Search

Copyright of Anuario Calderoniano is the property of Anuario Calderoniano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Imago (22549633) is the property of IMAGO Revista de Emblematica y Cultura Visual and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En este artículo se estudia la naturaleza de uno de los manuscritos autógrafos de última intención de los autos sacramentales que Calderón hizo al final de su vida, y se analiza su función en el intento de establecimiento de un texto crítico definitivo. En paralelo se exponen algunas soluciones de ecdótica práctica que se han aplicado y que pueden servir como modelo en situaciones similares, especialmente las referidas a las variantes de autor, al tratamiento aplicado a las modificaciones en los paratextos --las aquí denominadas "variantes paratextuales"--, y al establecimiento del estema de una loa sacramental que fue empleada junto a autos sacramentales diferentes. [ABSTRACT FROM AUTHOR]

This article returns to bring to the forefront the important role they played music and poetry in the life of Carmel reformed by St. Teresa of Jesus. Music was simplified to the maximum in the liturgy to mark its sacredness and end, following the mandates of the Council of Trent, the abuses it had been introduced. However, in the form of sung poetry, coplas, reached a great development in the daily life of the Carmelites Discalced, especially in recreation, central moments in the life of fraternity. The Carmelites, following the model of Santa Teresa, adapted to life in the convent across the countless songs that marked the rhythm of life at the time, and created a poetic school-alive time-until recently, unprecedented in the poetry written by women from the Provencal trobairitz. [ABSTRACT FROM AUTHOR]

This paper's aim is to establish the importance of St Peter Canisius's Summa christianae -and St John of Avila's Doctrina, one of its main sources- in the making of catholic catechisms during the period between the Council of Trento and the II Vatican Council. After a biographical account of St Peter Canisius and the writing of his catechisms, the influence of the Summa is analyzed, its text having become the semiofficial catechism of the Jesuit Company and its study having been declared compulsory in a greater part of the catholic world. The structure of the Summa is briefly analyzed. Also its relation with St John of Avila's Doctrina Cristiana and the spreading of its use in teaching, especially through catechisms written by Jesuits (Bellarminus, Marcus Jorge, Astete, Ripalda...). [ABSTRACT FROM AUTHOR]