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Fact checking is becoming an essential journalistic task because of the proliferation of misinformative content disseminated massively through social media and other channels. Based on this observation, the fundamental objective of the research that serves as the basis for this paper was to learn about the Spanish journalists' professional routines and training in fact-checking. The authors developed a 29-item questionnaire distributed via email to journalists nationwide between May and June 2023 to collect the information. We obtained 326 responses, resulting in several findings: a) the implementation of data verification is not uniform, being more frequent in some types of media --newspapers and verification platforms-- and in large corporations; b) workload is an obstacle that prevents most journalists from devoting as much time to verification as it would require; c) some areas generate more problems when it comes to cross-checking data --such as politics and economics--; d) the preferred sources for verification are academic and official sources --governments, state security forces-; e) the digital tools that are known or used by professionals still have low penetration rates, with only some exceptions; f) although the perception of the respondents is that they are sufficiently trained for verification work, only a minority have received specific training in this area. [ABSTRACT FROM AUTHOR]

Through a content analysis, this paper explores the features of fake news on Spanish politics registered on the Maldita.es, Newtral, EFE Verifica and Verificat verification platforms between January 1 and March 31, 2022. These messages are spread mainly through Twitter and Facebook, using the text as support. The predominance of the ideological purpose, the high presence of stories of absolute invention, the shared role of anonymous and supplanted sources, the use of the informative style and the preponderance of left-wing formations as the object of hoaxes are also demonstrated. [ABSTRACT FROM AUTHOR]

This paper analyses the communication strategy of the main Spanish political parties on TikTok after the embryonic phase of 2020. Through content analysis, it identifies in quantitative and qualitative terms the use of TikTok by the PP, PSOE, Podemos and Vox, by observing their rate of publication, engagement and type of interaction, predominant themes and adaptability to narrative and discursive techniques. The study, which covers the period from 1 January to 31 December 2021, consists of 562 units of analysis. The results show a settlement and consolidation on the platform and a clear dominance by the Partido Popular and Podemos, as well as the firm emergence of the PSOE, absent until now. A growth in engagement can be seen, although little use is made of the interaction that the social network can facilitate in order to contribute to debate and social participation. The confrontation between leaders, accusations against the governing party and controversial topics, which reflect polarisation and emotionality, are those that achieve the greatest interaction, which shows that the spectacularisation of current politics finds in TikTok a means of dissemination that is easy to viralise. [ABSTRACT FROM AUTHOR]

This paper analyzes the use of Twitter by the candidates for the presidency of the Government of Spain of the five main parties at the national level -PSOE, PP, Vox, Podemos and Ciudadanos- of the general elections campaigns held in April and November 2019. The main purpose of our study is to determine the strategies used of the microblogging network by the leaders, both in terms of activity, interaction and notoriety and in terms of topics and discursive development, as well as their similarities and differences. The secondary objective is to study the evolution of these strategies both between the two campaigns and with respect to previous elections. To this end, the research is based on a content analysis methodology that studies quantitative, qualitative and discursive elements. The results reveal an uneven use of Twitter in terms of the frequency of updates, but similar in terms of its unidirectionality, with scarce interaction with other users and a predominance of tweets with their own content over retweets. The dissemination of other people's content was used almost entirely to promote the candidate's political party and, to a lesser extent, to interact with journalists. Dialogue with citizens was almost always residual, both in retweets and in responses. This utilitarian conception of the microblogging network was accompanied by a polarizing thematic selection, with an almost general preponderance of political issues over policy issues. [ABSTRACT FROM AUTHOR]

This paper analyses the evolution of the electoral use of Instagram in Spain, from its origins as a political communication channel to its current consolidation. A content analysis of eleven variables is applied to the formal, spatial, personal, thematic-discursive and interactive dimensions of the activity carried out on this social network by the candidates for the presidency of the Spanish Government of the parties that ran with the highest vote expectations in the General Elections of December 2015, June 2016 and April and November 2019 (571 posts). The results show the consolidation of Instagram as a political communication tool and the growing interest of the parties in it, as well as the increasing importance of short videos as a format. The electoral use of this social network is carried out with an increasingly mobilising intention, as evidenced both by the themes chosen and, above all, by the purpose of the publications, the spatial context represented and the hashtags used. The growing characterisation of candidates as leaders of the masses is also evidence of the personalisation of political leadership that occurs in this medium during electoral campaigns. Finally, the phenomenon of polarisation and the presence of populist stylistic traits are also beginning to be noticeable, as reflected in the increase in political issues and negative emotional appeals in the messages. [ABSTRACT FROM AUTHOR]