Search

Objectives. To identify the factors contributing to coronavirus disease 2019 (COVID-19) vaccine hesitancy in Grenada. Methods. A phenomenological study was conducted using semi-structured interviews at vaccination and pop-up testing clinics during a spike in COVID-19 cases on the island. Interview questions were developed using the health belief model related to perceived threat of COVID-19, perceived benefits of and barriers to COVID-19 vaccination, and cues to action. Data were analyzed using a deductive approach to identify themes, categories, and subcategories. Results. Twenty-five interviews were transcribed and coded. In all, 68% of participants were unvaccinated, 12% were partially vaccinated, and 20% were fully vaccinated. Data analysis revealed two main themes: facilitators and barriers. Factors more likely to encourage vaccination (facilitators) included trust in medical advice and vaccine efficacy, social responsibility, and vaccine mandates for travel, employment, and social activities. Factors hindering vaccination (barriers) included: perceived low threat of COVID-19; preference for natural remedies; concerns about contraindications because of underlying health conditions; fear; mistrust of vaccines and related messaging; vaccine accessibility; and the many different information sources. Conclusions. Overcoming vaccine hesitancy is key to combating the detrimental effects of COVID-19 in Grenada. Public health interventions and policies that address barriers and capitalize on facilitators can increase vaccine uptake.

Building upon Wayne Modest’s work on the representation of Caribbean and enslaved people in the British Museum, this article examines the representation of Caribbean plantations in several British establishments, the Museum of London Docklands, the National Maritime Museum, the Mshed Museum, the Georgian House, and the International Slavery Museum. Drawing on Black feminist works on race, geography and identity, I argue that these museums create a homogenised vision of the Caribbean, which results in a homogenised depiction of enslaved peoples. Specifically, resistance to slavery is presented as a largely masculine endeavour and taking place only in terms of military conflict. Indeed, representations of enslaved women are largely absent in many of these museums. Only the International Slavery Museum achieves a complex rendering of the Caribbean by pushing against the limitations of abolitionist produced representations of the Caribbean and incorporating models and a multifaceted range of testimonies, including that of enslaved women.