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In 1969, Miguel Ángel Asturias and Pablo Neruda jointly signed that curious literary-gastronomic experiment that is Comiendo en Hungría, a summary of their trip to the Hungarian country, which is also one of the least known texts of both authors. The purpose of this paper is to analyze the unrepeatable exceptionality of this text, which involves a sum of international efforts of socialist sign (including a Spanish and a Hungarian publisher) that, despite its apparent triviality, is of marked interest for the understanding of the relationship of literary forces in the cultural Cold War, at a moment as special as it was, in addition, the boom of Latin American narrative. The conditions of its production, the relationship with previous works of the two authors and the ideological elements present in the text are analyzed. This is intended to contribute to the understanding of the cultural strategies of real socialism in the Hispanic sphere. [ABSTRACT FROM AUTHOR]

Several studies on anthropogonic myths and on the origins of patriarchy agree in pointing out that the myth of Adam and Eve is one of the most influential in shaping the identity and destiny of women in Western civilization. This paper analyzes a corpus of literary works from the 20th and 21st century written by Spanish and Latin American women writers that offer a female vision of the myth. By transferring the voice to Eve, they rewrite the plot and redefine the characters. The article focuses on the analysis of two of the modifications that these works, manifestly hypertextual, introduce with respect to the hypotext: Eve's perspective and voice, and the transformation of the story of the creation of the primordial couple. [ABSTRACT FROM AUTHOR]

This article is a literary-historical analysis of the reception of Latin American literature in the literary magazines Polja and Delo during the Cold War. These magazines, published in Serbia, had an important place in the literary life of the former Yugoslavia. The aim of the paper is to show how Latin American literature entered Yugoslav magazines, and which writers and literary ideas were most represented. The first part of the article is dedicated to presenting the political and literary situation in former Yugoslavia and, more precisely, the way Yugoslav culture opened up to Latin America. The central part of the article analyses translations, critical texts, and essays published in Polja magazine and then those published in Delo magazine. It highlights how, although they lacked a systematic approach, Yugoslav periodicals and publishers have been closely linked, and together they have contributed to building new cultural ties between the former Yugoslavia and Latin America. [ABSTRACT FROM AUTHOR]

Based on the contributions of Peruvian theorist and critic Antonio Cornejo Polar on narrative heterogeneity, this paper proposes an interpretation of Valeria Luiselli's most recent novel, Desierto sonoro (2019). In this text I postulate that, without undermining the explicit sources which the novel alludes to and recovers, it is possible to link it to a deeply rooted narrative tradition in Latin America: that which represents sociocultural otherness. The tensions between the referent (the Chiricahua tribes of the 19th century and the children who cross the border into the United States in the 21st century) and the narrative perspectives that present the events involve different displacements (of characters, knowledge, diegetic levels, and narrative points of view) oriented to the representation of a harmonious encounter between two opposing sociocultural groups. [ABSTRACT FROM AUTHOR]

This article proposes a reading of the Brazilian baroque from a Latin American perspective. With that purpose, the paper analyses Ana Miranda's novel Boca do Inferno and initially contrasts it with O sequestro do Barroco na Formação da literatura brasileira: o caso Gregório de Matos by Haroldo de Campos. Based on the figure of Gregório de Matos, the study highlights the need to correlate the Bahian poet, Matos, with Sor Juana Inés de la Cruz. The paper puts forward the hypothesis that Sor Juana was "kidnapped" in the Brazilian baroque because she had defied Father Vieira (another central character in Miranda's novel) and consequently, that it would be impossible to define the baroque in Latin America without including Sor Juana. The paper highlights the need to integrate Brazil literature more organically into Latin American literature. [ABSTRACT FROM AUTHOR]

Literature has the ability to function as a reflection of the self and its reality. The objective of this paper is to illuminate this capacity through a parallel reading of the Divine Comedy of the florentine poet and the Adán Buenosayres of the argentine writer Leopoldo Marechal. The reason for choosing these works is the ease with which they give an account of the life and spirit of their writers. By analyzing Virgil's original journey on the one hand and Marechal's reinterpretation of it in the descent to Cacodelphia on the other, we will be able to discover both Dante and Marechal spiritual quest, their vision of the human intellect and their current concern for their country. Through these similarities we will give a renewed look at the capabilities of literature and at the same time we will allow ourselves to deepen into the effects that the florentine poet had on universal literature. [ABSTRACT FROM AUTHOR]

The study of El traductor [The Translator] focuses the relationship between Latin American neoliberalism and literature. Nevertheless, neoliberalism as the main economic and political hegemonic system in the region since 1940's, it has not been studied in connection with literature. In this paper, the History of neoliberalism reforms are considered where it has been criticized their ideological support. At the same time, it is exposed the patterns presented in Benesdra work related to Latin American neoliberalism. The result is an approach of how the author represented the power of neoliberalism in different scopes like social frameworks, labour sphere, emotional scenarios, and political and cultural contexts. Additionally, it is outlining Brenesda's critical view of neoliberalism. [ABSTRACT FROM AUTHOR]

This article is a literary-historical analysis of the reception of Latin American literature in the literary magazines Polja and Delo during the Cold War. These magazines, published in Serbia, had an important place in the literary life of the former Yugoslavia. The aim of the paper is to show how Latin American literature entered Yugoslav magazines, and which writers and literary ideas were most represented. The first part of the article is dedicated to presenting the political and literary situation in former Yugoslavia and, more precisely, the way Yugoslav culture opened up to Latin America. The central part of the article analyses translations, critical texts, and essays published in Polja magazine and then those published in Delo magazine. It highlights how, although they lacked a systematic approach, Yugoslav periodicals and publishers have been closely linked, and together they have contributed to building new cultural ties between the former Yugoslavia and Latin America. [ABSTRACT FROM AUTHOR]

