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Copyright of Revista Latinoamericana de Bioética is the property of Revista Latinoamericana de Bioetica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ñawi: Arte, Diseño y Comunicación is the property of Escuela Superior Politecnica del Litoral and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The development of ceramic art as an aesthetic medium in Chinese education is significant aspect of contemporary fine arts education system. This study explored the status of contemporary status of ceramic arts in education and its linkage with aesthetic pleasure within the context of China. The dimensions considered in this study included integration of ceramic arts in the curriculum of Chinese universities, edu-communicative function of ceramic arts, the aesthetic characteristics of ceramic art and role of modern digital tools in spreading the art and craft associated with clay. To fulfill the aims of study and to reach an efficient conclusion, this study employed a qualitative approach. Using this approach, an overview of Chinese ceramic education was presented using both primary and secondary data, where the primary data was derived from interviews with informants from relevant universities. The findings of the study highlight that ceramic art is a significant aspect of contemporary Chinese arts education in its universities, which has the dual objective of develop artistic skills of students and also enhance the edu-communicative function of the ceramic art representing the Chinese culture. The findings revealed that ceramic art not only caried aesthetic elements but it was also a prime source of creating aesthetic pleasure as it played the role of aesthetic medium in education. It was evident that due to its aesthetic purpose, ceramic art demonstrated the notions of 'Art for Art's sake'. It has also been found that digital tools play a significant role in bringing innovation in ceramic art education and spread the skills of clay-art. The findings of this paper have numerous implications for the personnel and practitioners of Chinese fine arts institutions especially those who have curriculum related to ceramic art. [ABSTRACT FROM AUTHOR]

Copyright of Perinola is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Escritura e Imagen is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Derecho y Ciencias Sociales is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Psicoespacios is the property of Institucion Universitaria de Envigado and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Investigaciones Feministas is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of eHumanista is the property of Professor Antonio Cortijo-Ocana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The aim of this paper is to provide an approach to the etho-aesthetic dimension in Marcuse's thought. The approach in this paper is built upon the following thesis: the etho-aesthetic dimension consists of the transformation of subjectivity based on artistic sensitivity and critical rationality from which social relations opposed to an advanced industrial society and its one-dimensional man are reconstructed materially and intellectually. The conclusion is the following: a Marcusian critical theory, inherited from Marx and Schiller, would be one capable of analyzing the potential qualitative changes of the subjects and social institutions to generate a higher level of rational development, equitable in the distribution of resources and in the generation of greater spaces of freedom. Its basis would be an etho-aesthetic attitude that does not take pleasure in squandering, but in the reflective experience of the sensible. [ABSTRACT FROM AUTHOR]

The workshop ""Imagining what's next". Reflections upon genders and sexualities, writing and editorial practices", held by teachers of the Philosophy and Literature Faculty's Prison Outreach Program of the University of Buenos Aires, was an experience of re-entry and reconstruction of the pedagogical territory of the Ezeiza University Center of the IV Federal Penitentiary Complex, in Argentina, after the pandemic years' hardships. It is therefore worthwhile to observe, systematize and conceptualize the resources and strategies that teachers and students alike deployed as part of the process of re-engaging within the classroom. It is our purpose to contribute to the study on the literary, intimate, academic, political, and affective mechanisms that make up the field of pedagogical territories in prison. We approached several scenes and texts produced in this framework from the three disciplines that made up the workshop. We sought to explore the power of writing, editorial and pedagogical practices to counteract prison logics and create ways of repairing the damage inflicted on incarcerated persons. Thus, the community-building processes and the recourse to pleasure and desire as practices of resistance appear as guiding lines of the workshop we analyze in this paper. [ABSTRACT FROM AUTHOR]

The Kantujira is an initiative which, once a month, convokes a substantial number of people in order to sing traditional songs in Basque in the streets of the Old Quarter of Donostia (as well as in different neighbourhoods in the city). There are similar initiatives in towns and cities throughout the Basque Country. In this paper, I analyse the multiple dimensions of the Kantujira, which is much more than a cultural event and a way of maintaining tradition, since it plays a significant role in sociability and in shaping collective identity, while at the same time it is a form of resistance and of protest; a resistance with a particular feature, that it is made up and expressed on the basis of shared pleasure, the pleasure of singing in a group in the street, so we can consider it as a playful form of resistance. My aim is to show that we cannot understand the satisfaction of group singing without alluding to all these other dimensions. In order to achieve that, I base the study on information gathered during my ethnographic participation in the Kantujira since early 2017 to present. [ABSTRACT FROM AUTHOR]

