement has evolved. In the years since the publication of this book, a great deal of research has furthered or challenged its findings, especially in relation to print culture and the study of global anarchist networks. The mass digitisation of periodicals (both anarchist and mainstream) and archives in the last ten years offers new tools to find detailed information about the personal and political lives of these elusive anarchists in London - and further afield, thus rectifying the original study's London-centric focus. These sources are also crucial in documenting the ways in which anarchists were perceived and portrayed in Britain, France and internationally, and constructed into a major public threat through media discourse. [ABSTRACT FROM AUTHOR]

Copyright of Ciência da Informação is the property of Instituto Brasileiro de Informacao em Ciencia e Tecnologia (IBICT) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ciência da Informação is the property of Instituto Brasileiro de Informacao em Ciencia e Tecnologia (IBICT) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Crítica de Ciências Sociais is the property of Centro de Estudos Sociais and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Perspectivas em Ciência da Informaçao is the property of Nova Economia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Varia História is the property of Varia Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper we propose to give an account of the importance of the collection of archives "National Organization, 1861-1888" located in the Historical Service of the National Army in Argentina. For this reason, we make a description of the origin of these documents and we highlight some specific characteristics discovered from the exhaustive review and their use in our work.

Copyright of Revista Seqüência is the property of Universidade Federal de Santa Catarina, Programa de Pos-Graduacao Stricto Sensu em Direito and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)