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Anclajes, from its beginnings and until today, has fostered the dissemination of articles and book reviews linked to descriptive linguistics, sociolinguistics and the historiography of the languages of Latin America. This paper reviews how the publication has witnessed, during the last twenty-five years, the advances and changes in research on Amerindian languages, cultures and literatures. [ABSTRACT FROM AUTHOR]

Over the last decade, studies on masculinities have become a growing field of scholarship in Argentina. This paper provides a preliminary state of the art and critical account of the latest research on the topic. We emphasize the relation of these studies with others on sexual diversity, identifying important ongoing debates and alerting about vacant areas of inquiry. Focusing on an assessment of both fields' most important contributions, the paper deals with two major sets of disciplines: history, sociology and anthropology on one hand, and literary, cinematographic and cultural studies on the other. [ABSTRACT FROM AUTHOR]

Juan José Saer’s literature and essays, as well as most of the criticism about the author, allow for exploration of the idea of “zone” expressed in diverse forms throughout his career. This paper attempts to revisit some of these considerations and address the pictorial aspect of his works. The various avant-garde movements that began to emerge between the late fifties and early sixties helped shape a new image of the Argentine littoral region. Saer, who often met with avant-gardists in the cities of Santa Fe and Rosario, joined in these literary and visual renewal movements and incorporated into his literature forms, materials, and manners of observation that resulted from these various abstract tendencies, mainly abstract expressionism and geometric abstraction. The aim here is to observe how Saer “disrealizes” the traditional landscape based on these figures and thus challenges the hasty relationship that early critics established between his texts and a more or less traditional realism. [ABSTRACT FROM AUTHOR]

A widely accepted hypothesis among readers and critics states that Oliverio Girondo maintained an avant-garde position throughout his literary career. However, it is possible to read an unsuccessful attempt at avoiding experimentation in his intermediate works, such as Interlunio (1937), Persuasión de los días (1942), and Campo nuestro (1946), written between two different avant-garde periods in Buenos Aires: one in the 1920s, the other in the 1950s. In analyzing these works, this paper shows Girondo’s hesitations about the idea of literary renewal following the 1920s, as well as the influence of nationalist ideals that contrast the internationalism that he had expressed in his preliminary works. It also explains his subsequent radicalization, in the late 50s, stemming from his connection with a group of young poets that sought to reclaim a place for experimentation. [ABSTRACT FROM AUTHOR]