In the framework of a broader investigation into the imaginaries of the afterworld in present-day Argentine literature, this paper aims at addressing the ways in which Carlos Ríos's Cuaderno de Pripyat (2012) narrates the afterworld of an identifiable historical event, the Chernobyl disaster, creating further tension between the crisis itself and the possibility of a post-apocalyptic setting that brings a radical and immeasurable interruption into play. First, we analyze the ways in which this multiplication of temporalities affects the presentation of the testimonies collected in the story. Next, the paper focuses on the collage as a possible explicative key to the fragmentary composition of the story based on the tension between the rationality of that which remains and that of referential oversaturation. [ABSTRACT FROM AUTHOR]

In this paper we focus on significant examples of the dialogue between the uruguayan poet Ida Vitale and the Roman World. We explore her reception of Rome through Latin Language and Roman Literature, Religion, Society, History and Archaeology. These elements are linked to the search of an accurate expression. The lack of studies on Ida Vitale, especially on Classical tradition, and the contextualization in her Poetics justify our contribution itself. [ABSTRACT FROM AUTHOR]

This paper analyzes Rodrigo Rosa's novel El material humano (2009), especially its representation of violence as seen through the author's research on Guatemalan 20th century History. In the novel, the main character searches into the causes of violence in his country, trying to understand the origin of the conflict. However, his work ends in a triple failure: a cognitive, an aesthetic and an ethical one. That failure, as this paper proposes, represents a whole series of stories about the tragedy of historical memory in Latin America and Spain. [ABSTRACT FROM AUTHOR]

La Crónica (1883-1886), a morning paper from Buenos Aires, based its distance from party fights both on its title and on its editorial structure. It had three sections: a literary, a scientific and a journalistic one, so politics was out of the focus in the traditional way. It main genre was "alta crónica", which focused both in local characters and places. These "reportajes" allowed their chroniclers to find out and to experience several features of the genre which will endure for long time. Thereby, it offers a counterpoint to development of the chronicle genre and a different look both at literary and journalistic modernization. [ABSTRACT FROM AUTHOR]

Antonio Di Benedetto (1922-1986), one of the most important Argentinean writers of the twentieth century, published in 1953 Mundo Animal, a volume of short stories in which the animal figure becomes fundamental, as its title makes explicit. Within vinthe fictional universe of the work, this figure is incarnated in the human and vice versa, suggesting that humanity, beyond its exclusive attributes-reason and language-, shares a broad common substratum with other living beings. This existential configuration not only provokes hesitations in the reader, but has also ontological implications, that is, it leads to questioning about meaning schemes and the human condition in these fantasticallegorical stories. The purpose of this paper is then to investigate and interpret Di Benedetto's fictionalization of these encounters and borders between the animal and the human, analyzing different textual manifestations of this question: the quid pro quo procedure, the non-human narrators, the animality of children, the relationship with psychic pathologies, the ontological proximity between the two worlds, the metaphor of the mirror, and the corporality. [ABSTRACT FROM AUTHOR]

This paper dscribes the website dedicated to Inca Garcilaso within the virtual library “Miguel de Cervantes". We will review its contents, materials and tools available for teaching of and research on the topic of this author, and present the results of its diffusion over the last three years. [ABSTRACT FROM AUTHOR]

The literary works of Inca Garcilaso de la Vega are a conscious historiographical program wi th a clear model, in our opinión: the Roman historian Tacitus. In this paper, I approach this hypothesis with three evidences: the classical studies of the Inca, the rhetoric, and the parallelism between Tacitus's and Garcilaso's historical works. [ABSTRACT FROM AUTHOR]

This paper aims to initially describe and interpret the mechanisms of work and author's literary canonization in a specific cultural community, Latin America. The case studied is that of Argentine writer Manuel Puig and his work. The interactive relationship among cultural context, social institutions and systems of social and evaluation meaning allows a description and attempted explanation of the imbued meaning relations in the constitution of the canonized literary repertoires (Even Zohar), their selection criteria, ideological nature and the way in which social practices associated with this process are formed by a variable number of discursive practices. To do this, we analyze an illustrative set of communicative events and their textual instances, through which the literary canon and cultural effects are articulated: positioning, aesthetic appreciation, author and discourse iconisation, and professional influence, critical and academic thematization, among others. Thus, we study a case of canonical integration by the Argentine writer Manuel Puig into Hispanic and universal literary canon at the end of the century, and set up an interaction with the parameters of canonical construction from the previous generation, the so-called "Latin American literary boom". [ABSTRACT FROM AUTHOR]

This paper deals with the literary letters written by a man who was a part of intellectual networks that created the Latin American intellectual scene in the first 25 years of the twentieth century. It is true that Federico García Godoy may well be considered a minor character, nevertheless, in his time, he was one of the best known and credited writers from República Dominicana. A major part of his literary prestige was built due to his prolific epistolary exchanges. [ABSTRACT FROM AUTHOR]

This paper ventures to understand some complex cultural relationsships that were arose by the editors of Mito (Bogotá 1955-1962); attempting to throw light on various affiliations and breaking points. The discussion examines the fact that standing in favor or against Ortega y Gasset and Alfonso Reyes, who are two of the most well known twentieth century intellectuals, was significant in that it showed a stance in favor of a particular notion of literature. [ABSTRACT FROM AUTHOR]