Search

Copyright of Aula (0214-3402) is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tiempos Modernos is the property of Tiempos Modernos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia y Comunicación Social is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ayer: Revista de Historia Contemporánea is the property of Asociacion de Historia Contemporanea and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of OHM: Obradoiro de Historia Moderna is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper presents a study on the notion of female readers in various medical treatises published in Spain throughout the 19th century. This analysis sheds light on many of the aspects concerning the study of the figure of the female reader that was so common during this historical period. In this journey, we will discover science's attempt to pathologize the activity of reading when it is carried out by women, revealing the fear that underlies the possibilities of gender reconfiguration that may be provided through reading. [ABSTRACT FROM AUTHOR]

Copyright of Historia Agraria is the property of Historia Agraria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Pursuant to the Royal Order of July 25, 1946, issued by the Ministry of Government, the Council Architect of Alicante Emilio Jover Pierron made the General Plan of the city of Alicante. His work, which started immediately in 1846, led to a document which contained the alignment of the buildings existing at the time, and also the future plans, consisting in the modification of some previous buildings and the creation of new ones. This plan was the first graphical instrument of this nature affecting the whole of the city; nevertheless, such an interesting item has been now missing since 1990. This paper summarizes the study of the only remains of the document and the work leading to its recovery through digital reconstruction. [ABSTRACT FROM AUTHOR]

This article discusses the political change that took place in Spain in 1814, also known as the Restoration, in which Ferdinand VII was installed as king. The author comments on the reporting of the return of an absolutist monarchy in Spain in the American press, which reacted negatively to the change. She also provides a comparative analysis of reaction to the change in both American and Spanish newspapers. The influence of the 1812 enactment of the Constitution of Cadiz on the political change is also examined.

Copyright of Historia Mexicana is the property of El Colegio de Mexico AC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article focuses on the cultural policy in Catalonia, Spain, during the nineteenth century that was promoted by civil associations with independence from government agencies. Topics discussed include tensions between Catalonia and the Spanish central government that resulted in the formation of associations by civilians in the region to operate without any relation with political agendas; a cultural policy of bourgeois society that emerged in the first half of the nineteenth century; and cultural agenda of an association of Catalan architects called Grup d'Arquitectes i Tècnics Catalans per al Progrés de l'Arquitectura Contemporània (GATCPAC).