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Start Over Search Limiters Peer Reviewed Publication Year Range Last 50 years Language spanish Region rio de la plata region (argentina & uruguay)
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1. De compañeros de armas a "suizos vendidos". Las alternativas de la emigración político-militar argentina en el Estado Oriental del Uruguay (1838-1846).

Author

Etchechury Barrera, Mario

Subjects
*MILITARY history, *HISTORY
Abstract

The article examines the incorporation process of the so-called "argentine emigration", in war forces and political circles of Montevideo and its rural hinterland between 1838 and 1846. This phenomenon, full of tensions, had a strong impact on the reconfiguration of local identities and "parties". Starting from a quantitative analysis about the volume of the military "emigration" this paper postulates that the construction of two officers' groups in the Río de la Plata region - "Argentine" and "Oriental"- was in fact a slow and conflictive process and was still far from complete in the middle of the nineteenth century. [ABSTRACT FROM AUTHOR]

Published
2019
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2. Organografia del bandoneon y prácticas musicales: Logica diapositiva de los teclados del bandoneón rheinische Tonlage 38/33 y la escritura ideográfica.

Author

KRAPOVICKAS, MERCEDES

Subjects
*BANDONEON, *MUSICAL instruments, *TANGO (Dance)
Abstract

The bandoneon, a musical instrument created in Germany, is considered the instrument that structures tango as a defined musical genre.This paper focuses on the bandoneon keyboard layout in order to demonstrate the organizational logic behind it. It also considers the musical practices in use when this instrument was adopted in the Rio de la Plata area. From these historical perspectives we can begin to explain why this instrument spread so widely in the area and why it became a key instrument of tango. [ABSTRACT FROM AUTHOR]

Published
2012
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3. ENTRE MANCEBAS, VIUDAS Y CASADAS. EL ROMANCE DE LUIS DE MIRANDA Y LA CONSTRUCCIÓN DE UN IMAGINARIO RIOPLATENSE.

Author

Tieffemberg, Silvia

Subjects
*ARGENTINE poetry, *HISTORY
Abstract

Luis de Miranda, member of Pedro de Mendoza's fleet, wrote, probably around 1540, a composition in verse that is now known as Elegy Romance or simply Romance. Ricardo Rojas considered the poem to be the first literary composition of the Rio de la Plata in the early twentieth century. Since then, critics have read the Romance exclusively as a literary text. This paper proposes to read it taking into account its documentary context: the letter that Miranda himself sent to the King in 1545 and the Relación that Francisco Ortiz de Vergara sent to the Council of the Indies, at the end of which the Romance is copied. This reading, without excluding the literary dimension of the text, allows us to consider it integrating a discursive constellation whose purpose is eminently political. [ABSTRACT FROM AUTHOR]

Published
2013