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Copyright of Pasado y Memoria. Revista de Historia Contemporánea is the property of Pasado y Memoria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tonos Digital: Revista de Estudios Filológicos is the property of Servicio de Publicaciones de la Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Domínios de Lingu@gem is the property of Dominios de Lingu@gem and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios Interdisciplinarios de America Latina y el Caribe is the property of Instituto Sverdlin de Historia y Cultura de America Latina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Letrônica is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia y Comunicación Social is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mediterranea - Ricerche Storiche is the property of Mediterranea-Ricerche Storiche and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper analyzes the press control practices used by the provincial political powers of Entre Ríos between 1862 and 1870. This period was characterized by an increasing political dispute and the deepening of public debate. An indication of this process is the increase in the number of newspapers and the diversity of their political positions. Most of the newspapers were Federalists and supporters of Urquiza, but they maintained a space of discursive autonomy and what was published did not always go along the lines of the caudillo's interest. Also, there were Unitary and dissident Federal newspapers which were very critical of the provincial government and the figure of Urquiza. Respect for press freedom as a legitimating principle of the exercise of power prevented the development of legislation restricting that freedom and discouraged the practice of filing law suits for libel against publishers or journalist among provincial officials. Hence, the way in which political power managed to limit opinion was dominated by informal practices of political control. [ABSTRACT FROM AUTHOR]

This paper analyzes the conflictive implementation of freedom of the press in Buenos Aires, after the fall of Rosas' regime. It examines norms and the initiatives to reform them, some trials, government actions, and the debates within the legislature and the press. The study discusses the traditional interpretation according to which, in the province of Buenos Aires, those years were characterized by a wide freedom of expression. It also argues that the difficulties to implement freedom of the press in the 19th century are explained by the tension between the consideration of the press as a pillar of civilized, republican societies and, at the same time, as a corrosive agent of the social and political order. [ABSTRACT FROM AUTHOR]

Copyright of Dynamis is the property of Dynamis - Facultad de Medicina de la Universidad de Granada and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In El Torito de los Muchachos (1830), Luis Pérez deploys voices, not always Gauchos and Federalists, but sometimes Uniterian and literate, who utter fictional truths in the form of a confession. In a historical moment in which the press was a vehicle of influence on public opinion, Pérez aims his publications toward broad swaths of the public to include of illiterate groups through oral readings. This paper analyzes the ways in which these confessions allowed truths to stand up amid a war of words, as they sought to occupy an imagined public space on whose field discursive conflicts were fought. [ABSTRACT FROM AUTHOR]

Copyright of Procesos: Revista Ecuatoriana de Historia is the property of Universidad Andina Simon Bolivar, Sede Ecuador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Asclepio is the property of Consejo Superior de Investigaciones Cientificas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article discusses the political change that took place in Spain in 1814, also known as the Restoration, in which Ferdinand VII was installed as king. The author comments on the reporting of the return of an absolutist monarchy in Spain in the American press, which reacted negatively to the change. She also provides a comparative analysis of reaction to the change in both American and Spanish newspapers. The influence of the 1812 enactment of the Constitution of Cadiz on the political change is also examined.

Copyright of Revista Escuela de Historia is the property of Revista Escuela de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The rise of the novel in Argentina was closely related to the Buenos Aires's press. On the one hand, newspapers became tools to shape the public opinion; on the other hand, they developed into fields where the novel was used to explore the processes of social changes. This paper has been dedicated to the analysis of the South American newspaper (1884-1892) and its serials, as far as its communicational strategies that joined every section may concern. At the same time, it has been written to investigate the use of the novel as a political instrument to reinforce the newspaper's propaganda. At first, it describes the Argentine press modernization process during the last two decades of the nineteenth century. Then, it provides details about the mayor features of South America regarding its treatment of political news. Finally, it considers some of the novels published in it, particularly Fruto vedado by Paul Groussac, focusing on its enunciation frames in order to establish links with other political messages of the newspaper. [ABSTRACT FROM AUTHOR]