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In El Torito de los Muchachos (1830), Luis Pérez deploys voices, not always Gauchos and Federalists, but sometimes Uniterian and literate, who utter fictional truths in the form of a confession. In a historical moment in which the press was a vehicle of influence on public opinion, Pérez aims his publications toward broad swaths of the public to include of illiterate groups through oral readings. This paper analyzes the ways in which these confessions allowed truths to stand up amid a war of words, as they sought to occupy an imagined public space on whose field discursive conflicts were fought. [ABSTRACT FROM AUTHOR]

In Dos partidos en lucha (1875), and especially in La bolsa de huesos (1896), Eduardo Holmberg configures fictional narrations in which Darwinian theories and the contemporary debates and dilemmas of science acquire a significant centrality. In both cases, and in addition to an emphatic adherence to Darwinism and a clear apology for the scope of scientific practice, it is possible to detect a problematization of the institutional place of science, its feasible connections with the society and politics, and its role within the state structure. As a correlate, both narrations reveal tensions around and reformulations of one of their central axes, which is also central to the work of Charles Darwin: the modes of thinking, emphasizing or relativizing the link between human life and animal life. The aim of this paper is to address the interaction between these two issues in Holmberg's fictions, through a contrastive textual analysis that contemplates the cultural context of the period. [ABSTRACT FROM AUTHOR]

Literary criticism on Ricardo Piglia s narrative has often been oriented to micro-analyses, as if a permanent focus on minimal features was required: a sentence, a phrase, a quote. This leads to a further problem: the difficulty in envisaging a macro approach and systematization of the originality of Piglia's narrative process. Thus, this paper intends to provide a broader view in an attempt to identify four recurrent rhetorical devices in his work: understatement, paradox, ellipsis and synechdoque, in relation to some literary genres (Bildungsroman, detective fiction and paranoid fiction). [ABSTRACT FROM AUTHOR]