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This paper is an analysis about violence impacts the subjects memory that relate to it in a war environment, as well as how violence and memory relate to history, and how they change in the becoming future. [ABSTRACT FROM AUTHOR]

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Copyright of Confluenze. Rivista di Studi Iberoamericani is the property of Universita di Bologna, Dipartimento di Lingue, Letterature e Culture Moderne and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Revista Trilogía is the property of Revista Trilogia, Ciencia, Tecnologia y Sociedad and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Cuadernos de Literatura is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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This paper will analyze Paul Ricoeur's Neo-Kantian proposal to articulate memory and history. The first step is to consider the concept of representation as a way to make both means of referring to the past comparable. In the next step, these two types of representations are articulated by leading back to Heidegger's temporal ontology. Amongst other consequences of this foundation, it follows that the possibilities of past agents can be reinterpreted in the present. This situation legitimizes the impossibility of setting fixed rules for the articulation between memory and history. Finally, this paper will discuss whether the philosopher does, or does not, commit a fallacy of composition, since his description is based on a specific form of history, while his prescriptions seem to have a general reach. [ABSTRACT FROM AUTHOR]

Copyright of Historia, Antropologia y Fuentes Orales is the property of Asociacion de Revistas Culturales de Espana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Antípoda is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Ideas y Valores is the property of Universidad Nacional de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Aura. Revista de Historia y Teoría del Arte is the property of Aura Revista de Historia y Teoria del Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Chilena de Literatura is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tabula Rasa is the property of Universidad Colegio Mayor de Cundinamarca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper presentes an analysis of the novel A gloriosa familia (1997) Pepetela Angolan writer is performed. To investigate the literary representation of the history of Angola, approaches Ana Mafalda Leite (2003) on post colonial theories are used; the notion of intertextuality, Kristeva (1981) and Ainsa approaches (1996) on the historiographical narrative theme. Moreover, consideringo ther specific features of the novel, references to studies on memory and oral tradition are included to facilitate understanding of the way this narrative reconfigures the issue in question. [ABSTRACT FROM AUTHOR]

It is usual nowadays to call Architecture as the set of buildings built to fulfill a specific function or activity. This point of view justifies the functional and constructive aspects of Architecture. What it is important to highlight in this paper is its active role in the creation of culture, where Architecture widely goes beyond this consideration. This is called the symbolic role of Architecture and it is related to the aesthetic current codes that are linked to patrimony, memory, history and social structure. To enlighten these arguments, cases from different periods and places are contrasted; highlighting, in a very special way, the demolition of the building known as "La Licuadora" --The Blender- in the city of Guayaquil. Architecture, from the theoretical point of view is considered the "web of meanings" whose reading depends on the cultural comprehension level. [ABSTRACT FROM AUTHOR]

Copyright of Studi e Materiali di Storia delle Religioni is the property of Editrice Morcelliana S.p.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Education Policy Analysis Archives / Archivos Analíticos de Políticas Educativas / Arquivos Analíticos de Políticas Educativas is the property of Educational Policy Analysis Archives & Education Review and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mirai. Estudios Japoneses is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The following paper tries to articulate, in a plexus of critical sense, the philosophical-political potential found in a series of stances like the Latin American philosophy, cultural control, critical theory and memory, that challenge, defend and support, in one same hermeneutic universe, the validity if the heterogeneous thinking, making the critique to sole thinking and the rescue for the other ontologies a "whistle amidst the cyclone". [ABSTRACT FROM AUTHOR]

This paper analyzes the official proposal for recent history teaching. For such purpose, we draw on national education laws (1993 and 2006), the curricula approved from 1995 to present for the secondary level (at the national level and at the Province of Buenos Aires) and regulations of the commemorations--especially March 24th and September 16th--. This analysis will be made in relation to the representations of memory and the progress of historiography about recent past, to consider up to what extent school contents have witnessed an impact due to changes in these narratives. [ABSTRACT FROM AUTHOR]

This paper studies the links among history, memory and subjectivity in an Argentine documentary: M of Nicolás Prividera. It analyzes the tour of the protagonist who tries to reconstruct the history of his mother disappeared during the last military Argentine dictatorship. This tour is constituted in critical memory since it supposes an active search of fragments of the past, as an interpellation to others in this search. This exercise of critical memory is the one that enables the subject to present and future actions. The film demonstrates the labor that the new generations realize with the incomplete legacy that they received because of traumatic situations. [ABSTRACT FROM AUTHOR]

This paper tries to show that there has been an evolution in Paul Ricoeur's concept of testimony and that his first juridical definition is also different from others of the same origin. To determine this point we will compare his definition with C.A.J. Coady's. We will try to explain the motives, implications and limitations of its differences. Then it will be established that in Remembering, history and oblivion, the philosopher leaves the juridical concept of testimony, which main issues are to be a declaration inside a debate, and prefers another one that define it as a dialogical natural institution. Our hypothesis is that this change was not due to phenomenical but contextual causes. [ABSTRACT FROM AUTHOR]

Copyright of Historia, Antropologia y Fuentes Orales is the property of Asociacion de Revistas Culturales de Espana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)