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After its institutionalisation during the early 1970s through the creation of the first faculties of Communication Sciences, Spanish communication research consolidates as a disciplinary field in the 1990s. During this period, the increasing number of universities degrees on communication studies led to an exponential growth of the academic community and, so, of the scientific production in the field. The enormous efforts of meta-research carried out in the last decade, specially focused on the study of peer-reviewed journals, and to lesser extent of PhD theses, have allowed the reconstruction of some relevant aspects of the current communication research in Spain. Nevertheless, these studies have not considered sufficiently those elements which would allow to identify the general epistemological orientation followed by the scientific activity in the field of communication. This paper intends to contribute to this research line. For this purpose, a content analysis has been applied to a sample of 1098 papers published between 1990 and 2014 by six major peer-reviewed communication journals, in order to observe the evolution of the objects of study and the methodological procedures in Spanish communication research during this period. The results show a progressive diversification of the objects of study, the pre-eminence of the studies on media content, a growing neglect of the institutional dimension of the media system (companies, professionals, markets, public policies, etc.), a decreasing interest on theoretical research, a gradual improvement of the methodological standards of empirical research, and a growing dominance of quantitative research, specially by means of content analysis applied to media documents (news, advertisements, television series, etc.). The observed trends are put for discussion considering the consequences that could have be generated on Spanish communication research by the changes of the media system (the growth of the communication sector, the advent of digitalization, etc.) and by the updated institutional context (the autonomy of university degrees in communication studies, the implementation of the Academia teaching acreditation programme) on which scientific activity has deveolped over the past 25 years. [ABSTRACT FROM AUTHOR]

In this paper the characterization of the work of art as a map of intensity, as proposed by Gilles Deleuze in his essay What the children say (gathered in Critique et clinique), will be analyzed. Art's cartographic aspect is linked to the concept of deterritorialization and the Body without Organs that the philosopher, along with Félix Guattarí, develops in Thousand Plateaus. Thus, the art-cartography represents the becoming-world of the subject that transits the Body-without-organs and the intensive differences that populate the desert of multiplicity. Each way travelled is descripted by an artistic map where the haecceities and the thresholds of flows that pierce through the disorganized bodies are portrayed. The map of intensity would be the cartographic representation of the haul travelled by a subject immersed in a hodologic space, being every line of the map a journey within an intensive space. [ABSTRACT FROM AUTHOR]

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During the last months, the impact of coronavirus on society has been emerging as a key factor in understanding how social reality works. This paper considers the pandemic as a total social fact (Mauss,1923), involving a lot of social aspects and domains. Starting from Camus and Foucault's description of the plagued city and through close observation of life during the lockdown, this paper aims to describe the effects of the epidemic in the social field, and also in the cultural and symbolic sphere. The analysis of the social crisis originated from the spread of the virus, focusing on the construction of new strategies to face the isolation and to generate a new sense of community, can illustrate the potential effects of these transformations on our present and future lives. [ABSTRACT FROM AUTHOR]

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The aim of this paper is to provide an approach to the etho-aesthetic dimension in Marcuse's thought. The approach in this paper is built upon the following thesis: the etho-aesthetic dimension consists of the transformation of subjectivity based on artistic sensitivity and critical rationality from which social relations opposed to an advanced industrial society and its one-dimensional man are reconstructed materially and intellectually. The conclusion is the following: a Marcusian critical theory, inherited from Marx and Schiller, would be one capable of analyzing the potential qualitative changes of the subjects and social institutions to generate a higher level of rational development, equitable in the distribution of resources and in the generation of greater spaces of freedom. Its basis would be an etho-aesthetic attitude that does not take pleasure in squandering, but in the reflective experience of the sensible. [ABSTRACT FROM AUTHOR]

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Tourism is a social activity and as such generates impacts. In some cases it can be an ally for the preservation of culture, but in other cases it can cause important changes in the culture of the people, especially when it is carried out in an unplanned manner. This paper describes the changes in the cultural expressions of the Pampa Michi Native Community that were exposed to tourism between 1998 and 2019. The study is conducted from a qualitative approach and narrative design; for this purpose, semi-structured interviews and life histories were used as instruments for data collection. According to the results, the cultural expressions of the community have changed and now show new dances such as the pandilla or anaconda, as well as new designs and colors in their typical clothing, and new products and materials in their handicrafts. In conclusion, the cultural expressions of the community that were exposed to the tourist activity changed since the beginning of tourism in the locality in 1998, until 2019, the year of the beginning of the pandemic. [ABSTRACT FROM AUTHOR]

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