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The poetic work of Esther Tapia de Castellanos is a key piece for the understanding of two fundamental cultural phenomena in the process of construction of the national project of the Mexican liberals; from the perspective of the political use of literature, it contributes to the configuration of one / another sense of Homeland, because his poems propose feminine images that endow the face of the nation with the idea of a nation that tried to settle down in those years; from the purely literary representation, his poetry is full of portraits of the must be of the Mexican woman. In the communion of both aspects Esther Tapia's poetry is, at the same time, an exercise of acceptance of the roles traditionally imposed on women and a subversive act against them, if we consider that the incursion of women in the field of the literary creation goes beyond the limits of the closed and intimate space of the home and appropriates the public scenarios reserved for the male. In this paper we propose an approach to the poems of Esther Tapia that were published in the nineteenth century press. We took as a starting point the notion of Homeland to analyze from the poetic mechanisms employees, the way in which the female subject is refracted in the texts of this author. [ABSTRACT FROM AUTHOR]

This article analyzes the editorial position of the Peronist magazine Línea in the face of the formation of the Multipartidaria between 1981 and 1982, during the Argentine military dictatorship (1976-1983). The Multipartidaria brought together the main Argentine political parties and functioned as a tool to pressure the military government of the time to lay the foundations of the transition to democracy. However, it featured a more "moderate" sector, inclined to the agreement with the dictatorship, and a "harder" one, not inclined to agreement with the dictatorship. The paper studies how Línea evaluated the emergence of this new political space, what position it should adopt in the face of the dictatorship and how the Peronism that integrated it was to be handled. [ABSTRACT FROM AUTHOR]

This article presents a part of the research study regarding the process of constructing representations within the national and international press about the Revolutionary Armed Forces of Colombia -- People's Army (FARC -- EP) throughout a period from its inception as a guerrilla group in 1964, to its consolidation as an army which set the Colombian State on edge in 1996. This paper is exclusively focused on the months of May to June 1984, the first month of the ''ceasefire'' agreed with the government of President Belisario Betancur (1982 -1986). The ambivalence of representations is discussed herein, as well as how the image of a narco-guerrilla gradually takes shape. [ABSTRACT FROM AUTHOR]

This paper analyzes the representations and narratives about young people in the press of Costa Rica as part of the student protests that occurred between 2010 and 2011. To this end, the text problematizes the media coverage made by major newspapers about youth practices and as this evidence the complex crisis of the institutionality anchored in values that are constructed and enacted from a logic of "exclusion power" adult-centered. The analysis of this situation allows us to understand how they are constructed media events that are part of political agendas based on the feeling of insecurity. [ABSTRACT FROM AUTHOR]

The purpose of this paper is to analyze the phraseology adopted by women's magazines in Argentina during the early 1990s, based on two cases that embody different approaches: a traditional one (Para Ti) and a more feminist-oriented approach (Women & Company). The analysis focuses on styles and personal pronouns to track the ways in which the relationship between the speaker and listener is constructed. [ABSTRACT FROM AUTHOR]