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Copyright of Ñawi: Arte, Diseño y Comunicación is the property of Escuela Superior Politecnica del Litoral and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of eHumanista is the property of Professor Antonio Cortijo-Ocana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The workshop ""Imagining what's next". Reflections upon genders and sexualities, writing and editorial practices", held by teachers of the Philosophy and Literature Faculty's Prison Outreach Program of the University of Buenos Aires, was an experience of re-entry and reconstruction of the pedagogical territory of the Ezeiza University Center of the IV Federal Penitentiary Complex, in Argentina, after the pandemic years' hardships. It is therefore worthwhile to observe, systematize and conceptualize the resources and strategies that teachers and students alike deployed as part of the process of re-engaging within the classroom. It is our purpose to contribute to the study on the literary, intimate, academic, political, and affective mechanisms that make up the field of pedagogical territories in prison. We approached several scenes and texts produced in this framework from the three disciplines that made up the workshop. We sought to explore the power of writing, editorial and pedagogical practices to counteract prison logics and create ways of repairing the damage inflicted on incarcerated persons. Thus, the community-building processes and the recourse to pleasure and desire as practices of resistance appear as guiding lines of the workshop we analyze in this paper. [ABSTRACT FROM AUTHOR]

In this paper I propose an anthropological framework for the analysis of sociocultural bounds between pleasure and whispering. To do so, I focus on the cultural practice of listening to online videos called ASMR (Autonomous Sensory Meridian Response) as an assisted sensibility that aimsto elicit pleasurable sensations through whispering and other light sounds. Although the pleasure in whispering refers to an individual experience, the attention to different sensory and sensual practices based on whispering reveals the implications of sonorities in contemporary culturalsensorium, their technological mediations and how they modulate identities, relationships and politics. The phenomenological, sensorial and vocal analysis of social practicesthrough this sonority gives us an account of pleasure as a sensorial disposition where intimacy and memory manifest themselves as sonorous affects and situated vibratory processes. [ABSTRACT FROM AUTHOR]

The Kantujira is an initiative which, once a month, convokes a substantial number of people in order to sing traditional songs in Basque in the streets of the Old Quarter of Donostia (as well as in different neighbourhoods in the city). There are similar initiatives in towns and cities throughout the Basque Country. In this paper, I analyse the multiple dimensions of the Kantujira, which is much more than a cultural event and a way of maintaining tradition, since it plays a significant role in sociability and in shaping collective identity, while at the same time it is a form of resistance and of protest; a resistance with a particular feature, that it is made up and expressed on the basis of shared pleasure, the pleasure of singing in a group in the street, so we can consider it as a playful form of resistance. My aim is to show that we cannot understand the satisfaction of group singing without alluding to all these other dimensions. In order to achieve that, I base the study on information gathered during my ethnographic participation in the Kantujira since early 2017 to present. [ABSTRACT FROM AUTHOR]

The aim of this paper is to provide an approach to the etho-aesthetic dimension in Marcuse's thought. The approach in this paper is built upon the following thesis: the etho-aesthetic dimension consists of the transformation of subjectivity based on artistic sensitivity and critical rationality from which social relations opposed to an advanced industrial society and its one-dimensional man are reconstructed materially and intellectually. The conclusion is the following: a Marcusian critical theory, inherited from Marx and Schiller, would be one capable of analyzing the potential qualitative changes of the subjects and social institutions to generate a higher level of rational development, equitable in the distribution of resources and in the generation of greater spaces of freedom. Its basis would be an etho-aesthetic attitude that does not take pleasure in squandering, but in the reflective experience of the sensible. [ABSTRACT FROM AUTHOR]

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