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This paper deals with the artist Baldomera Fuentes Segura from Santiago de Cuba, today recognized as the first Cuban painter. Her figure as a creator is addressed in a social, cultural and personal context which makes it an exceptional woman of the nineteenth century in Santiago de Cuba. Her miniatures, making in waterpaintig on ivory and an oil painting on canvas, religious are valued. They are preserved in the Emilio Bacardi Moreau Museum of this city, as part of a moment of aesthetic transition occurred between the late eighteenth and early nineteenth centuries in Latin America, when the neoclassic was the principal style on the fine arts. [ABSTRACT FROM AUTHOR]