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Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Estudios de Filosofía is the property of Universidad de Antioquia, Instituto de Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Universitas Philosophica is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this paper I propose an anthropological framework for the analysis of sociocultural bounds between pleasure and whispering. To do so, I focus on the cultural practice of listening to online videos called ASMR (Autonomous Sensory Meridian Response) as an assisted sensibility that aimsto elicit pleasurable sensations through whispering and other light sounds. Although the pleasure in whispering refers to an individual experience, the attention to different sensory and sensual practices based on whispering reveals the implications of sonorities in contemporary culturalsensorium, their technological mediations and how they modulate identities, relationships and politics. The phenomenological, sensorial and vocal analysis of social practicesthrough this sonority gives us an account of pleasure as a sensorial disposition where intimacy and memory manifest themselves as sonorous affects and situated vibratory processes. [ABSTRACT FROM AUTHOR]

In this paper I would like to share the first notes and concerns that led me to structure my current research project, along with a selection of my results. By way of anthropology, I am interested in increasing the dialogue around the participation of women in music. Thinking specifically of young rappers, and of their articulation with feminism, helps me set the tone to portray theircomplexity, not only as active social subjects in music, but also as political subjects who employ a variety of artistic and cultural activities to impart the knowledge and feelings, which thus represent insights into their existence. In this way, not only is their music considered, but rather the intersections and political positions that exist within close and subjective relationships among women, through the use of the word, the body and life experience, whilst -at the same time-recognizing how these rappers actívate, or develop, the senses, particularly listening, so as to weave other dialogues and create spaces of identification based on the said experiences. [ABSTRACT FROM AUTHOR]

Copyright of Aposta is the property of Aposta and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Methaodos: Social Science Journal / Methaodos: Revista de Ciencias Sociales is the property of Departamento de Ciencias de la Comunicacion y Sociologia, Universidad Rey Juan Carlos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Nexus (1900-9909) is the property of Universidad del Valle and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)