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This paper discusses the content of the cadre file of Henri H. Stahl preserved in the Archives of the University of Bucharest’s Rectorate. In the form in which it has been preserved after 1989, the personnel file of H.H. Stahl seems, from several points of view, atypical. If we compare it with the cadre files of the 1950s, it surprises by the apparent “goodwill” of the communist cadres towards H.H. Stahl. This ideological solicitude is manifested in the interpretation given to main cultural and political events in H.H. Stahl’s life. In other circumstances such political past could be labeled as unusable in a communist context. Equally curious and noteworthy is the issue of the ethnic origin attributed (and not necessarily real or assumed by the one described in the file), more precisely the issue of Stahl’s nationality ( Jewish) which was recorded in the file. Analyzing Stahl cadre file we can wonder if the integrity of this dossier has not been compromised by removing, extracting or modifying documents by the personel staff services or by someone else. [ABSTRACT FROM AUTHOR]

The paper uses letters – some unpublished – from the mid-1940s and the second half of the 1970s exchanged by Mattei Dogan and Henri H. Stahl, to render the way sociological education was organized at the University of Bucharest immediately after the Second World War. [ABSTRACT FROM AUTHOR]

It was immediately after the Second World War that the costume from Maramureș and Oaș regions drew the attention of the specialists in ethnography and traditional art. In the same period, Romanian nationalism reclaimed the value of this traditional costume. Until the instauration of the communist regime, the profile of the peasant from these two regions was vague and partially unknown to the Romanian intellectuals. The first part of the study is concerned with the role of the male's costume in the Romanian protochronist discourse. I demonstrate how it evolved from a hazy image emerging during the 19th centruy, to a hypothetic and falsified „Dacian costume" able to contribute to the Romanian nationalist discourse during Ceaușescu's rule1. In the next three sections of the paper I refer to the design and the evolution of this costume, emphasizing the local, unique and differentiating elements. I particularly insist on the attire' elements that were borrowed from different ethnic gropus and various geographic areas which finally had an influence on the Maramureș and Oaș Romanian costume. In the first section of this paper I took into consideration the effects of the contemporary emigration phenomenon in Oas area on the evolution of the traditional male costume. One of the consequences of migration is - perhaps paradoxical - that this local costume does not disappear, but adapts to the contemporary world, evolves and specializes more and more strictly, becoming a ceremonial costume by excellence. The next two chapters are a reconstruction of what the "recent man's suit" and the "old man's costume" meant, highlighting the parallels, influences, takeovers and morphological similarities between the Romanian costume of Oas and Maramures and that of the Slovaks, Ruthenians, Hungarians, Serbians and Croatians. [ABSTRACT FROM AUTHOR]

Sociologist Constantin Schifirneţ is a researcher who constantly draws attention on studies and advanced ideas. Lately, the same thing happened with Tendential Modernity. Reflections about modern evolution of society (Tritonic Publishing House, Bucharest, 2016, 199 p.). Through the proposed perspective, but also by the depth of the research, we consider this paper as a work of reference, especially since the ideas that generated it are the result of long reflections on modernity. [ABSTRACT FROM AUTHOR]

The paper assesses the intellectual profile of Romanian ethnologist Mihai Pop, from the doublefold perspective of theoretical thinking and institutional work in his field. Lettered in Russian Formalism and Czech Structuralism during the inter-war period, Mihai Pop managed to accomplish his formation in a remarkable structuralist-semiotic setting in postwar Romania, in a theoretical stance which remained singular in Romanian research during communism and acquired a well-deserved international recognition. Among others, this stance enabled Mihai Pop to rebuild the domain of Romanian Folklore studies, after the 1948 education reform, and safeguard the field against ideologization, which was about to return in full force after 1971 and after his 1975 retirement . [ABSTRACT FROM AUTHOR]