In this paper I propose an anthropological framework for the analysis of sociocultural bounds between pleasure and whispering. To do so, I focus on the cultural practice of listening to online videos called ASMR (Autonomous Sensory Meridian Response) as an assisted sensibility that aimsto elicit pleasurable sensations through whispering and other light sounds. Although the pleasure in whispering refers to an individual experience, the attention to different sensory and sensual practices based on whispering reveals the implications of sonorities in contemporary culturalsensorium, their technological mediations and how they modulate identities, relationships and politics. The phenomenological, sensorial and vocal analysis of social practicesthrough this sonority gives us an account of pleasure as a sensorial disposition where intimacy and memory manifest themselves as sonorous affects and situated vibratory processes. [ABSTRACT FROM AUTHOR]

Copyright of Revista Prisma Social is the property of Revista Prisma Social and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Medievalia is the property of Instituto de Investigaciones Filologicas - UNAM and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Apuntes: Revista de Ciencias Sociales is the property of Universidad del Pacifico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Profesorado: Revista de Currículum y Formación del Profesorado is the property of Profesorado: Revista de Curriculum y Formacion del Profesorado and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of International Journal of Political Philosophy / Las Torres de Lucca is the property of Revista Las Torres de Lucca. Facultad de Filosofia, Ciudad Universitaria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Papeles del CEIC is the property of Centro de Estudios sobra la Identidad Colectiva, Facultas de Ciencias Sociales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Hypnos is the property of Hypnos / Instituto Hypnos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Bajo Palabra: Journal of Philosophy is the property of Bajo Palabra: Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Española de Sociología is the property of Federacion Espanola de Sociologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Instantes y Azares: Escrituras Nietzscheanas is the property of Instantes y Azares: Escrituras Nietzscheanas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pasos: Revista de Turismo y Patrimonio Cultural is the property of Universidad de La Laguna, Instituto Universitario de Ciencias Politicas y Sociales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Praxis Filosófica is the property of Universidad del Valle and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper provides empirical evidence about the relevance of people's happiness idea in the research of the relationship between economic factors and level of self-reported happiness. Through the statistical analysis of data from the National Survey of Satisfaction with Life and Society, prepared by the National Autonomous University of Mexico (UNAM), it has been found that, although economic factors are in general important for people's happiness, for those who understand happiness as "pleasure and money" or as "effort and sacrifice", the quantity of economic factors that affect the level of happiness is reduced. [ABSTRACT FROM AUTHOR]

Copyright of Ra Ximhai is the property of Universidad Autonoma Indigena de Mexico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Nomadas (01217550) is the property of Universidad Central and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Objectives: The aims of this paper are: 1) To explain relationships based on submission as a defensive type of linking which creates a "controlled vacuum", whose purpose is to fill up an inner state of emptiness or vacuum caused by disinvestiture of the parental object; 2) To propose a more precise definition of the concept of "relationships based on submission", and to differentiate them from relationships based on dependency and masochism. Development: This paper was built on case material, which was then confronted with theoretical concepts from the psychoanalytic clinic of the negative, as well as with relationships based on dependency and submission. Conclusions: It is concluded that the relationships based on submission are not an issue of a gain of masochistic pleasure by the subject, but rather a compulsive tendency to fill up a vacuum left by disinvestiture of the parental object through idealization of the object to which the subject submits. Because of that the search for masochistic pleasure is not offered as an interpretation to the patient. Here a matter of dependency arises. In this case with an analyst like me, auxiliary, that allows the patient to get the recovery of the disassociated parts of the self as well as a progressive disidealization of the object to which the subject submits. This in order to tolerate the emptiness and recover his/her sexuality as a search of pleasure. [ABSTRACT FROM AUTHOR]

Copyright of Byzantion Nea Hellás is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Estudios de Filosofía is the property of Universidad de Antioquia, Instituto de Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Lenguaje y Textos is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios Filosóficos is the property of Estudios Filosoficos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Objective: The feeling of happiness in this life appears only in brief moments as it is not a permanent state of being. The feeling of happiness is punctual and arises as a result of the acceptance of --been what we are-- and accepting ourselves. Development: In the moments of happiness occurs the perception of scenes that appear in a given time. At that moment the perception establishes an unconscious association with traces of memories and fantasies of a very early time of repressed childhood. It is a involuntary mental phenomenon, unconscious and unrepeatable, in the sense that it would always be a new experience, not identical to the previous one. Conclusions: The capacity of the subject to experience depersonalization and let them be carried in a state of regression, will allow the emergence of these moments of happiness, also called moments of ecstasy. In this paper the difference that exists between: inner peace, joy, pleasure and tranquility, is presented. [ABSTRACT FROM AUTHOR]

Copyright of Estudios Filosóficos is the property of Estudios Filosoficos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper examines the issue of pleasure in teachers' work at university, from an integrative perspective involving social, cultural, historical and economical aspects. In order to reach a comprehensive understanding of this matter, a brief explanation will be presented of the different meanings that pleasure as a concept has taken on throughout history. In addition, there will be a reference to the way these concepts have influenced social relationships and, particularly, the experience of pleasure when working in academic settings. In this sense, the article will analyse the following problematic situations, i.e., the socio-historical conditions in which teaching is developed, special relationships between subjectivity, identity and pleasure and the topics that make pleasure easier or harder to attain at work. Finally, a reflection is presented as regards transformation strategies designed to recover collective spaces in academic work. [ABSTRACT FROM AUTHOR]

In this paper I try to show the difference between the concept of tò posón, mathematical proportion, valid in the realm of cuantifiable realities, and the concept of tò métrion, the due measure, valid in the realm of not cuantifiable human activities. My argument connects these two concepts from Philebus with the two types of measure discussed in Statesman: that which measures contraries in relation to each other, and that which measures a pair of contraries in relation to the due measure, i.e., what is fitting, the right moment, what is as it ought to be. [ABSTRACT FROM AUTHOR]

Copyright of Revista FAMECOS - Mídia, Cultura e Tecnologia is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In Plato's Philebus there is a distinction between real and false pleasures. Plato calls false pleasure those that come from false stimuli and real those that come from real stimuli. The movie Matrix makes a distinction very close to this one and we ask in this paper: Are pleasures that come from false stimuli false? [ABSTRACT FROM AUTHOR]

Copyright of Letras (0326-3363) is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper approaches a reflection on the practice of pleasure as the main position in literature didactics, nowadays installed among teachers, and encouraged by the new Education Federal Law, the training courses and the publishing industry. This reflection begins with an inquiry about the origin of the idea of pleasure (some kind of unsuccessful or incomplete reading from The Pleasure of the Text, by Roland Barthes), that circulates in the educational environment as an apparent democratic approach to literature. Likewise, it puts forward a redefinition of the term, based on the opposition to the notion of enjoyment or desire, that emerges from a deeper reading of the same work. Once clarified the "barthesian" sense of this practice of pleasure as a way of approach to literature, we try to carry out a criticism to this elitist position implied in Barthes' idea, and propose -- starting from Pierre Bourdieu's studies-- a literature didactics that guarantees a real democratization in the enjoyment of reading. [ABSTRACT FROM AUTHOR]

Copyright of Stylos is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cultura Educación y Sociedad is the property of Corporacion Universidad de la Costa, CUC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Eletrônica de Ciência Administrativa is the property of Instituto Brasileiro de Estudos e Pesquisas Sociais and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Derecho del Estado is the property of Universidad Externado de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article looks into the possibilities of a body assembled with data, understanding digital data as a new medium: a medium that is part and parcel of digital media. It is a medium of the body that uses the pleasure principle of gaming and its belief system towards a competitive biopolitical improvement of the neoliberal self. But at the same time, as a medium, it is a space for disputing meanings, where art plays a privileged role into looking for new purposes and sensorial ways to use the data. The expansion of data is compared with that of photography in order to identify belief mechanisms regarding these media as scientific truth, trace and spectrum. Data as a medium is characterized by being massive, containing diverse temporalities and, ideologically, defining the present to direct potential futures. We examine examples from the art field that open up possibilities for sensitive knowledges to understand and embody the data. [ABSTRACT FROM AUTHOR]

Copyright of Salud Mental is the property of Instituto Nacional de Psiquiatria Ramon de la Fuente and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Vniversitas is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)